Gobbo

#세일러복 #도시락 #고블린

게시일 Nov 10, 2026

GGFF

1girl, solo, goblin girl, green skin, shiny skin, glossy skin, long messy red hair, big ahoge, large pointed ears, elf ears, red eyes, yellow pupils, cat-like eyes, upturned eyes, mischievous smile, energetic smile, open mouth, looking at viewer, 5-head-tall proportions, short stature, tiny body, 90cm tall, extremely huge breasts, wide hips, thick thighs, large round ass, navy blue sailor dress, white collar, red scarf, long sleeves, white sleeve stripes, pleated skirt, black socks, black shoes, seiza, kneeling, hands on own lap, eating, holding chopsticks, large bento boxes, food, from above, extreme high angle, looking down, wide shot, rooftop, school rooftop, clock tower, school building, empty rooftop, bright daylight, no humans, depth of field, absurdres, high contrast, thick outlines, halftone dots, pop-graphic composition, An extreme high angle looks almost straight down onto a school rooftop, the camera high enough that the concrete slab becomes a tilted plane filling the lower two-thirds of the frame while the clock tower and the school building rise at the far edge and lean out past the top-left corner. In the middle of that vast concrete field, a single tiny goblin girl kneels in seiza: her knees are together and flat against the concrete, her shins and the tops of her black socks pressed to the ground behind her, the pleated hem of the navy sailor skirt fanned out in a neat circle over her thighs and hiked by the press of her thick thighs, the black shoes tucked under the seat of her large round backside. Her torso is short and compact -- five heads tall end to end, her head large in that ratio, her extremely huge breasts pushing the navy sailor dress out into a deep rounded shelf below the white collar and its knotted red scarf, the long white-striped sleeves ending at her wrists. Both hands rest one over the other on her lap just below the shelf of her chest, and her right hand lifts a pair of chopsticks pinching a single bright red cherry tomato halfway to her open, grinning mouth; a grain of rice sits stuck to the corner of her lip. Several very large bento boxes are gathered in a row right in front of her knees -- lacquered, black-rimmed, each one wider than her whole seated silhouette -- their lids stacked beside them, compartments packed with rice, rolled omelette, fried shrimp and tiny sausages, and the chopsticks rise from between them. She looks straight up into the lens, red irises with yellow pupils wide, the outer corners of her cat-like eyes lifted, one brow arched high above the other, and the grin splits wider as she chews -- an excited, pleased, faintly wicked expression. Her long messy red hair spills over her shoulders and out to the concrete on both sides of her hips, strands snaking off in different directions in a loose red halo; the big ahoge springs high from the crown of her head and curls over. The large pointed ears stick out far to either side of her face, catching the light along their rims. Because she is only ninety centimetres tall, everything around her is oversized: the bento boxes look like serving platters, the seam lines of the concrete run past her in wide slow bands, a drain grate at the roof's edge is a broad gridded square, and the clock tower and school building behind her are truly enormous, their windows and clock face reading as tiny fine detail at this distance -- and the far shadow she throws is a short dark smudge pooled almost beneath her, which is how the drop tells you the sun is nearly overhead. Bright daylight rakes down from directly above and slightly behind the camera; the concrete is bleached a hot pale grey, her skin shines along the tops of her shoulders, the bridge of her nose, the curves of her chest and the round of each ear, the shaded sides of her body going a deeper, cooler green, and the whole rooftop is empty -- not one other figure anywhere on the slab, only the low parapet, the doorway housing, a vent stack and a water tank standing around the edges. Palette is navy, white, red and that hot grey daylight over glossy green, with the bento lacquer the only dark note; everything crisp and graphic, punchy, and delightedly small.

Gobbo

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