[공지] 이미지 생성 지연 및 GPU 자원 부족에 관한 안내 — PixAI 커뮤니티 여러분, 안녕하세요. 항상 PixAI를 이용해 주시고 보내주시는 관심과 성원에 진심으로 감사드립니다. 최근 PixAI 서비스 전반에서 생성 속도가 저하되고 대기 시간이 평소보다 길어지는 현상이 발…
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- masterpiece, best quality, highres, 1girl, hayami_kanade,solo, upper body, slight turn, looking at viewer, serious expression, cold gaze, white military uniform, double-breasted jacket, red lapel, gold ornament, black tie, black pleated skirt, wide belt with buckle, chain accessory, white cape, red lining, epaulettes, white thighhighs, garter straps, garter belt, tight fit, flesh pressure, subtle skin indentations, opaque white socks, machinery background, yellow abstract background, sharp focus, detailed clothes, intricate design
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- Euler
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- lowres, worst quality, low quality, bad anatomy, explicit
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비슷한 작품
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s6
character: hayami_kanade
1girl, solo, upper body, cowboy shot, slight turn, looking at viewer, serious expression, cold gaze, half-closed eyes, short hair, blue hair, black hair, parted bangs, yellow eyes, white military uniform, double-breasted jacket, red lapel, gold ornament, black necktie, black pleated skirt, wide belt with buckle, chain accessory, white cape, red cape lining, epaulettes, white thighhighs, garter straps, garter belt, tight fit, clothes pressing into flesh, subtle skin indentations, opaque white socks, machinery background, yellow abstract background, sharp focus, detailed clothes, intricate design, dutch angle, from below, arm support, contrapposto, clenched hand at collar, cape billowing
The camera sits low and a few degrees off axis, tilted slightly, so the girl's upper body fills the frame and looks down at the viewer — from below, a shallow dutch angle tipping the horizon. She is caught in a slight turn: her shoulders are angled three-quarters toward the left of frame while her chin comes back over her right shoulder blade, head turning further than the torso, and her eyes land straight on the lens. Her expression is serious, mouth closed and level at the corners, brows drawn a fraction together, upper lids lowered so the yellow of her irises reads narrow and cold above small catchlights; the parted bangs fall over the brow and one lock drops between her eyes. Her short blue-black hair, brightest blue at the crown and deepening to black at the ends, is cut around the jaw, the tips lifting away from her cheek on the side her turn has swung forward. A slight weight shift onto her right hip and leg carries the posture, shoulders held back and level; her left hand rises to grip the red-edged collar of the jacket at her throat, knuckles pressed white into the double-breasted front, fingertips curling the fabric, while the right arm disappears out of the bottom of the frame. The white military jacket is buttoned in two columns down the chest, the fabric close enough that the seam lines draw faint indents into the chest and shoulders, a soft compressed ridge where the collar presses the base of the neck; each red lapel folds back in a hard-edged notch, two rows of gold ornamental buttons and a braided gold aiguillette at the shoulder catch the light, and the black necktie sits knotted tight in the V of the collar. Gold epaulettes with fringed ends ride the tops of the shoulders. The white cape falls from them, the outer white face curving down behind her back and one corner swinging forward across her left arm; the inside of the fold turned toward the camera flares crimson, and the hem bellies away from her body as if a draft were moving behind it, its edge lifting. The wide belt is cinched hard over the waist with a square gold buckle centered on it, and a fine gold chain accessory loops from the belt down across her hip. Below it a black pleated skirt breaks out of frame, the pleats fanned by the turn. The white thighhighs are tight on the thigh with the band pressing a shallow line into the skin; the garter belt's straps run down from under the skirt to the stocking tops, and the opaque white socks continue to the bottom edge. Behind her, machinery: pumping arms, a piston housing, ribbed cables and bolted plate steel in dull greys and blacks, rendered in flat sharp planes. Over and between the machinery, an abstract yellow field — broad bands and torn geometric blocks of warm saturated yellow sweeping counter to the dutch tilt, painted flat and hard against the darker machine metal, so the yellow reads as a graphic layer of sun-colored shape rather than a light. A single cold key light comes from the lower left, raking up her throat and the underside of her chin, striking the gold epaulettes and buckle into bright specular points while the hollows behind her jaw and above the collar go deep; a thin rim of yellow ambient kicks off the cape's white edge and nothing else is lit. Palette: white, red, black and gold held against the saturated yellow abstract field. Every surface — the jacket's seams, the chain's links, the pleats, the piston housings — is rendered with sharp focus and intricate detail. Cold, poised.
