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Empress Force

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copyright: persona_4, genshin_impact 8girls and boys, 4 boys, 4 girls, group shot, wide shot, from below, slightly low angle, standing, liminal space, empty indoor space, endless corridor, fluorescent lighting, pale green-white walls, wet-look tiled floor, repeating doorframes, vanishing point, four genshin impact characters, two persona 4 characters, male genshin protagonist in maid outfit, female genshin protagonist in suit, maid outfit, frilled apron, white thighhighs, hair ribbon, tail with needle at tip, needle-tipped tail, suit, black tailored suit, necktie, slacks, dress shoes, long blonde hair in a braid, short blonde hair, long silver-blue hair, twin braids, orange hair, bowl cut, short black hair, glasses, red hair, long brown hair, smile, light smile, grin, one eye closed, half-closed eyes, looking at viewer, looking to the side, looking back, standing on one leg, head tilt, leaning forward, arms behind back, hands clasped behind back, arms at sides, shoulders relaxed, blush, open mouth, wide-eyed, raised eyebrow, smug The camera sits low and tilts slightly upward, so the eight figures stand tall against a corridor that recedes far behind them. They are grouped loosely across the middle of the frame, not shoulder to shoulder but with small gaps of damp greenish floor between them, and the corridor's white ceiling panels stream away to a single point over their heads. At left, a short-haired blonde boy in a dark jacket with a high collar stands with his weight on his back foot and one hand loosely closed at his side, chin lifted, one eye narrowed, mouth pulled into a small knowing grin aimed slightly to the right of the lens. Beside him a tall man with long silver-blue hair in a thick braid over one shoulder stands very straight, a dark long coat hanging open, both hands still against his thighs, his pale eyes fixed straight ahead at the viewer with a faint closed-lip smile that never reaches them. Next, a girl with long brown hair tucked behind one ear stands turned slightly outward toward the left wall, one hand raised to smooth her long skirt, eyes sliding to the side, expression soft and distracted. At her shoulder, a smaller girl with pale hair falls in close and half-hides behind her, peeking out with one wide eye and a hand curled near her chin. In the center-right stands the blonde male protagonist in a maid outfit: a black dress with a white-frilled apron, a white headband set in his short hair, white thighhighs and dark shoes, one white-gloved hand resting flat on the apron front while his body leans forward a touch toward the camera, weight on his left leg, head tipped to one side, both a sheepish half-smile and a lifted brow on his face. Behind the hem of the apron skirt a long fleshy tail curls out to the right and up, and at its very tip a slim silver needle gleams, catching the overhead light in one hard bright point; the needle hangs clear of any fabric, its point aimed up and toward the corridor's vanishing point. Beside him, the blonde female protagonist in a tailored black suit and dark necktie stands with her own weight squared onto both feet, one hand pushed into a trouser pocket and the other hanging at her side, chin down and eyes cast sideways at the camera from under her brows, mouth flat except for one corner pulled up. Behind them at the back of the group, a girl with orange hair in two braids stands with her arms crossed, leaning her hip against the corridor wall, gaze turned into the camera with a lopsided, unimpressed look; and at the far right a boy with a bowl-shaped black haircut and square glasses stands with his hands behind his back and shoulders hunched, peering over the rims with one eyebrow lifted in a small, smug, almost superior smile. The only light is the long ceiling strip of fluorescent panels running overhead; it flattens every face with a faintly greenish cast, leaves their shadows pooled directly at their feet, and makes the polished tile under them into a soft mirror of white legs and dark shoes that darkens and blurs toward the far doors. The walls are a bland unbroken off-white, broken only by door after identical door with tall handles, all of them shut; the floor's grid of grout lines narrows toward the vanishing point. The palette is the corridor's own dead white, gray and bruised green, with the figures' black and white clothing and their blonde, silver, orange and brown hair as the only warm notes, and the single silver glint of the needle as the brightest thing in the frame. Quietly wrong, faintly playful.
