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Tatsu Yuikane
참가 작품
PixAI × Super Natural Dating Sim 콘테스트#Super Natural Dating Sim
매개변수 표시
- 원본 프롬프트
- masterpiece, best quality, very aesthetic, absurdres, amazing quality, 1girl, victorian clothes, 17th century, commoner clothes, a girl in commoner victorian clothes with an apron, she stands in a studio with an lectern, the lectern is made made of still bloodied bones, her clothes and face are bloodied with small chunks of meat in the apron, she has a single brush made with bone, she wears a kind innocent smile, detailed face, Dragalia_Style, Raita style, gb_style,
- 모드
- pro
- 크기
- 1104 x 1824
- 샘플링 방식
- Euler
- 제외 조건
- lowres, worst quality, low quality, bad anatomy, explicit
프롬프트 도우미
모델 및 LoRA 사용
비슷한 작품
자세히 보기
ty
copyright: dragalia_lost
1girl, solo, victorian clothes, 17th century commoner clothes, long worn dress, apron, blood on clothes, blood on face, blood stains, small chunks of meat in apron, holding brush, bone brush, single brush, lectern, lectern made of bloodied bones, still-bloodied bone lectern, standing, kind innocent smile, detailed face, studio, standing studio backdrop, from side, cowboy shot, looking at viewer, head tilted, plain white studio sweep, single overhead light source, desaturated earth palette, glossy wet highlights on blood, dry matte linen vs wet bone sheen
A single girl stands at a lectern in a bare studio, seen in a slight three-quarter view from the side rather than square-on. She is caught mid-lean, spine curved forward a little over the lectern's slanted top, weight loaded onto her left leg while her right knee bends loosely, right heel lifted just off the floor. Her left forearm rests flat along the lectern's upper edge and her hip leans into its side; her right hand, close at the lectern's near corner, holds one bone-handled brush upright between thumb and knuckles with the bristles pointing up and slightly toward her own cheek. The lectern is built from long bones stacked and lashed, its top a broad flat bone slab, and blood still clings in the joints where bones meet — dark, wet, tacky, glinting where the overhead light catches the fluid films, and a slow bead of it crawls down one leg of the stand, swelling before it drips. Her dress is a plain commoner's cut — long, simple, dull brown-grey wool over a coarse linen shift at the cuffs and collar, an open apron tied at the waist with its knot off-centre at her left hip. The apron front is smeared with wet blood and holds a scattering of small meat chunks caught in its fold, some still glistening; blood is crusted around her cuffs and beneath her fingernails, and a wet streak crosses her right cheek from jaw to just under her eye, with a small drying spot on her chin and temple. Her face is drawn with fine detail — fine nostril, defined eyelid and lash, the wet sheen at the lip's centre — and her expression is a soft, genuinely kind, wide innocent smile, eyes curving with it, no malice anywhere in them. She looks directly at the viewer, chin tipped down a touch, lower lip slightly parted in the smile. Her hair is kept close and tidy but a few strands have fallen forward across her shoulder and cling to the wet patch on her cheek. The studio is a plain white seamless sweep — the backdrop seamless with the floor, no furniture beyond the lectern, no shadow of anything except her and the lectern. One overhead light source sits high and slightly left of camera, throwing a tight warm pool on the crown of her head, the tops of the bone slab, and the wet highlights on her dress and face, while the underside of the lectern, the folds of her apron and her feet recede into soft shadow. Palette is deliberately narrow: dusty brown-grey wool, off-white linen, the pale yellow-bone of the lectern, the deep rust and liver-red of blood — nothing else admitted. The lectern's wet blood catches a harder, colder specular than her matte linen, a single judgeable fact of two surfaces lit by one lamp. Quiet, tender and a little wrong.
