時代劇もの百合シナリオに出演するモバマスアイドルたち

三船美優演じるくノ一が密命から帰ってきました。水野翠演じる主が薬を塗ってあげます。

#아이돌마스터 #아이돌마스터 신데렐라 걸즈 #미즈노 미도리 #미후네 미유

게시일 Nov 11, 2026

soutyohtei

character: mifune_miyu, mizuno_midori two girls, 2girls, mizuno midori, mifune miyu, blue hair, long hair, ponytail, purple eyes, brown hair, long hair, ponytail, brown eyes, japanese clothes, wafuku, kimono, haori, hakama, samurai family daughter, kunoichi, ninja, shinobi shozoku, injured, bandaged arm, wound, blood, bruise, sarashi, chest sarashi only, bare shoulders, bare arms, topless, fundoshi only, bare legs, bare thighs, kneeling, seiza, sitting on floor, undressing, untying sash, offering ointment jar, holding small ceramic jar, command, ordering, looking at another, sidelong glance, half-closed eyes, serious, worried, dutch angle, from above, cowboy shot, indoor, japanese room, tatami, shoji, paper screen, low table, oil lamp, warm light, dim, close-up on hands The camera looks down from a high, tilted dutch angle into a dim Japanese room, the floor of pale tatami filling the lower two-thirds of the frame as the ground plane. Beyond the shoji screens at the top edge the room falls away into a soft grey darkness. At the right of the frame Mifune Miyu kneels in seiza on the tatami, upright with her weight sunk back into her heels: brown hair pulled into a long ponytail that falls forward over her right shoulder, the tail loose and partly undone by travel, sticking lightly to the sweat and dust at her nape. Her chest is bound in white sarashi wound in tight overlapping bands from below the collarbones to the base of her ribs, the cloth's edge slightly uneven and one knot tucked at her left side; below the waist the single white fundoshi cloth is knotted at her left hip, her shoulders, arms, back and legs bare. Her wounds sit on the left side of her body: a shallow cut along the outside of her left forearm wrapped in a strip of torn cloth that has bled through in a small dark blossom, a purple bruise spreading across her right ribs just above the sarashi, and a grain of dried blood at the corner of her lower lip. Her left hand rests flat on her own thigh, fingers spread to steady herself; her right hand is up at her left shoulder, pinching the last loose fold of the sarashi band between thumb and forefinger, halfway through tightening it, elbow lifted. She is turned three-quarters toward the left of the frame, head lowered a fraction and chin tucked, brown eyes glancing sideways from under half-lowered lids toward the other girl -- the uneasy, still-guarded look of someone obeying an order she accepts without complaint. At the left of the frame Mizuno Midori leans in from a slight standing forward-bend so that she sits higher in the picture than Miyu, one knee pressed to the tatami, the other foot braced flat behind her; blue hair in a long ponytail drawn back over her shoulder, a few strands loose at her temple, purple eyes fixed downward on Miyu's bandaged forearm with a brow drawn low and lips pressed thin. She wears a plain dark kimono under a stiff haori with the collar squared, the sleeves pushed back to the elbow so her forearms show, and both her hands are cupped together in front of her chest around a small ceramic ointment jar already unscrewed, the lid pinched between her right thumb and the jar's neck, a pale smear of salve glistening on the tip of her right index finger. Her gaze lands on the wound itself and the space between them is short and charged, the kneeling girl's shoulder almost touching Midori's down-bent knee. A single oil lamp stands on the tatami at the lower left, the only light source: it throws warm yellow light slanting up across Midori's jaw, the front of the ointment jar and the white of the sarashi, while the back of Miyu's neck, the far corners of the room and the seams between the tatami mats sink into amber shadow; their shadows fall short and soft, pooling behind them toward the upper right. A folded cloth and a lacquered tray wait on the mat between the two, and the loose end of the fundoshi cloth lies across a tatami seam where the fabric has settled into the groove rather than over it. The palette is held to warm lamp-yellow, deep amber shadow, the flat gold-green of the tatami, the white of the sarashi and fundoshi, Mifune Miyu's brown hair and Mizuno Midori's blue hair as the cool notes, and the small dark red of the blood. Quiet, charged, tender.

時代劇もの百合シナリオに出演するモバマスアイドルたち

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