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tkiya9143#0
매개변수 표시
- 원본 프롬프트
- 星街すいせい、恥ずかしがる、正面を向く、人間キャンパス、美術室、口を大きく開ける、人間キャンパス服、喉深くが丸見え、顔アップ、口の中が丸見え、大きな瞳、正面を向く、綺麗な瞳、赤面、エロい顔、舌を出す
- 모드
- pro
- 품질 태그
- ﹝프롬프트﹞
- 크기
- 1104 x 1824
- 샘플링 방식
- Euler
- 제외 조건
- lowres, worst quality, low quality, bad anatomy, explicit
프롬프트 도우미
모델 및 LoRA 사용
비슷한 작품
자세히 보기
t9
character: hoshimachi_suisei
1girl, solo, hoshimachi_suisei, blue hair, long hair, hair between eyes, blue eyes, beautiful detailed eyes, large pupils, dilated pupils, facing viewer, looking at viewer, face close-up, portrait, mouth wide open, open mouth, tongue out, tongue extended, inside of mouth fully visible, throat fully visible, deep throat visible, uvula, teeth, embarrassed, blush, heavy blush, red cheeks, lewd expression, lewd, half-closed eyes, tears in eyes, sweat, sweatdrop, human canvas outfit, body paint, painted on body, art classroom, art studio, easel, canvas, paint jars, paintbrushes, wooden floor, paint splatters, window light, depth of field, blurred background, spoken_heart, seductive_smile, trembling
The camera is a tight face close-up shot, framing her head and neck from just above the crown to the collarbone, her face turned square and frontally toward the viewer so both eyes sit level and fixed on the lens. Her chin is tipped slightly down and her jaw is dropped wide open in an embarrassed, lewd gape, the lips stretched and wet, the tongue pushed out and held forward past the lower teeth. The view looks straight into her open mouth: the tongue's surface, the ridge of the palate, the dark back of the throat and its rounded depth are all fully visible and clearly lit, a soft shadow falling across the roof of the mouth while the throat's back stays in a deep warm shadow.
Her eyes are large and beautifully detailed, the irises a rich blue with bright catchlight highlights scattered across them, the pupils blown wide and dark, and a tremble of water gathers at the lower lids. Her cheeks are burning with a deep, uneven blush that spreads from both cheekbones up to the ears and down toward the throat, with a visible sheen of sweat at her temples and one drop sliding down the side of her jaw. Her brows are raised and pinched inward in embarrassment, and a faint hand-drawn heart floats in a small speech bubble beside her cheek.
Her hair is long and blue, falling around her face and past her shoulders, the strands soft and slightly mussed as they frame her jaw, with locks pushed back from her forehead. She wears the human-canvas outfit: no fabric garments, but her skin painted like a blank canvas, a cream ground with visible brush marks, sketched outline strokes and scattered paint smudges in blue and red across her shoulders and neck, the paint cracked slightly along the collarbones where it pulls with movement. The paint climbs to just under her jaw and stops, leaving her face bare.
The background is an art classroom seen in softened focus: a wooden easel and a stretched canvas at the left, jars of cloudy water and bunched paintbrushes on a studio table at the right, splattered paint dots scattered across the floorboards, and a tall dusty window at the upper left casting cool north light across her face from the left side. The light strikes the left of her face and the left side of her open mouth, leaving the right cheek and the right side of her throat in a gentler falloff, with a soft cast shadow under her jaw. The palette holds to her blue hair and eyes against the cream canvas ground and the warm paint-smudged classroom browns, with the blush's red as the one hot accent. Quiet heat, held breath.