매개변수 표시
원본 프롬프트
原神のキャラ4人と、ペルソナ4のキャラ2人と先端に針がついた尻尾の生えたメイド服をきた原神の男主人公とスーツを着た原神の女主人公がいる。 liminal spaces,
모드
pro
크기
1104 x 1824
제외 조건
lowres, worst quality, low quality, bad anatomy, explicit, (nsfw:1.2),(nude:1.6),(nipple:1.2),naked
프롬프트 도우미

모델 및 LoRA 사용

비슷한 작품

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AI artwork
Avatar image of Empress Force
copyright: persona_4, genshin_impact 8girls and boys, 4 boys, 4 girls, group shot, wide shot, from below, slightly low angle, standing, liminal space, empty indoor space, endless corridor, fluorescent lighting, pale green-white walls, wet-look tiled floor, repeating doorframes, vanishing point, four genshin impact characters, two persona 4 characters, male genshin protagonist in maid outfit, female genshin protagonist in suit, maid outfit, frilled apron, white thighhighs, hair ribbon, tail with needle at tip, needle-tipped tail, suit, black tailored suit, necktie, slacks, dress shoes, long blonde hair in a braid, short blonde hair, long silver-blue hair, twin braids, orange hair, bowl cut, short black hair, glasses, red hair, long brown hair, smile, light smile, grin, one eye closed, half-closed eyes, looking at viewer, looking to the side, looking back, standing on one leg, head tilt, leaning forward, arms behind back, hands clasped behind back, arms at sides, shoulders relaxed, blush, open mouth, wide-eyed, raised eyebrow, smug The camera sits low and tilts slightly upward, so the eight figures stand tall against a corridor that recedes far behind them. They are grouped loosely across the middle of the frame, not shoulder to shoulder but with small gaps of damp greenish floor between them, and the corridor's white ceiling panels stream away to a single point over their heads. At left, a short-haired blonde boy in a dark jacket with a high collar stands with his weight on his back foot and one hand loosely closed at his side, chin lifted, one eye narrowed, mouth pulled into a small knowing grin aimed slightly to the right of the lens. Beside him a tall man with long silver-blue hair in a thick braid over one shoulder stands very straight, a dark long coat hanging open, both hands still against his thighs, his pale eyes fixed straight ahead at the viewer with a faint closed-lip smile that never reaches them. Next, a girl with long brown hair tucked behind one ear stands turned slightly outward toward the left wall, one hand raised to smooth her long skirt, eyes sliding to the side, expression soft and distracted. At her shoulder, a smaller girl with pale hair falls in close and half-hides behind her, peeking out with one wide eye and a hand curled near her chin. In the center-right stands the blonde male protagonist in a maid outfit: a black dress with a white-frilled apron, a white headband set in his short hair, white thighhighs and dark shoes, one white-gloved hand resting flat on the apron front while his body leans forward a touch toward the camera, weight on his left leg, head tipped to one side, both a sheepish half-smile and a lifted brow on his face. Behind the hem of the apron skirt a long fleshy tail curls out to the right and up, and at its very tip a slim silver needle gleams, catching the overhead light in one hard bright point; the needle hangs clear of any fabric, its point aimed up and toward the corridor's vanishing point. Beside him, the blonde female protagonist in a tailored black suit and dark necktie stands with her own weight squared onto both feet, one hand pushed into a trouser pocket and the other hanging at her side, chin down and eyes cast sideways at the camera from under her brows, mouth flat except for one corner pulled up. Behind them at the back of the group, a girl with orange hair in two braids stands with her arms crossed, leaning her hip against the corridor wall, gaze turned into the camera with a lopsided, unimpressed look; and at the far right a boy with a bowl-shaped black haircut and square glasses stands with his hands behind his back and shoulders hunched, peering over the rims with one eyebrow lifted in a small, smug, almost superior smile. The only light is the long ceiling strip of fluorescent panels running overhead; it flattens every face with a faintly greenish cast, leaves their shadows pooled directly at their feet, and makes the polished tile under them into a soft mirror of white legs and dark shoes that darkens and blurs toward the far doors. The walls are a bland unbroken off-white, broken only by door after identical door with tall handles, all of them shut; the floor's grid of grout lines narrows toward the vanishing point. The palette is the corridor's own dead white, gray and bruised green, with the figures' black and white clothing and their blonde, silver, orange and brown hair as the only warm notes, and the single silver glint of the needle as the brightest thing in the frame. Quietly wrong, faintly playful.