sute69
s6
character: hayami_kanade
1girl, solo, upper body, cowboy shot, slight turn, looking at viewer, serious expression, cold gaze, half-closed eyes, short hair, blue hair, black hair, parted bangs, yellow eyes, white military uniform, double-breasted jacket, red lapel, gold ornament, black necktie, black pleated skirt, wide belt with buckle, chain accessory, white cape, red cape lining, epaulettes, white thighhighs, garter straps, garter belt, tight fit, clothes pressing into flesh, subtle skin indentations, opaque white socks, machinery background, yellow abstract background, sharp focus, detailed clothes, intricate design, dutch angle, from below, arm support, contrapposto, clenched hand at collar, cape billowing
The camera sits low and a few degrees off axis, tilted slightly, so the girl's upper body fills the frame and looks down at the viewer — from below, a shallow dutch angle tipping the horizon. She is caught in a slight turn: her shoulders are angled three-quarters toward the left of frame while her chin comes back over her right shoulder blade, head turning further than the torso, and her eyes land straight on the lens. Her expression is serious, mouth closed and level at the corners, brows drawn a fraction together, upper lids lowered so the yellow of her irises reads narrow and cold above small catchlights; the parted bangs fall over the brow and one lock drops between her eyes. Her short blue-black hair, brightest blue at the crown and deepening to black at the ends, is cut around the jaw, the tips lifting away from her cheek on the side her turn has swung forward. A slight weight shift onto her right hip and leg carries the posture, shoulders held back and level; her left hand rises to grip the red-edged collar of the jacket at her throat, knuckles pressed white into the double-breasted front, fingertips curling the fabric, while the right arm disappears out of the bottom of the frame. The white military jacket is buttoned in two columns down the chest, the fabric close enough that the seam lines draw faint indents into the chest and shoulders, a soft compressed ridge where the collar presses the base of the neck; each red lapel folds back in a hard-edged notch, two rows of gold ornamental buttons and a braided gold aiguillette at the shoulder catch the light, and the black necktie sits knotted tight in the V of the collar. Gold epaulettes with fringed ends ride the tops of the shoulders. The white cape falls from them, the outer white face curving down behind her back and one corner swinging forward across her left arm; the inside of the fold turned toward the camera flares crimson, and the hem bellies away from her body as if a draft were moving behind it, its edge lifting. The wide belt is cinched hard over the waist with a square gold buckle centered on it, and a fine gold chain accessory loops from the belt down across her hip. Below it a black pleated skirt breaks out of frame, the pleats fanned by the turn. The white thighhighs are tight on the thigh with the band pressing a shallow line into the skin; the garter belt's straps run down from under the skirt to the stocking tops, and the opaque white socks continue to the bottom edge. Behind her, machinery: pumping arms, a piston housing, ribbed cables and bolted plate steel in dull greys and blacks, rendered in flat sharp planes. Over and between the machinery, an abstract yellow field — broad bands and torn geometric blocks of warm saturated yellow sweeping counter to the dutch tilt, painted flat and hard against the darker machine metal, so the yellow reads as a graphic layer of sun-colored shape rather than a light. A single cold key light comes from the lower left, raking up her throat and the underside of her chin, striking the gold epaulettes and buckle into bright specular points while the hollows behind her jaw and above the collar go deep; a thin rim of yellow ambient kicks off the cape's white edge and nothing else is lit. Palette: white, red, black and gold held against the saturated yellow abstract field. Every surface — the jacket's seams, the chain's links, the pleats, the piston housings — is rendered with sharp focus and intricate detail. Cold, poised.