Tatsu Yuikane
ty
copyright: dragalia_lost
1girl, solo, victorian clothes, 17th century commoner clothes, long worn dress, apron, blood on clothes, blood on face, blood stains, small chunks of meat in apron, holding brush, bone brush, single brush, lectern, lectern made of bloodied bones, still-bloodied bone lectern, standing, kind innocent smile, detailed face, studio, standing studio backdrop, from side, cowboy shot, looking at viewer, head tilted, plain white studio sweep, single overhead light source, desaturated earth palette, glossy wet highlights on blood, dry matte linen vs wet bone sheen
A single girl stands at a lectern in a bare studio, seen in a slight three-quarter view from the side rather than square-on. She is caught mid-lean, spine curved forward a little over the lectern's slanted top, weight loaded onto her left leg while her right knee bends loosely, right heel lifted just off the floor. Her left forearm rests flat along the lectern's upper edge and her hip leans into its side; her right hand, close at the lectern's near corner, holds one bone-handled brush upright between thumb and knuckles with the bristles pointing up and slightly toward her own cheek. The lectern is built from long bones stacked and lashed, its top a broad flat bone slab, and blood still clings in the joints where bones meet — dark, wet, tacky, glinting where the overhead light catches the fluid films, and a slow bead of it crawls down one leg of the stand, swelling before it drips. Her dress is a plain commoner's cut — long, simple, dull brown-grey wool over a coarse linen shift at the cuffs and collar, an open apron tied at the waist with its knot off-centre at her left hip. The apron front is smeared with wet blood and holds a scattering of small meat chunks caught in its fold, some still glistening; blood is crusted around her cuffs and beneath her fingernails, and a wet streak crosses her right cheek from jaw to just under her eye, with a small drying spot on her chin and temple. Her face is drawn with fine detail — fine nostril, defined eyelid and lash, the wet sheen at the lip's centre — and her expression is a soft, genuinely kind, wide innocent smile, eyes curving with it, no malice anywhere in them. She looks directly at the viewer, chin tipped down a touch, lower lip slightly parted in the smile. Her hair is kept close and tidy but a few strands have fallen forward across her shoulder and cling to the wet patch on her cheek. The studio is a plain white seamless sweep — the backdrop seamless with the floor, no furniture beyond the lectern, no shadow of anything except her and the lectern. One overhead light source sits high and slightly left of camera, throwing a tight warm pool on the crown of her head, the tops of the bone slab, and the wet highlights on her dress and face, while the underside of the lectern, the folds of her apron and her feet recede into soft shadow. Palette is deliberately narrow: dusty brown-grey wool, off-white linen, the pale yellow-bone of the lectern, the deep rust and liver-red of blood — nothing else admitted. The lectern's wet blood catches a harder, colder specular than her matte linen, a single judgeable fact of two surfaces lit by one lamp. Quiet, tender and a little wrong.
Tatsu Yuikane
ty
copyright: dragalia_lost
1girl, solo, victorian clothes, 17th century commoner clothes, long worn dress, apron, blood on clothes, blood on face, blood stains, small chunks of meat in apron, holding brush, bone brush, single brush, lectern, lectern made of bloodied bones, still-bloodied bone lectern, standing, kind innocent smile, detailed face, studio, standing studio backdrop, from side, cowboy shot, looking at viewer, head tilted, plain white studio sweep, single overhead light source, desaturated earth palette, glossy wet highlights on blood, dry matte linen vs wet bone sheen
A single girl stands at a lectern in a bare studio, seen in a slight three-quarter view from the side rather than square-on. She is caught mid-lean, spine curved forward a little over the lectern's slanted top, weight loaded onto her left leg while her right knee bends loosely, right heel lifted just off the floor. Her left forearm rests flat along the lectern's upper edge and her hip leans into its side; her right hand, close at the lectern's near corner, holds one bone-handled brush upright between thumb and knuckles with the bristles pointing up and slightly toward her own cheek. The lectern is built from long bones stacked and lashed, its top a broad flat bone slab, and blood still clings in the joints where bones meet — dark, wet, tacky, glinting where the overhead light catches the fluid films, and a slow bead of it crawls down one leg of the stand, swelling before it drips. Her dress is a plain commoner's cut — long, simple, dull brown-grey wool over a coarse linen shift at the cuffs and collar, an open apron tied at the waist with its knot off-centre at her left hip. The apron front is smeared with wet blood and holds a scattering of small meat chunks caught in its fold, some still glistening; blood is crusted around her cuffs and beneath her fingernails, and a wet streak crosses her right cheek from jaw to just under her eye, with a small drying spot on her chin and temple. Her face is drawn with fine detail — fine nostril, defined eyelid and lash, the wet sheen at the lip's centre — and her expression is a soft, genuinely kind, wide innocent smile, eyes curving with it, no malice anywhere in them. She looks directly at the viewer, chin tipped down a touch, lower lip slightly parted in the smile. Her hair is kept close and tidy but a few strands have fallen forward across her shoulder and cling to the wet patch on her cheek. The studio is a plain white seamless sweep — the backdrop seamless with the floor, no furniture beyond the lectern, no shadow of anything except her and the lectern. One overhead light source sits high and slightly left of camera, throwing a tight warm pool on the crown of her head, the tops of the bone slab, and the wet highlights on her dress and face, while the underside of the lectern, the folds of her apron and her feet recede into soft shadow. Palette is deliberately narrow: dusty brown-grey wool, off-white linen, the pale yellow-bone of the lectern, the deep rust and liver-red of blood — nothing else admitted. The lectern's wet blood catches a harder, colder specular than her matte linen, a single judgeable fact of two surfaces lit by one lamp. Quiet, tender and a little wrong.
