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1420 peng

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1420 peng

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2 people, prankster, sleeping person, photorealistic, casual pants, low squat, squatting, from behind, facing away, buttocks, only lower body visible, cropped at mid-back, bottom foreground, low angle shot, from below, upside-down, sleeping, deep sleep, on chair, head at bottom of seat, head under prankster's buttocks, midground, pants, sneakers, relaxed hand, closed eyes, slack mouth, indoor room, cinematic lighting, warm key light, long shadows, funny atmosphere, comedic staging, high detail, 8k, Photorealistic photograph, low angle shot from below, vertical 3:4 frame. The view is from behind and beneath, looking up: at 6 o'clock, filling the bottom foreground, only the lower body of a prankster enters the frame — the back of a pair of loose grey casual chino pants and the backs of both thighs as the person squats low, facing away from the camera, so the hips and buttocks occupy the very bottom edge of the picture, thighs folded, heels planted on dark wooden floorboards, one sneaker's rubber sole edge catching the light. Above the waist the frame cuts them off entirely at mid-back; no head, no face, no upper torso is in shot. The camera tilts up past the squatting legs to the midground: a lightweight wooden chair stands there and a second person is asleep on it upside down, slumped so that their head hangs off the front edge of the seat, resting at the bottom of the seat at 6 o'clock in the frame, directly underneath the prankster's buttocks. The sleeper's face is turned slightly toward the camera, eyes fully closed, mouth fallen loosely open, cheek pressed flat into the chair's front lip, one slack hand dangling toward the floor with the wrist bent, the other draped across their chest; their body extends upward along the chair back with legs hooked over the top rail. A soft warm key light comes from a lamp out of frame to the right, raking across the floorboards and throwing a long shadow from the squatting legs to the left; the sleeper's face is half lit, half in warm shadow, and the darkness beyond the lamp's reach is deep. The staging is pure deadpan comedy — nobody moving, everything still, the sleeper oblivious — with the low camera making the squatting figure loom. Palette of warm amber, grey chinos, worn wood browns and deep shadow, photographic lens depth with the foreground legs sharp and the sleeping face softly focused. Quietly absurd.
매개변수 표시
원본 프롬프트
A humorous photorealistic scene. In the foreground at the bottom of the frame (6 o'clock position), only the lower body of a prankster is visible, wearing casual pants, in a low squatting position. The prankster's buttocks and squatting legs enter the frame from the immediate bottom foreground, facing away from the camera. In the midground, another person is deeply asleep, upside down on a chair, with their head resting at the bottom of the seat (6 o'clock position), right underneath the prankster's buttocks. Cinematic lighting, low angle shot, funny atmosphere, highly detailed, 8k resolution. --ar 3:4
모드
flash
크기
1824 x 1104
프롬프트 도우미