sute69
s6
character: hayami_kanade
1girl, solo, upper body, cowboy shot, slight turn, looking at viewer, serious expression, cold gaze, half-closed eyes, short hair, blue hair, black hair, parted bangs, yellow eyes, white military uniform, double-breasted jacket, red lapel, gold ornament, black necktie, black pleated skirt, wide belt with buckle, chain accessory, white cape, red cape lining, epaulettes, white thighhighs, garter straps, garter belt, tight fit, clothes pressing into flesh, subtle skin indentations, opaque white socks, machinery background, yellow abstract background, sharp focus, detailed clothes, intricate design, dutch angle, from below, arm support, contrapposto, clenched hand at collar, cape billowing
The camera sits low and a few degrees off axis, tilted slightly, so the girl's upper body fills the frame and looks down at the viewer — from below, a shallow dutch angle tipping the horizon. She is caught in a slight turn: her shoulders are angled three-quarters toward the left of frame while her chin comes back over her right shoulder blade, head turning further than the torso, and her eyes land straight on the lens. Her expression is serious, mouth closed and level at the corners, brows drawn a fraction together, upper lids lowered so the yellow of her irises reads narrow and cold above small catchlights; the parted bangs fall over the brow and one lock drops between her eyes. Her short blue-black hair, brightest blue at the crown and deepening to black at the ends, is cut around the jaw, the tips lifting away from her cheek on the side her turn has swung forward. A slight weight shift onto her right hip and leg carries the posture, shoulders held back and level; her left hand rises to grip the red-edged collar of the jacket at her throat, knuckles pressed white into the double-breasted front, fingertips curling the fabric, while the right arm disappears out of the bottom of the frame. The white military jacket is buttoned in two columns down the chest, the fabric close enough that the seam lines draw faint indents into the chest and shoulders, a soft compressed ridge where the collar presses the base of the neck; each red lapel folds back in a hard-edged notch, two rows of gold ornamental buttons and a braided gold aiguillette at the shoulder catch the light, and the black necktie sits knotted tight in the V of the collar. Gold epaulettes with fringed ends ride the tops of the shoulders. The white cape falls from them, the outer white face curving down behind her back and one corner swinging forward across her left arm; the inside of the fold turned toward the camera flares crimson, and the hem bellies away from her body as if a draft were moving behind it, its edge lifting. The wide belt is cinched hard over the waist with a square gold buckle centered on it, and a fine gold chain accessory loops from the belt down across her hip. Below it a black pleated skirt breaks out of frame, the pleats fanned by the turn. The white thighhighs are tight on the thigh with the band pressing a shallow line into the skin; the garter belt's straps run down from under the skirt to the stocking tops, and the opaque white socks continue to the bottom edge. Behind her, machinery: pumping arms, a piston housing, ribbed cables and bolted plate steel in dull greys and blacks, rendered in flat sharp planes. Over and between the machinery, an abstract yellow field — broad bands and torn geometric blocks of warm saturated yellow sweeping counter to the dutch tilt, painted flat and hard against the darker machine metal, so the yellow reads as a graphic layer of sun-colored shape rather than a light. A single cold key light comes from the lower left, raking up her throat and the underside of her chin, striking the gold epaulettes and buckle into bright specular points while the hollows behind her jaw and above the collar go deep; a thin rim of yellow ambient kicks off the cape's white edge and nothing else is lit. Palette: white, red, black and gold held against the saturated yellow abstract field. Every surface — the jacket's seams, the chain's links, the pleats, the piston housings — is rendered with sharp focus and intricate detail. Cold, poised.
