Nov 9, 2026

[공지] 이미지 생성 지연 및 GPU 자원 부족에 관한 안내 — PixAI 커뮤니티 여러분, 안녕하세요. 항상 PixAI를 이용해 주시고 보내주시는 관심과 성원에 진심으로 감사드립니다. 최근 PixAI 서비스 전반에서 생성 속도가 저하되고 대기 시간이 평소보다 길어지는 현상이 발…

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セクサロイド

セックス専用アンドロイド

게시일 Nov 9, 2026

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sexaroid, android, beautiful girl, solo, single figure, specification sheet, character sheet, technical document layout, vertical composition, tall portrait format, full body, from above, high angle, looking up at viewer, head tilt, reclining, lying on side, forearms braced, glossy skin, chromatic silver hair, long straight hair, hair spreading on floor, doll-like face, half-closed eyes, seductive smile, faint blush, glossy lips, articulated joints, visible seam lines, panel lines on skin, synthetic navel, matte white plating, exposed mechanical waist joint, cable bundle at nape, diagnostic callout lines, measurement arrows, illegible micro-text blocks, product code, open palm, other hand at collarbone, bare shoulders, unadorned, bare ears, bare throat, sculpted chassis, cool white studio sweep, hard key light from upper left, deep soft shadow under the body, cyan and pearl palette, polished abs plastic sheen, masterpiece illustration The camera looks down from above at a steep high angle onto a seamless white studio sweep where a single female-presenting android lies on her left side, so the whole vertical frame is filled by her body running from skull at the top to the tips of her toes near the bottom edge, and the empty white ground around her is the document's margin. Her head is tilted back over her left shoulder toward the lens, chin lifted, so she looks straight up at the viewer past her own brow: one eye half-closed under a lowered lash line, the other open and steady, both irises a pale glassy cyan, lips parted in a small knowing smile with a faint blush hot along the cheekbone and a wet highlight on the lower lip. Her long straight silver-white hair fans out flat across the sweep above and behind her head, individual strands separated and catching the key light, a few lying across her bare shoulder. Her torso is turned three-quarters toward the camera so the chest and flank are readable as a single sculpted chassis: matte white plating over the shoulders and collarbones, glossy blended skin over the flank and thigh, and one dark seam running down the sternum with a hairline of cyan light inside it. At the waist, the plating is cut away and the internal mechanical joint is exposed — a ring of dark ringed vertebrae, two brass-free steel pistons and a short bundle of pale cables seated in a shallow recess, the skin stopping cleanly at the edge of the cut with a cast inner shadow. A thin bundle of the same cables runs up the nape of her neck into the hairline. Her right arm is raised, forearm braced flat on the floor beside her head, elbow bent, palm open and turned up and fingers loosely curled; her left hand rests flat on her own collarbone, fingertips just touching the rim of the white plate, and her shoulder is pushed up by the contact. Her left hip carries her weight, the glossy thigh above it compressed slightly where it meets the floor, and her legs run together down the frame, knees bent, one ankle crossed over the other, toes pointed. Because the light comes hard from the upper left, a narrow specular streak runs down her left shoulder, the crest of her hip and the top of her thigh, while cast shadows pool beneath her jaw, inside the waist recess, under her breast and in a long soft-edged shadow spread along the floor to her lower right; the white ground stays bright and ungraded everywhere else. Down the right-hand margin of the frame a column of technical annotation overlays the scene in fine dark grey linework: leader lines with small arrowheads that land exactly on the seam beneath her collarbone, on the exposed waist joint, on the cable bundle at her nape and on the joint of her raised elbow, each terminating in a short stack of small illegible specification micro-text; two dimension arrows bracket her torso with a clean measurement gap between their tips, and a small block of denser illegible text sits in the lower left corner of the sheet, all annotations perfectly flat and parallel to the frame edges while her body curves away from them. Her ears are completely bare and her throat and collarbone are unadorned, nothing at the neck, no jewelry anywhere on her. The palette is held to pearl white, cool grey, glassy cyan and the warm blush tone on her skin, with the studio ground pure and bright so the dark grey annotation lines and the black seam read crisply against it. Her hair lifts a little at the crown where her head presses the sweep and settles back into place. Polished, quietly clinical sensuality.

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