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honey bee

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1boy, solo, muscular, male, 32-year-old caucasian man, tall, very tall, broad shoulders, deep chest, thick muscular build, short black hair, wavy hair, styled hair, dense beard, mustache, well-groomed facial hair, square jaw, hairy, body hair, dark body hair, hairy chest, hairy arms, hairy legs, chest hair peeking out, cat ears, fake cat ears, cat tail, matching cat tail, maid, maid outfit, skimpy maid outfit, tight bodice, short skirt, flouncy skirt, poofy shoulders, lace collar, delicate lace collar, sheer thighhighs, thighband garter, garter straps, high heels, standing, poised posture, athletic posture, contrapposto, hand on hip, other hand at skirt hem, looking at viewer, light smile, one eyebrow raised, from below, cowboy shot, indoor, victorian parlor, rim lighting, warm lamplight, deep green and cream palette The camera looks up at him from knee height in a low-angle cowboy shot: one massive man fills the frame, well over six feet, his head and puffed shoulders near the top edge and the short flouncy skirt held in the lower third. He stands in a poised, athletic contrapposto — weight on his right leg, left hip pushed out and the left knee lightly bent so the skirt swings; his right hand rests flat on that hip, fingers spread over the tight bodice's waist seam, and his left hand pinches a fold of the lace-trimmed skirt hem between thumb and forefinger as if about to give it a small practiced flick. His chest is deep and thrust forward, shoulders broad and square under two puffed sleeve caps that swell above his biceps. He is a mountain of a man, thick-muscled arms and thighs straining the seams. The bodice is tight cream fabric over his chest, lace collar delicate and white at his throat, apron strings tied at the waist; the short skirt flares in soft pleats at mid-thigh, snapped outward by the turn of his hips. Dark body hair pushes up in a black fuzz at the collar, curls out from under the bodice's arm openings, and shows along his bare forearms, calves and the strip of thigh between skirt hem and stocking top, where sheer thigh-highs are pulled taut and clipped by garter straps running up beneath the hem. He wears high heels, feet planted with surprising grace, ankles steady. Short-cropped black hair is styled in dark waves on top, and a dense well-groomed beard and mustache frame a strong square jaw. Above his hair sit two cat ears, and a matching cat tail curls out from behind the skirt, its tip lifted in a slow S. His dark eyes look straight into the lens under one arched brow, a light smile pulling at one corner of the mouth, chin tipped down slightly against the low camera. The setting is a dim Victorian parlor: a velvet armchair behind his right hip, a mantel with a smoky oil lamp at left rear as the only light source, and beyond its pool the room falls into near-black. The lamp's warm light strikes the right side of his face, the swell of his chest and the leading edge of the skirt, throwing a long soft shadow of his legs and the tail across the patterned rug toward the viewer. Palette held to deep green walls and upholstery, cream lace and apron, warm amber lamp glow, and the black of his hair, beard and body hair. The tail's shadow on the rug moves out of sync with the hem's sway, betraying the small flick he has just given it. Smug, effortlessly theatrical.
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원본 프롬프트
32-year-old Caucasian male, mountain of a man, over six feet tall, thick muscular build, broad shoulders, deep chest, short-cropped black hair, dense well-groomed beard and mustache, strong square jawline, dark wavy styled hair, hairy torso and limbs, dark body hair peeking through clothes, skimpy maid outfit, short flouncy skirt, tight bodice, poofy shoulders, delicate lace collar, cat ears, matching cat tail, sheer thigh-high socks, garter straps, high heels, poised athletic posture
모드
flash
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1104 x 1824
프롬프트 도우미

