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AI art "フナムシ怪人"
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フナムシ怪人

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whole body, solo, monster, creature design, RPG monster design, anthropomorphic, whale louse motif, giant isopod creature, hard segmented carapace, overlapping armored plates, rounded arched back, many jointed legs, long curled antennae, compound eyes, small mandibles, dark slate-grey shell, rust-orange underside, wet chitin sheen, standing in shallow water, from below, wide shot, dramatic low angle, foreshortening, outstretched arm, claws raised, dorsal fin-like ridge, empty cave pool, bioluminescent algae glow, mist, no humans, no text Full-body wide shot taken from below the waterline of a flooded cavern, looking up at a lone humanoid monster standing knee-deep in a still black pool. The creature's design is built on the whale louse: a rounded, arched dorsal carapace of overlapping slate-grey plates stacked like roof tiles from the crown of the head down the spine, each plate rimmed in a rust-orange seam of softer membrane; a jagged fin-like ridge runs the ridge of the back and ends in a short plated tail-fan. The head is fused into the front plate, two bulbous compound eyes set wide and faceted, a pair of long segmented antennae curling forward and down like whips, mandibles small and folded under. Its front limbs are gaunt and over-long, plated in the same armour, ending in hooked chitin claws; the rear walking legs are numerous, short and jointed in two rows, planted in the silt and half-submerged. The underbelly and the joint membranes glow dull rust-orange against the dark slate shell. Pose and contact: weight shifted onto the left leg, right hip cocked, one long arm flung out and up toward the viewer in a mid-lunge, claw spread and foreshortened large in the lower foreground; the other arm drawn back with the claw folded against the chest plate. Head tilted down but eyes locked forward, both compound eyes aimed directly at the viewer; antennae sweep back and trail wet strands of algae. Water laps at the shins, and each planted leg breaks the surface in a ring of fine ripples; the creature's shadow falls short and dark on the water directly beneath it, the reflection above the pool stretched longer and softer than the body. Environment: a cold limestone cavern with a low vaulted ceiling, stalactites hidden in shadow; the only light is a thin sheet of blue-green bioluminescent algae along the pool's far rim, so the light comes low and from behind-left, rimming every plate edge in cold teal and leaving the creature's front in near-darkness, the orange seams the only warm note. Mist hangs over the water; the far walls disappear into black. Palette: slate grey, near-black, cold teal, rust orange, nothing else. The algae film slicked across the pool clings to the shell where it leaves the water, and the droplets on the raised claw catch the rim light. Quiet dread.
매개변수 표시
원본 프롬프트
RPGのモンスターデザイン フナムシをモチーフとした怪人
모드
flash
크기
1104 x 1824
프롬프트 도우미