Empress Force
AI artwork
Avatar image of Empress Force
copyright: persona_4, genshin_impact 8girls and boys, 4 boys, 4 girls, group shot, wide shot, from below, slightly low angle, standing, liminal space, empty indoor space, endless corridor, fluorescent lighting, pale green-white walls, wet-look tiled floor, repeating doorframes, vanishing point, four genshin impact characters, two persona 4 characters, male genshin protagonist in maid outfit, female genshin protagonist in suit, maid outfit, frilled apron, white thighhighs, hair ribbon, tail with needle at tip, needle-tipped tail, suit, black tailored suit, necktie, slacks, dress shoes, long blonde hair in a braid, short blonde hair, long silver-blue hair, twin braids, orange hair, bowl cut, short black hair, glasses, red hair, long brown hair, smile, light smile, grin, one eye closed, half-closed eyes, looking at viewer, looking to the side, looking back, standing on one leg, head tilt, leaning forward, arms behind back, hands clasped behind back, arms at sides, shoulders relaxed, blush, open mouth, wide-eyed, raised eyebrow, smug The camera sits low and tilts slightly upward, so the eight figures stand tall against a corridor that recedes far behind them. They are grouped loosely across the middle of the frame, not shoulder to shoulder but with small gaps of damp greenish floor between them, and the corridor's white ceiling panels stream away to a single point over their heads. At left, a short-haired blonde boy in a dark jacket with a high collar stands with his weight on his back foot and one hand loosely closed at his side, chin lifted, one eye narrowed, mouth pulled into a small knowing grin aimed slightly to the right of the lens. Beside him a tall man with long silver-blue hair in a thick braid over one shoulder stands very straight, a dark long coat hanging open, both hands still against his thighs, his pale eyes fixed straight ahead at the viewer with a faint closed-lip smile that never reaches them. Next, a girl with long brown hair tucked behind one ear stands turned slightly outward toward the left wall, one hand raised to smooth her long skirt, eyes sliding to the side, expression soft and distracted. At her shoulder, a smaller girl with pale hair falls in close and half-hides behind her, peeking out with one wide eye and a hand curled near her chin. In the center-right stands the blonde male protagonist in a maid outfit: a black dress with a white-frilled apron, a white headband set in his short hair, white thighhighs and dark shoes, one white-gloved hand resting flat on the apron front while his body leans forward a touch toward the camera, weight on his left leg, head tipped to one side, both a sheepish half-smile and a lifted brow on his face. Behind the hem of the apron skirt a long fleshy tail curls out to the right and up, and at its very tip a slim silver needle gleams, catching the overhead light in one hard bright point; the needle hangs clear of any fabric, its point aimed up and toward the corridor's vanishing point. Beside him, the blonde female protagonist in a tailored black suit and dark necktie stands with her own weight squared onto both feet, one hand pushed into a trouser pocket and the other hanging at her side, chin down and eyes cast sideways at the camera from under her brows, mouth flat except for one corner pulled up. Behind them at the back of the group, a girl with orange hair in two braids stands with her arms crossed, leaning her hip against the corridor wall, gaze turned into the camera with a lopsided, unimpressed look; and at the far right a boy with a bowl-shaped black haircut and square glasses stands with his hands behind his back and shoulders hunched, peering over the rims with one eyebrow lifted in a small, smug, almost superior smile. The only light is the long ceiling strip of fluorescent panels running overhead; it flattens every face with a faintly greenish cast, leaves their shadows pooled directly at their feet, and makes the polished tile under them into a soft mirror of white legs and dark shoes that darkens and blurs toward the far doors. The walls are a bland unbroken off-white, broken only by door after identical door with tall handles, all of them shut; the floor's grid of grout lines narrows toward the vanishing point. The palette is the corridor's own dead white, gray and bruised green, with the figures' black and white clothing and their blonde, silver, orange and brown hair as the only warm notes, and the single silver glint of the needle as the brightest thing in the frame. Quietly wrong, faintly playful.