모델 및 LoRA 사용

비슷한 작품

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AI artwork
hb
1boy, solo, muscular, male, 32-year-old caucasian man, tall, very tall, broad shoulders, deep chest, thick muscular build, short black hair, wavy hair, styled hair, dense beard, mustache, well-groomed facial hair, square jaw, hairy, body hair, dark body hair, hairy chest, hairy arms, hairy legs, chest hair peeking out, cat ears, fake cat ears, cat tail, matching cat tail, maid, maid outfit, skimpy maid outfit, tight bodice, short skirt, flouncy skirt, poofy shoulders, lace collar, delicate lace collar, sheer thighhighs, thighband garter, garter straps, high heels, standing, poised posture, athletic posture, contrapposto, hand on hip, other hand at skirt hem, looking at viewer, light smile, one eyebrow raised, from below, cowboy shot, indoor, victorian parlor, rim lighting, warm lamplight, deep green and cream palette The camera looks up at him from knee height in a low-angle cowboy shot: one massive man fills the frame, well over six feet, his head and puffed shoulders near the top edge and the short flouncy skirt held in the lower third. He stands in a poised, athletic contrapposto — weight on his right leg, left hip pushed out and the left knee lightly bent so the skirt swings; his right hand rests flat on that hip, fingers spread over the tight bodice's waist seam, and his left hand pinches a fold of the lace-trimmed skirt hem between thumb and forefinger as if about to give it a small practiced flick. His chest is deep and thrust forward, shoulders broad and square under two puffed sleeve caps that swell above his biceps. He is a mountain of a man, thick-muscled arms and thighs straining the seams. The bodice is tight cream fabric over his chest, lace collar delicate and white at his throat, apron strings tied at the waist; the short skirt flares in soft pleats at mid-thigh, snapped outward by the turn of his hips. Dark body hair pushes up in a black fuzz at the collar, curls out from under the bodice's arm openings, and shows along his bare forearms, calves and the strip of thigh between skirt hem and stocking top, where sheer thigh-highs are pulled taut and clipped by garter straps running up beneath the hem. He wears high heels, feet planted with surprising grace, ankles steady. Short-cropped black hair is styled in dark waves on top, and a dense well-groomed beard and mustache frame a strong square jaw. Above his hair sit two cat ears, and a matching cat tail curls out from behind the skirt, its tip lifted in a slow S. His dark eyes look straight into the lens under one arched brow, a light smile pulling at one corner of the mouth, chin tipped down slightly against the low camera. The setting is a dim Victorian parlor: a velvet armchair behind his right hip, a mantel with a smoky oil lamp at left rear as the only light source, and beyond its pool the room falls into near-black. The lamp's warm light strikes the right side of his face, the swell of his chest and the leading edge of the skirt, throwing a long soft shadow of his legs and the tail across the patterned rug toward the viewer. Palette held to deep green walls and upholstery, cream lace and apron, warm amber lamp glow, and the black of his hair, beard and body hair. The tail's shadow on the rug moves out of sync with the hem's sway, betraying the small flick he has just given it. Smug, effortlessly theatrical.
honey bee
AI artwork
hb
1boy, solo, muscular, male, 32-year-old caucasian man, tall, very tall, broad shoulders, deep chest, thick muscular build, short black hair, wavy hair, styled hair, dense beard, mustache, well-groomed facial hair, square jaw, hairy, body hair, dark body hair, hairy chest, hairy arms, hairy legs, chest hair peeking out, cat ears, fake cat ears, cat tail, matching cat tail, maid, maid outfit, skimpy maid outfit, tight bodice, short skirt, flouncy skirt, poofy shoulders, lace collar, delicate lace collar, sheer thighhighs, thighband garter, garter straps, high heels, standing, poised posture, athletic posture, contrapposto, hand on hip, other hand at skirt hem, looking at viewer, light smile, one eyebrow raised, from below, cowboy shot, indoor, victorian parlor, rim lighting, warm lamplight, deep green and cream palette The camera looks up at him from knee height in a low-angle cowboy shot: one massive man fills the frame, well over six feet, his head and puffed shoulders near the top edge and the short flouncy skirt held in the lower third. He stands in a poised, athletic contrapposto — weight on his right leg, left hip pushed out and the left knee lightly bent so the skirt swings; his right hand rests flat on that hip, fingers spread over the tight bodice's waist seam, and his left hand pinches a fold of the lace-trimmed skirt hem between thumb and forefinger as if about to give it a small practiced flick. His chest is deep and thrust forward, shoulders broad and square under two puffed sleeve caps that swell above his biceps. He is a mountain of a man, thick-muscled arms and thighs straining the seams. The bodice is tight cream fabric over his chest, lace collar delicate and white at his throat, apron strings tied at the waist; the short skirt flares in soft pleats at mid-thigh, snapped outward by the turn of his hips. Dark body hair pushes up in a black fuzz at the collar, curls out from under the bodice's arm openings, and shows along his bare forearms, calves and the strip of thigh between skirt hem and stocking top, where sheer thigh-highs are pulled taut and clipped by garter straps running up beneath the hem. He wears high heels, feet planted with surprising grace, ankles steady. Short-cropped black hair is styled in dark waves on top, and a dense well-groomed beard and mustache frame a strong square jaw. Above his hair sit two cat ears, and a matching cat tail curls out from behind the skirt, its tip lifted in a slow S. His dark eyes look straight into the lens under one arched brow, a light smile pulling at one corner of the mouth, chin tipped down slightly against the low camera. The setting is a dim Victorian parlor: a velvet armchair behind his right hip, a mantel with a smoky oil lamp at left rear as the only light source, and beyond its pool the room falls into near-black. The lamp's warm light strikes the right side of his face, the swell of his chest and the leading edge of the skirt, throwing a long soft shadow of his legs and the tail across the patterned rug toward the viewer. Palette held to deep green walls and upholstery, cream lace and apron, warm amber lamp glow, and the black of his hair, beard and body hair. The tail's shadow on the rug moves out of sync with the hem's sway, betraying the small flick he has just given it. Smug, effortlessly theatrical.