모델 및 LoRA 사용

비슷한 작품

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AI artwork
Avatar image of 永大大
fused hybrid creature, solo, one creature only, spider centipede dragon chimera, chitinous segmented plating, many jointed spider legs, centipede body segments, dragon scales, dragon horns, dragon tail, multiple spider eyes, dorsal ocelli cluster, bared fangs, from below, low angle, foreshortening, wide shot, rearing upward, coiled in midair, mouth open, tendrils of drool, drifting spores and dust, cold rim light, dark interior The camera looks up from below at a single fused creature rearing out of a black shaft of rock, its mass filling the upper two thirds of a wide vertical frame; nothing else lives in the image. The body is a centipede's long chain of overlapping chitin plates, each segment a dark lacquered umber, and from every segment a pair of jointed spider legs swings out and down, thin black spars ending in hooked claws, the closest pair foreshortened huge and blurred at the top corners of the frame while the far ones shrink into a receding stack. At the front, the centipede's head plates fold back into a dragon's skull: scaled brow ridges, two horns sweeping backward, jaw hinged open, teeth jagged, and above the brow a tight bouquet of six glossy spider eyes clustered and catching the light at different depths, a larger pair forward and four smaller ones behind them. Dragon scales run down the back ridge between the chitin segments, iridescent green-black, and the tail continues the centipede chain until it whips into a scaled dragon tail near the bottom of the frame, coiling around the rock spur and gripping it with the last hooked claw. Drool leaves the mouth in two thin tendrils that trail and break into droplets falling toward the lens. The pose is a slow undulation caught mid-reach, the front third lifted and craning toward the camera, the head tilted a few degrees off-axis so the horn silhouette crosses the shaft's dark opening; its gaze comes down the shaft at the viewer, eyes level with the lens. The only light source is a cold narrow beam entering from a crack high behind the creature, rimming the horn tips, the scale ridge and the upper edges of every chitin plate in pale blue-white and leaving the undersides of the plates and the deep interior of the shaft in absolute darkness; the cast shadows of the front legs fall across the rock behind it. Bracketing the low viewpoint, faint scattered spores and dust motes hang in the beam, and the creature's breath stirs them so the nearest drift curls away from its mouth. Palette held to lacquered umber, green-black iridescence, cold blue-white rim and pure black. Skin chitin texture in the plates, wet gleam on the fangs and eyes, fine raised scales along the horns. Menacing, monumental.
永大大
AI artwork
h
horror (theme), chimera, centipede and millipede hybrid, bipedal stance, muscular, ripped, extremely muscular, bodybuilder physique, wide back, defined abdominals, bulging biceps, thick thighs, two-legged stance, hunched forward, from below, dutch angle, low angle, full body, looking down at viewer, open mouth, mandibles, many legs, insect legs, segment exoskeleton, glossy carapace, chitin plates, spiny legs, whip-like legs, multiple eyes, eyeless, claws, grasping claw, long antennae, coiled body length, curled, reaching toward viewer, dramatic lighting, rim light, single light source, high contrast, dark background, fog, night, horror (aesthetic), terrifying, creepy, monstrous, no blood, no gore, no wounds, hands bare, dark palette, black and rust-orange and bone-white palette, cinematic Seen from below, a towering two-legged monstrosity fills the frame: the camera sits low near the ground, tilted a few degrees off level, so the creature's head is thrust high against a black sky and one thick clawed foot lands in the foreground with the toes spread wide on wet stone. Its build is the build of a bodybuilder grown wrong — a wide, knotted back arcing over a pair of slab-like pectoral plates, an abdomen split by deep grooves into ten disciplined segments of chitin, heavy biceps bunching at the shoulders, and thighs corded like cables; the torso leans forward, weight planted on the nearer leg, the far knee bent so the whole mass coils. Around that humanoid scaffolding, the chimera's second nature crawls: rows of flattened centipede legs run down both flanks, each leg a whiplash of jointed shell tipped with a hooked claw, and where the chest meets the shoulders the carapace loosens into the furred, fleshy ribs and tiny writhing forcipules of the other half of the cross — the soft parts glistening, the hard parts polished to a lacquered shine. The head is the fear: a narrow wedge of fused head-plates with two long antennae curving forward and down, a mouth opening too wide and lined with inward-curving mandibular teeth, and above it four small glassy eye-clusters set unevenly on the shell, catching the light like beads of oil. It gazes straight down the lens, mouth hinged open, antennae drifting forward as if tasting the air. One huge arm reaches out toward the viewer, the hand held open and the fingers splayed, the tips of the claws just short of the top of frame; the other arm hangs at its side, claws half-curled. Every joint in the reach is stated — shoulder rolled forward, elbow locked, wrist bent down — so the limb reads as a limb going somewhere, not a shape. The only light is a single cold source from above and behind the creature: it lays a hard white rim along the crown, the spine of the carapace and the tops of the outstretched arm, leaves the chest and face in livid half-shadow where the eye-clusters still glitter, and throws a long, deformed shadow across the wet ground toward the viewer. Beyond the low rim of the ground the background is unbroken black, hazed with a thin ground-mist that swallows the creature's lower legs and lets only the near foot stay sharp — mist curling around the foot proves the hot mass of the body above it. Palette is only lacquer black, rust orange along the segment seams, and bone-white in the highlights; nothing else is admitted. The tone is pure dread — quiet, enormous, patient.
hudao
AI artwork
h
1other, solo, no humans, monster, chimera, giant insect, cockroach, centipede, firefly, muscular, muscular male, bulky, very muscular, broad shoulders, veiny arms, hard brown exoskeleton, iridescent carapace, segmented abdomen, centipede segments, multiple limbs, insectoid arms, clawed hands, cockroach head, antennae, compound eyes, mandibles, bioluminescent organs, glowing abdomen, terrifying, scary, intimidating, from below, dutch angle, low angle, foreshortening, towering, looming, open mandibles, spread arms, rearing up, full body, dynamic pose, dark background, rim light, green glow, orange glow, shadow, ominous, horror Seen from below on a steep low angle tilted a few degrees off level, the chimera rears up over the camera and dominates the frame, its mass filling the upper two-thirds. Its bulk is a heavy humanoid torso of fused chitin plates, chest and shoulders carved in slabs of muscle that pull the brown shell taut and glossy at every ridge; a lattice of pale veins of strain crosses the biceps and the forearms as the arms are spread wide and lifted, hands splayed with long clawed fingers curled. From the back of the thorax a fan of segmented centipede-like limbs arches outward, each segment bevelled like stacked dark plates, tips flexing in mid-motion so the fan reads as one sweeping claw. The cockroach head sits low between the shoulders and thrusts forward toward the lens, mandibles parted, long antennae swept back and curved by the upward lunge, compound eyes catching light in a thousand flat facets. Along the abdomen behind the arms the bioluminescent organs show as paired cold-green blisters swelling brighter the more the body tenses. The single light source is a hard, low, cold rim light from behind and to the left, so the exoskeleton's edges burn bright while the front of the torso falls into dense darkness; the green organ glow spills faintly onto the underside of the raised forearms and the tops of the centipede segments. The background is a plain unlit dark void, nothing legible in it. Palette is limited to iridescent brown-black shell, cold green bioluminescence, and the hot pale edge light, nothing else admitted. Deep shadow, no gore, each surface clean and dry, no wounds anywhere on the body. Awe and dread.
hudao

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AI artwork
Avatar image of リオ
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