Empress Force
AI artwork
Avatar image of Empress Force
copyright: persona_4, genshin_impact 8girls and boys, 4 boys, 4 girls, group shot, wide shot, from below, slightly low angle, standing, liminal space, empty indoor space, endless corridor, fluorescent lighting, pale green-white walls, wet-look tiled floor, repeating doorframes, vanishing point, four genshin impact characters, two persona 4 characters, male genshin protagonist in maid outfit, female genshin protagonist in suit, maid outfit, frilled apron, white thighhighs, hair ribbon, tail with needle at tip, needle-tipped tail, suit, black tailored suit, necktie, slacks, dress shoes, long blonde hair in a braid, short blonde hair, long silver-blue hair, twin braids, orange hair, bowl cut, short black hair, glasses, red hair, long brown hair, smile, light smile, grin, one eye closed, half-closed eyes, looking at viewer, looking to the side, looking back, standing on one leg, head tilt, leaning forward, arms behind back, hands clasped behind back, arms at sides, shoulders relaxed, blush, open mouth, wide-eyed, raised eyebrow, smug The camera sits low and tilts slightly upward, so the eight figures stand tall against a corridor that recedes far behind them. They are grouped loosely across the middle of the frame, not shoulder to shoulder but with small gaps of damp greenish floor between them, and the corridor's white ceiling panels stream away to a single point over their heads. At left, a short-haired blonde boy in a dark jacket with a high collar stands with his weight on his back foot and one hand loosely closed at his side, chin lifted, one eye narrowed, mouth pulled into a small knowing grin aimed slightly to the right of the lens. Beside him a tall man with long silver-blue hair in a thick braid over one shoulder stands very straight, a dark long coat hanging open, both hands still against his thighs, his pale eyes fixed straight ahead at the viewer with a faint closed-lip smile that never reaches them. Next, a girl with long brown hair tucked behind one ear stands turned slightly outward toward the left wall, one hand raised to smooth her long skirt, eyes sliding to the side, expression soft and distracted. At her shoulder, a smaller girl with pale hair falls in close and half-hides behind her, peeking out with one wide eye and a hand curled near her chin. In the center-right stands the blonde male protagonist in a maid outfit: a black dress with a white-frilled apron, a white headband set in his short hair, white thighhighs and dark shoes, one white-gloved hand resting flat on the apron front while his body leans forward a touch toward the camera, weight on his left leg, head tipped to one side, both a sheepish half-smile and a lifted brow on his face. Behind the hem of the apron skirt a long fleshy tail curls out to the right and up, and at its very tip a slim silver needle gleams, catching the overhead light in one hard bright point; the needle hangs clear of any fabric, its point aimed up and toward the corridor's vanishing point. Beside him, the blonde female protagonist in a tailored black suit and dark necktie stands with her own weight squared onto both feet, one hand pushed into a trouser pocket and the other hanging at her side, chin down and eyes cast sideways at the camera from under her brows, mouth flat except for one corner pulled up. Behind them at the back of the group, a girl with orange hair in two braids stands with her arms crossed, leaning her hip against the corridor wall, gaze turned into the camera with a lopsided, unimpressed look; and at the far right a boy with a bowl-shaped black haircut and square glasses stands with his hands behind his back and shoulders hunched, peering over the rims with one eyebrow lifted in a small, smug, almost superior smile. The only light is the long ceiling strip of fluorescent panels running overhead; it flattens every face with a faintly greenish cast, leaves their shadows pooled directly at their feet, and makes the polished tile under them into a soft mirror of white legs and dark shoes that darkens and blurs toward the far doors. The walls are a bland unbroken off-white, broken only by door after identical door with tall handles, all of them shut; the floor's grid of grout lines narrows toward the vanishing point. The palette is the corridor's own dead white, gray and bruised green, with the figures' black and white clothing and their blonde, silver, orange and brown hair as the only warm notes, and the single silver glint of the needle as the brightest thing in the frame. Quietly wrong, faintly playful.