tkiya9143#0
t9
character: hoshimachi_suisei
1girl, hoshimachi_suisei, solo, human canvas, facing viewer, straight-on, front view, face close-up, framed from collarbones up, embarrassed, blush, full-face blush, sweatdrop, mouth wide open, wide open mouth, tongue out, inside of mouth fully visible, deep throat visible, uvula, teeth, big eyes, beautiful eyes, blue eyes, sparkling eyes, waterline, long blue hair, hair between eyes, wet-looking highlight sheen on hair, body paint, paint streaks on skin, human canvas outfit, paint-covered skin, bare shoulders painted, art room background, holding paintbrush, tag run closing
The camera is a tight face close-up taken straight-on at eye level, so the whole frame is filled by the face from just below the collarbones to the top of the hair: the head is squared to the lens, chin level, both cheekbones catching the light equally, and the eyes look directly into the viewer. Her mouth is stretched wide open, jaw dropped low, the tongue pushed out over the lower lip, so the dark cavity of the mouth is fully visible — the palate receding into shadow, the back of the throat deep and rounded, the uvula small at its top, the inner cheeks and the neat rows of upper and lower teeth all readable in one clear gape. Her eyes are huge and glossy, irises a deep clear blue with a bright catchlight at the upper left, lashes long, the lower waterline shining, pupils slightly dilated, and the lower lids pushed up in a squint that reads as embarrassment; her brows tilt inward at the top, the blush a hot pink bloom across both cheeks and the bridge of the nose, one sweatdrop on the temple.
Her long blue hair falls straight past the jaw on both sides, a few strands crossing between the eyes and sticking slightly to the flushed cheek; the paint on her shoulders and collarbones is still wet and catches a sharp highlight where it smears the skin. She wears the human canvas outfit — the surface of her body painted over with smeared streaks of pigment in red, cyan and yellow, the paint worked up to the collarbones and running in drips down the shoulders, her hand at the edge of frame gripping a loaded paintbrush whose bristles are burdened with a blob of red that has not yet fallen. Behind her the art room is defocused: the pale blur of a canvas on an easel at the left, the grey edge of a worktable at the right, jars of cloudy brush water catching the warm light.
The light comes from a window at the upper left, warm and diffuse, laying a soft highlight on the left cheek, the upper lip and the tip of the tongue, and it drops into the mouth so the throat recedes through amber to near-black; the shadow under the jaw and on the right side of the neck is cool and soft. Palette: warm cream and clay tones of the room, the cool blue of hair and eyes, and the paint's red, cyan and yellow as the only saturated notes — everything else held in muted neutrals. The wet sheen of the tongue and the paint drips makes the surface moisture read as real. Flustered and bright.
tkiya9143#0
t9
character: hoshimachi_suisei
1girl, hoshimachi_suisei, solo, human canvas, facing viewer, straight-on, front view, face close-up, framed from collarbones up, embarrassed, blush, full-face blush, sweatdrop, mouth wide open, wide open mouth, tongue out, inside of mouth fully visible, deep throat visible, uvula, teeth, big eyes, beautiful eyes, blue eyes, sparkling eyes, waterline, long blue hair, hair between eyes, wet-looking highlight sheen on hair, body paint, paint streaks on skin, human canvas outfit, paint-covered skin, bare shoulders painted, art room background, holding paintbrush, tag run closing
The camera is a tight face close-up taken straight-on at eye level, so the whole frame is filled by the face from just below the collarbones to the top of the hair: the head is squared to the lens, chin level, both cheekbones catching the light equally, and the eyes look directly into the viewer. Her mouth is stretched wide open, jaw dropped low, the tongue pushed out over the lower lip, so the dark cavity of the mouth is fully visible — the palate receding into shadow, the back of the throat deep and rounded, the uvula small at its top, the inner cheeks and the neat rows of upper and lower teeth all readable in one clear gape. Her eyes are huge and glossy, irises a deep clear blue with a bright catchlight at the upper left, lashes long, the lower waterline shining, pupils slightly dilated, and the lower lids pushed up in a squint that reads as embarrassment; her brows tilt inward at the top, the blush a hot pink bloom across both cheeks and the bridge of the nose, one sweatdrop on the temple.