honey bee
AI artwork
hb
1boy, solo, muscular, male, 32-year-old caucasian man, tall, very tall, broad shoulders, deep chest, thick muscular build, short black hair, wavy hair, styled hair, dense beard, mustache, well-groomed facial hair, square jaw, hairy, body hair, dark body hair, hairy chest, hairy arms, hairy legs, chest hair peeking out, cat ears, fake cat ears, cat tail, matching cat tail, maid, maid outfit, skimpy maid outfit, tight bodice, short skirt, flouncy skirt, poofy shoulders, lace collar, delicate lace collar, sheer thighhighs, thighband garter, garter straps, high heels, standing, poised posture, athletic posture, contrapposto, hand on hip, other hand at skirt hem, looking at viewer, light smile, one eyebrow raised, from below, cowboy shot, indoor, victorian parlor, rim lighting, warm lamplight, deep green and cream palette The camera looks up at him from knee height in a low-angle cowboy shot: one massive man fills the frame, well over six feet, his head and puffed shoulders near the top edge and the short flouncy skirt held in the lower third. He stands in a poised, athletic contrapposto — weight on his right leg, left hip pushed out and the left knee lightly bent so the skirt swings; his right hand rests flat on that hip, fingers spread over the tight bodice's waist seam, and his left hand pinches a fold of the lace-trimmed skirt hem between thumb and forefinger as if about to give it a small practiced flick. His chest is deep and thrust forward, shoulders broad and square under two puffed sleeve caps that swell above his biceps. He is a mountain of a man, thick-muscled arms and thighs straining the seams. The bodice is tight cream fabric over his chest, lace collar delicate and white at his throat, apron strings tied at the waist; the short skirt flares in soft pleats at mid-thigh, snapped outward by the turn of his hips. Dark body hair pushes up in a black fuzz at the collar, curls out from under the bodice's arm openings, and shows along his bare forearms, calves and the strip of thigh between skirt hem and stocking top, where sheer thigh-highs are pulled taut and clipped by garter straps running up beneath the hem. He wears high heels, feet planted with surprising grace, ankles steady. Short-cropped black hair is styled in dark waves on top, and a dense well-groomed beard and mustache frame a strong square jaw. Above his hair sit two cat ears, and a matching cat tail curls out from behind the skirt, its tip lifted in a slow S. His dark eyes look straight into the lens under one arched brow, a light smile pulling at one corner of the mouth, chin tipped down slightly against the low camera. The setting is a dim Victorian parlor: a velvet armchair behind his right hip, a mantel with a smoky oil lamp at left rear as the only light source, and beyond its pool the room falls into near-black. The lamp's warm light strikes the right side of his face, the swell of his chest and the leading edge of the skirt, throwing a long soft shadow of his legs and the tail across the patterned rug toward the viewer. Palette held to deep green walls and upholstery, cream lace and apron, warm amber lamp glow, and the black of his hair, beard and body hair. The tail's shadow on the rug moves out of sync with the hem's sway, betraying the small flick he has just given it. Smug, effortlessly theatrical.
honey bee
AI artwork
sp
1boy, solo, male, muscular, bara, bearded, hairy chest, hairy legs, chest hair, body hair, ballgown, wedding dress, white dress, bridal gown, wedding veil, lace veil, white thighhighs, thighhigh stockings, garter belt, high heels, man dressed as bride, bent over, standing bent forward, torso horizontal, arched back, from behind, from side, looking back, over shoulder, hands on knees, white gloves-free bare hands, empty ballroom, tall windows, daylight The camera is placed low and off to his left rear three-quarter, so we see him from behind and slightly to the side: his broad back fills the upper left of the frame, and his bearded face is turned back over his right shoulder toward the lens. He is bent nearly in half, torso close to horizontal and thighs nearly vertical, back deeply arched, hips raised. His weight rides on the balls of his feet in the heels, calves taut, the spike heels planted and the ankle straps buckling under the load; his palms brace flat on his own knees, fingers spread, elbows slightly bent, shoulders rolled forward so the trapezius and lats bunch. The ballgown's white satin bodice strains across his back, seams pulling taut along the shoulder blades, and the skirt pours down from his hips in heavy gathered folds that brush the floor; the lace veil hangs from a comb at the crown and falls forward alongside his turned cheek, its mesh pressed into his shoulder and its scalloped edge draping toward his chest. The open neckline of the bodice sits away from his body as he bends, exposing a thick matted dark hairy chest and the dark hair trailing down his sternum. Below, the white satin-ribboned garter belt sits over his hips, its straps drawn tight and indenting the skin and the dark hair of his upper thighs; the white thigh-high stockings are pulled high and taut, the elastic bands dimpling the hairy legs, and the skin above them is thick with dark hair. His expression is a level, almost challenging look back from under a lowered brow, lips just parted, one corner of the mouth pulled slightly; his eyes are fixed on the viewer over his shoulder, chin tipped low against the veil. Behind him a tall empty ballroom: pale plaster walls, a row of tall windows on the right throwing cool daylight across the floor, deep shadow gathering under the hem of the skirt and beneath his hips. The daylight is the only source, low and directional from the windows, so the left half of his back and the turned side of his face take the light, the veil scatters it into a soft glow, and the white satin picks up a broad sheen with a bright rim along the arched spine while the floor and far corners stay dim. Palette is restrained to white, off-white, warm skin, and the dark brown of his hair, beard and body hair, with cool grey in the shadowed room and a thin strip of honeyed floorboards. The veil's mesh catches a faint moiré where it lies over the shoulder. Composed, quietly audacious.
SteelPink

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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