Tatsu Yuikane
ty
copyright: dragalia_lost
1girl, solo, victorian clothes, commoner clothes, long coarse beige linen dress, off-white cotton apron, apron pocket bulging with chunks of meat, bloodstains on clothes, blood splatter on face, blood on hands, single bone brush, holding brush, standing, lectern, dock, bone lectern, bone dock, bloodied bone furniture, wet bone surface, studio, interior, wooden floor, plaster wall, from below, cowboy shot, dutch angle, looking at viewer, kind innocent smile, soft closed-lip smile, gentle raised brows, head tilt, detailed face, masterpiece, best quality, very aesthetic, absurdres, amazing quality,
Shot from a low dutch angle inside a bare studio, the floorboards tilting up across the frame. A single girl in commoner Victorian dress stands at the center of it: a long coarse beige linen dress with a high buttoned collar and plain long sleeves, an off-white cotton apron tied at her waist and gone brown-red down the front, its pocket sagging heavy with chunks of raw meat that bulge the fabric and leave a slow wet sheen at the seam. Blood is spattered across the apron bib, the cuffs and the hem of the skirt; blood freckles her cheeks, her chin and the backs of her hands, one dried streak running from her temple into her hairline. She stands with her weight on her right leg, left hip dropped, shoulders loose, one hand resting flat on the slanted top of a lectern built entirely of bones -- femurs and ribs lashed and mortared together, still wet, dark blood beading along the lowest joints and hanging in a single thread before it falls. Behind her and to the left, a witness dock rises on the same bone construction, its rail of stacked vertebrae and long bones, blood pooled in the hollows of the joints and one dark drip working down a shin bone.
Her other hand lifts a single brush carved from one pale bone, its handle a slim shaft, its ferrule bound with sinew, the bristles tipped dark red, held up at chest height between two fingers as though she has just paused mid-stroke. Her chin tips down toward the viewer, head canted with the dutch angle, and she looks straight into the lens with wide calm eyes and a soft closed-lip smile, brows gently raised, entirely at ease -- the kind innocent smile of someone showing you her work. Overhead studio light falls from the upper right: it catches the wet highlights on the bone lectern and dock, glosses the blood on her cheek and the bristles, and drops soft shadows to the lower left of every upright, the far wall falling into a dimmer grey. Palette held to beige linen, off-white cotton, the yellowed ivory of dry bone, and deep venous red, nothing else admitted. The meat in the apron pocket presses a damp print through the cotton where it rests against her thigh. Quiet, unsettling charm.
Tatsu Yuikane
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추천 크리에이터
당신에게 추천
ᯓ★ ⚡ ♡ ᯓ★
(mai)
Winter joy in the snow
FriddaTiss
kyramisu
7
logos
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
Hu Tao
KanKan Matcha
Tilith, the Goddess of Magical Star
entrophee_E:
푸른 물결 속의 신비로운 소녀
조개
anime
𝚖𝚎𝚛𝚒𝚖𝚎𝚛𝚒
miku
𝚖𝚎𝚛𝚒𝚖𝚎𝚛𝚒
🧣🚉 🪐 ‧₊˚ ♡ ˚₊‧
(mai)
❄️Lolicia❄️
4#설경
weirdcore...
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
reunited at last
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
₊˚⊹♡ 𝗯𝘂𝗻𝗻𝘆 𝗴𝗶𝗿𝗹 ♡⊹˚₊
●♡⃝ 𝓑𝓾𝓽𝓽𝓮𝓻𝓯𝓵𝔂•ʚїɞ.𝕏𝕠
...
Tofu
5
...
Tofu
2
₊˚ ꒰ᐢ. .ᐢ꒱ 🍓🍞 ✧
(mai)
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica
Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
Sg75
...
Tofu
이름
이름
2
...
Tofu
...
Tofu
3
the ballerina
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
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