Empress Force
AI artwork
Avatar image of Empress Force
copyright: persona_4, genshin_impact 3 girls, 5 boys, 8 characters, group shot, standing on clouds, cloud sea, above the clouds, daytime sky, genshin impact male protagonist, blonde hair, long braided hair, twin braids, gold eyes, maid outfit, frilled apron, maid headdress, black dress, white frilled apron, tail, needle-tipped tail, long thin tail, metallic needle tip, genshin impact female protagonist, blonde hair, long hair, gold eyes, business suit, black suit jacket, white dress shirt, black necktie, suit trousers, genshin impact female character, genshin impact male character, persona 4 characters, high school uniforms, yasogami high school uniform, black hair, silver hair, orange hair, brown hair, from below, wide shot, low angle, dutch angle, looking up, wind, hair blowing, clothes fluttering, bright daylight, blue sky, cumulonimbus, volumetric clouds, lens flare The camera sits low among the cloud tops and tilts a few degrees off level, looking up at eight figures arranged in a loose arc across the crest of a huge cumulonimbus shelf, so the sky fills the upper two-thirds of the frame and every body is read against open blue. In the centre of the arc stands the boy in the maid outfit: short blonde hair with two long braids hanging past his waist, gold eyes, a black maid dress with a white frilled apron, puffed sleeves and a white headdress set slightly askew; his weight is on his right leg, left knee bent, one hand smoothing the apron at his hip and the other raised to steady the headdress against the wind. A long thin tail rises from behind his skirt, curling up and out to his left with the slim steel needle at its tip catching the sun as one bright point; the tail's arc is the leading line of the whole composition. To his right, the girl in the business suit — long blonde hair and gold eyes — stands with her feet planted wide, jacket buttoned, white shirt and black necktie neat, one hand tucked in her trouser pocket and the other holding her hair back from her face, chin lifted against the light, glancing sideways at him with one brow raised. Around them the four remaining Genshin figures stand in varied civilian dress in the same palette of whites, golds and deep blues, each with a different stance — one with arms folded, one shading their eyes, one turned half away with a coat billowing, one crouching at the cloud edge with a palm pressed into the vapour. The two Persona 4 students in dark high-school uniforms with white shirt collars stand at the outer left, closer to camera and slightly larger through foreshortening, one leaning on the other's shoulder and pointing up at the tail's needle, both of them laughing and looking towards it. Every gaze is accounted for: the pointing pair look at the needle, the suited girl looks at the maid, the four others look outward or up. The clouds are the only ground — soft cauliflower tops compressed under their shoes, vapour puffing up around every ankle, thin torn wisps streaming from right to left to show the wind, and a faint warm bounce filling the shadowed undersides of each fold. The sun sits high and behind-left, rimming hair and shoulders in white, throwing short soft shadows across the cloud surface to the right of each figure, and a mild lens flare crossing the top corner. Palette of white, sky blue, gold and black, nothing else admitted; crisp cel-style rendering with soft airbrushed cloud volume. Bright, airy, triumphant.
Empress Force

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Avatar image of リオ
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