Her long blue hair falls straight past the jaw on both sides, a few strands crossing between the eyes and sticking slightly to the flushed cheek; the paint on her shoulders and collarbones is still wet and catches a sharp highlight where it smears the skin. She wears the human canvas outfit — the surface of her body painted over with smeared streaks of pigment in red, cyan and yellow, the paint worked up to the collarbones and running in drips down the shoulders, her hand at the edge of frame gripping a loaded paintbrush whose bristles are burdened with a blob of red that has not yet fallen. Behind her the art room is defocused: the pale blur of a canvas on an easel at the left, the grey edge of a worktable at the right, jars of cloudy brush water catching the warm light.
The light comes from a window at the upper left, warm and diffuse, laying a soft highlight on the left cheek, the upper lip and the tip of the tongue, and it drops into the mouth so the throat recedes through amber to near-black; the shadow under the jaw and on the right side of the neck is cool and soft. Palette: warm cream and clay tones of the room, the cool blue of hair and eyes, and the paint's red, cyan and yellow as the only saturated notes — everything else held in muted neutrals. The wet sheen of the tongue and the paint drips makes the surface moisture read as real. Flustered and bright.
tkiya9143#0
t9
character: hoshimachi_suisei
1girl, hoshimachi_suisei, solo, human canvas, facing viewer, straight-on, front view, face close-up, framed from collarbones up, embarrassed, blush, full-face blush, sweatdrop, mouth wide open, wide open mouth, tongue out, inside of mouth fully visible, deep throat visible, uvula, teeth, big eyes, beautiful eyes, blue eyes, sparkling eyes, waterline, long blue hair, hair between eyes, wet-looking highlight sheen on hair, body paint, paint streaks on skin, human canvas outfit, paint-covered skin, bare shoulders painted, art room background, holding paintbrush, tag run closing
The camera is a tight face close-up taken straight-on at eye level, so the whole frame is filled by the face from just below the collarbones to the top of the hair: the head is squared to the lens, chin level, both cheekbones catching the light equally, and the eyes look directly into the viewer. Her mouth is stretched wide open, jaw dropped low, the tongue pushed out over the lower lip, so the dark cavity of the mouth is fully visible — the palate receding into shadow, the back of the throat deep and rounded, the uvula small at its top, the inner cheeks and the neat rows of upper and lower teeth all readable in one clear gape. Her eyes are huge and glossy, irises a deep clear blue with a bright catchlight at the upper left, lashes long, the lower waterline shining, pupils slightly dilated, and the lower lids pushed up in a squint that reads as embarrassment; her brows tilt inward at the top, the blush a hot pink bloom across both cheeks and the bridge of the nose, one sweatdrop on the temple.
Her long blue hair falls straight past the jaw on both sides, a few strands crossing between the eyes and sticking slightly to the flushed cheek; the paint on her shoulders and collarbones is still wet and catches a sharp highlight where it smears the skin. She wears the human canvas outfit — the surface of her body painted over with smeared streaks of pigment in red, cyan and yellow, the paint worked up to the collarbones and running in drips down the shoulders, her hand at the edge of frame gripping a loaded paintbrush whose bristles are burdened with a blob of red that has not yet fallen. Behind her the art room is defocused: the pale blur of a canvas on an easel at the left, the grey edge of a worktable at the right, jars of cloudy brush water catching the warm light.
The light comes from a window at the upper left, warm and diffuse, laying a soft highlight on the left cheek, the upper lip and the tip of the tongue, and it drops into the mouth so the throat recedes through amber to near-black; the shadow under the jaw and on the right side of the neck is cool and soft. Palette: warm cream and clay tones of the room, the cool blue of hair and eyes, and the paint's red, cyan and yellow as the only saturated notes — everything else held in muted neutrals. The wet sheen of the tongue and the paint drips makes the surface moisture read as real. Flustered and bright.
tkiya9143#0
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