sute69
s6
character: hayami_kanade
1girl, solo, slight turn, looking at viewer, serious expression, cold gaze, short hair, blue hair, black hair, parted bangs, yellow eyes, white military uniform, double-breasted jacket, red lapel, gold ornament, black necktie, black pleated skirt, wide belt with buckle, chain accessory, white cape, red lining, epaulettes, white thighhighs, garter straps, garter belt, tight fit, flesh pressure, subtle skin indentations, opaque white socks, machinery background, yellow abstract background, sharp focus, detailed clothes, intricate design, cowboy shot, from below, dutch angle, head tilt, clenched hands, cape billowing, contrapposto, looking down on viewer,
From a low angle tilted a few degrees off vertical, a single short-haired girl holds the frame, her body angled a little away from the lens while her head comes back over her shoulder and her yellow eyes fix the viewer dead-on. Her blue-black hair is cut short with parted bangs falling across her brow; the rest is tucked and swings slightly against her cheek with the turn. A narrow chin and a flat, ice-cold stare: mouth set in a hard straight line, eyelids lowered a fraction, one brow level, no softness anywhere in it.
She wears a white double-breasted military jacket buttoned high, its collar edged in red, a black necktie knotted tight at the throat. Gold ornamentwork runs along the placket and catches on the shoulder boards of the epaulettes; a short chain accessory hangs from the belt line and swings a little free of the hip. The jacket is cut close -- it strains just perceptibly across the chest and the upper arms, the fabric pulling into faint tension creases, the pressure of the tight fit showing as subtle shallow indentations where the cloth presses into the skin. A wide white belt with a heavy buckle cinches her waist. Below it a black pleated skirt, and beneath that the white garter belt with taut straps running down to white thighhighs that grip the thigh so tightly the stocking tops leave a faint band pressed into the flesh. Opaque white socks complete the leg. A white cape falls from her shoulders, its red lining flashing where the cloth turns and billows away from her back.
The cape snaps out to one side as if a fan is blowing across the set, the red lining opening like a wound in the white fabric -- the one piece of physics the eye can check: it bellies outward in one direction, and the chain on her belt follows the same pull. Behind her, hard yellow fills a flat colour field, over which an abstract tangle of machinery is drawn: pipes, cylinder housings, ducts and stripped panel frames, rendered in flat silhouette so they read as graphic shapes against the yellow rather than as a real space. There is no floor line, no horizon and no other figure -- the machinery is a backdrop plane and she is the only thing in front of it.
Key light comes from high left and slightly behind, so the gold ornaments flare and the white of the cape shoulders glows while the underside of her chin, the inner pleats of the skirt and the shadowed machinery pits go dark yellow-black. Flat graphic shading with crisp edges; no bloom, no haze. Palette is strictly white, black, red, gold and the yellow ground, each landing where the costume puts it. Sharp focus, every seam, stitch and stud legible. Cold, and quietly commanding.
sute69
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ᯓ★ ⚡ ♡ ᯓ★
(mai)
Winter joy in the snow
FriddaTiss
kyramisu
2
logos
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
Hu Tao
KanKan Matcha
Tilith, the Goddess of Magical Star
entrophee_E:
푸른 물결 속의 신비로운 소녀
조개
X-Ray • Verina
ichikiki
anime
𝚖𝚎𝚛𝚒𝚖𝚎𝚛𝚒
miku
𝚖𝚎𝚛𝚒𝚖𝚎𝚛𝚒
samsara asura
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
🧣🚉 🪐 ‧₊˚ ♡ ˚₊‧
(mai)
❄️Lolicia❄️
1#설경
weirdcore...
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
HaruYuu 02
uzukun
reunited at last
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
₊˚⊹♡ 𝗯𝘂𝗻𝗻𝘆 𝗴𝗶𝗿𝗹 ♡⊹˚₊
●♡⃝ 𝓑𝓾𝓽𝓽𝓮𝓻𝓯𝓵𝔂•ʚїɞ.𝕏𝕠
...
Tofu
1
...
Tofu
2
₊˚ ꒰ᐢ. .ᐢ꒱ 🍓🍞 ✧
(mai)
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica
Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
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Sg75
...
Tofu
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1
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