모델 및 LoRA 사용

Tsubaki.3 Flash - AI Model 커버 이미지

PixAI DiT.3

Tsubaki.3 Flash
2.05k

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AI artwork
1p
2 people, prankster, sleeping person, photorealistic, casual pants, low squat, squatting, from behind, facing away, buttocks, only lower body visible, cropped at mid-back, bottom foreground, low angle shot, from below, upside-down, sleeping, deep sleep, on chair, head at bottom of seat, head under prankster's buttocks, midground, pants, sneakers, relaxed hand, closed eyes, slack mouth, indoor room, cinematic lighting, warm key light, long shadows, funny atmosphere, comedic staging, high detail, 8k, Photorealistic photograph, low angle shot from below, vertical 3:4 frame. The view is from behind and beneath, looking up: at 6 o'clock, filling the bottom foreground, only the lower body of a prankster enters the frame — the back of a pair of loose grey casual chino pants and the backs of both thighs as the person squats low, facing away from the camera, so the hips and buttocks occupy the very bottom edge of the picture, thighs folded, heels planted on dark wooden floorboards, one sneaker's rubber sole edge catching the light. Above the waist the frame cuts them off entirely at mid-back; no head, no face, no upper torso is in shot. The camera tilts up past the squatting legs to the midground: a lightweight wooden chair stands there and a second person is asleep on it upside down, slumped so that their head hangs off the front edge of the seat, resting at the bottom of the seat at 6 o'clock in the frame, directly underneath the prankster's buttocks. The sleeper's face is turned slightly toward the camera, eyes fully closed, mouth fallen loosely open, cheek pressed flat into the chair's front lip, one slack hand dangling toward the floor with the wrist bent, the other draped across their chest; their body extends upward along the chair back with legs hooked over the top rail. A soft warm key light comes from a lamp out of frame to the right, raking across the floorboards and throwing a long shadow from the squatting legs to the left; the sleeper's face is half lit, half in warm shadow, and the darkness beyond the lamp's reach is deep. The staging is pure deadpan comedy — nobody moving, everything still, the sleeper oblivious — with the low camera making the squatting figure loom. Palette of warm amber, grey chinos, worn wood browns and deep shadow, photographic lens depth with the foreground legs sharp and the sleeping face softly focused. Quietly absurd.
1420 peng
AI artwork
1p
2 people, prankster, sleeping person, photorealistic, casual pants, low squat, squatting, from behind, facing away, buttocks, only lower body visible, cropped at mid-back, bottom foreground, low angle shot, from below, upside-down, sleeping, deep sleep, on chair, head at bottom of seat, head under prankster's buttocks, midground, pants, sneakers, relaxed hand, closed eyes, slack mouth, indoor room, cinematic lighting, warm key light, long shadows, funny atmosphere, comedic staging, high detail, 8k, Photorealistic photograph, low angle shot from below, vertical 3:4 frame. The view is from behind and beneath, looking up: at 6 o'clock, filling the bottom foreground, only the lower body of a prankster enters the frame — the back of a pair of loose grey casual chino pants and the backs of both thighs as the person squats low, facing away from the camera, so the hips and buttocks occupy the very bottom edge of the picture, thighs folded, heels planted on dark wooden floorboards, one sneaker's rubber sole edge catching the light. Above the waist the frame cuts them off entirely at mid-back; no head, no face, no upper torso is in shot. The camera tilts up past the squatting legs to the midground: a lightweight wooden chair stands there and a second person is asleep on it upside down, slumped so that their head hangs off the front edge of the seat, resting at the bottom of the seat at 6 o'clock in the frame, directly underneath the prankster's buttocks. The sleeper's face is turned slightly toward the camera, eyes fully closed, mouth fallen loosely open, cheek pressed flat into the chair's front lip, one slack hand dangling toward the floor with the wrist bent, the other draped across their chest; their body extends upward along the chair back with legs hooked over the top rail. A soft warm key light comes from a lamp out of frame to the right, raking across the floorboards and throwing a long shadow from the squatting legs to the left; the sleeper's face is half lit, half in warm shadow, and the darkness beyond the lamp's reach is deep. The staging is pure deadpan comedy — nobody moving, everything still, the sleeper oblivious — with the low camera making the squatting figure loom. Palette of warm amber, grey chinos, worn wood browns and deep shadow, photographic lens depth with the foreground legs sharp and the sleeping face softly focused. Quietly absurd.
1420 peng
AI artwork
1p
2 people, prankster, sleeping person, photorealistic, casual pants, low squat, squatting, from behind, facing away, buttocks, only lower body visible, cropped at mid-back, bottom foreground, low angle shot, from below, upside-down, sleeping, deep sleep, on chair, head at bottom of seat, head under prankster's buttocks, midground, pants, sneakers, relaxed hand, closed eyes, slack mouth, indoor room, cinematic lighting, warm key light, long shadows, funny atmosphere, comedic staging, high detail, 8k, Photorealistic photograph, low angle shot from below, vertical 3:4 frame. The view is from behind and beneath, looking up: at 6 o'clock, filling the bottom foreground, only the lower body of a prankster enters the frame — the back of a pair of loose grey casual chino pants and the backs of both thighs as the person squats low, facing away from the camera, so the hips and buttocks occupy the very bottom edge of the picture, thighs folded, heels planted on dark wooden floorboards, one sneaker's rubber sole edge catching the light. Above the waist the frame cuts them off entirely at mid-back; no head, no face, no upper torso is in shot. The camera tilts up past the squatting legs to the midground: a lightweight wooden chair stands there and a second person is asleep on it upside down, slumped so that their head hangs off the front edge of the seat, resting at the bottom of the seat at 6 o'clock in the frame, directly underneath the prankster's buttocks. The sleeper's face is turned slightly toward the camera, eyes fully closed, mouth fallen loosely open, cheek pressed flat into the chair's front lip, one slack hand dangling toward the floor with the wrist bent, the other draped across their chest; their body extends upward along the chair back with legs hooked over the top rail. A soft warm key light comes from a lamp out of frame to the right, raking across the floorboards and throwing a long shadow from the squatting legs to the left; the sleeper's face is half lit, half in warm shadow, and the darkness beyond the lamp's reach is deep. The staging is pure deadpan comedy — nobody moving, everything still, the sleeper oblivious — with the low camera making the squatting figure loom. Palette of warm amber, grey chinos, worn wood browns and deep shadow, photographic lens depth with the foreground legs sharp and the sleeping face softly focused. Quietly absurd.
1420 peng

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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
3#마법소녀 마도카☆마기카#카나메 마도카#마법소녀 마도카☆마기카
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