9S, 요르하 2호 B형

#니어:오토마타 #니어 #9S #요르하 2호 B형

게시일 Nov 12, 2026

Yiğit Şerif Yaman The Man

character: 2b_(nier:automata), 9s_(nier:automata), copyright: nier, nier:automata 2girls and 1boy, 2 characters, 1man1woman, android, white hair, short hair, blindfold, blindfolded, black hairband, blue eyes, mole under mouth, black dress, puffy sleeves, juliet sleeves, black gloves, black thighhighs, black boots, black shorts, long sleeves, mature female, mature male, mature couple, hot body, pretty face, clothed, clothed female, clothed male, side view, standing, kissing, kiss, hug, hugging, holding partner, arms wrapped around partner, arms around waist, arms around neck, hands on partner's back, hand on back, hand on partner's back, night, night sky, rooftop, starry sky, city lights below, open mouth, kiss, closed eye, happy, romantic, passionate, wholesome, love, dutch angle, cowboy shot, depth of field The shot is a side view, held a little below chest height and canted a few degrees off level, so the pair reads as a single dark silhouette against the sky rather than as two figures facing the camera. They stand on the flat concrete roof of a tall building, close to the low parapet at the right of the frame; the roof plane runs away behind them in a receding grid of pale seams, its far edge dropping into the dark city, whose scattered pinprick windows sit far below and well out of focus. The two are turned to each other in full profile, chest to chest, and no face is aimed at the lens. The woman is the taller figure, her profile on the left of the pair: short white hair cut in a blunt bob skewing forward at the jaw, a black hairband seated across the crown above the blindfold, so the hairband shows and the blindfold covers the eyes in one continuous black band that dimples the hair at her temples. The mole under her mouth sits just off the knot of the kiss. Her black dress with its wide puffed juliet sleeves is cinched and shaped closely at the waist and chest, the long sleeves ending in black gloves, and black thighhighs read as a single dark column from knee to knee. She leans in and slightly up, weight forward on the balls of both boots, and both gloved arms are looped high around the back of his neck, forearms crossing loosely at the nape, one wrist resting over the other. Her back arches a little into the contact. The man is shorter, his profile on the right, white hair short and slightly tousled, paired with black blindfolded band across the eyes reads mirrored. His long-sleeved black jacket ends in black gloves, black shorts breaking above black boots. He stands firm and carries the taller woman's weight, heels set about a boot's width apart on the concrete, hips braced forward and one shoulder lifted; both gloved arms are wrapped around her waist, palms flat and pressing on the small of her back, fingers spread and slightly dug into the fabric. His chin tips up to meet hers. Their mouths meet in a firm open-mouthed kiss, lips pressed and inner corners drawn, and both heads tilt slightly toward each other so the kiss sits at the closes point of the silhouette. Both are stone-still in the mouth and full of motion everywhere else: her hair lifts off the back of her neck in the rooftop's updraft, the hem of her dress and his jacket edge flutter, and her back arched and his braced hips are the only asymmetry in a form that otherwise locks together. The single light source is the low, broad night sky glow above the far city, cool and steady, spilling over the roof and wrapping the pair's edges -- rim light along her white hair and the round of his shoulder, on the top edge of the black hairband, and a thin bright line down the crest of each raised sleeve; the fronts where they meet fall into soft shadow without losing edge. Below them the city is a dark field of small warm points and the sky above is deep indigo fading almost to black at the zenith with a scatter of faint stars, none of them strong enough to rival the glow. Palette is restricted to black, white and the night sky's cool violet-blue against a field of dark indigo, with only the distant city windows allowed as warm dots. The two are rendered with fine clean linework and soft cel shading at the outer silhouette and heavy dark mass in the interior, the sky smooth and gradient, no grain. The parapet at the right catches a thin unbroken highlight along its top face while its sides stay black, and the blank rectangle of concrete directly beneath their boots shows no shadow cast forward -- the glow sits behind them. Quiet, luminous, tender.

9S, 요르하 2호 B형

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