Gobbo

GGFF님의 AI 작품 'Gobbo'. PixAI에서 감상하세요. 사용 모델: Tsubaki.3.

#여자 고블린 #개인세 VTuber

게시일 Nov 13, 2026

GGFF

1girl, solo, goblin, petite, 90cm tall, 5-head proportions, smooth shiny green skin, long messy red hair, prominent ahoge, large pointed elf ears, cat-like eyes, red eyes, yellow pupils, extremely voluptuous, massive breasts, wide hips, thick thighs, gray sports bra, long coat, red and black leather coat, asymmetric zippers, black and red camouflage cargo pants, scrap metal knee pads, black tool belt, fingerless gloves, metal knuckles, calf-length boots, black reinforced work boots, vintage biker goggles on head, goggles on head, holding wrench, large monkey wrench, gripping, looking back, looking at viewer, mischievous smile, smirk, standing, from side, from behind, full body, very wide shot, distant camera, wide shot, centered, outdoors, wasteland, desolate, post-apocalyptic, ruined town, debris, abandoned vehicles, large truck, scrap wagon, patchwork iron wagon, engines, pipes, canned food, overcast, heavy clouds, cloudy sky, cinematic lighting, glossy skin, sharp focus, deep depth of field, high-contrast, halftone dots, graffiti marks, neon accents, thick outlines, A very wide full-body shot taken from a distant camera more than fifteen meters off, the tiny goblin girl centered in the lower middle of the frame and dwarfed by the empty sweep of the wasteland around her, the camera set low and slightly off to her rear-left so she reads as a small green figure turned away and glancing back over her shoulder toward the lens. She stands with her weight sunk into her right hip, right boot planted flat, left heel lifted a fraction off the cracked ground, torso twisted three-quarters away from the camera while her head swivels back over her left shoulder — chin tipped down, one cat-like eye catching the flat light, the yellow pupil a bright dot inside the red iris, one brow arched high and one corner of her mouth pulled up into a lopsided mischievous smirk aimed straight at the viewer. Her long messy red hair spills over the coat collar and a single prominent ahoge springs up and bends forward from the crown, jittering in the low wind; the large pointed elf ears stick out through the messy strands, one of them angled toward the camera. On top of her head sit the vintage biker goggles, strap cutting through the red hair, round lenses catching a dull gray sky reflection. Her right hand is clamped around the shaft of a large monkey wrench, the steel head hanging down beside her thick thigh, the fingerless glove's metal knuckles showing pale scuffed metal over green knuckles and the wrench shaft resting against the seam of her black-and-red camouflage cargo pants; her left hand hooks loosely into the black tool belt at her hip, pouches sagging with weight. The gray sports bra sits under the long red-and-black leather coat, the coat hanging open and bellying slightly to one side, its asymmetric zippers climbing at mismatched angles across the chest and hip; below, the camouflage pants are tucked into calf-length black reinforced work boots planted wide apart, scrap-metal knee pads strapped over the knees with visible bolt heads and weld seams. The shine on her smooth green skin is the strongest specular in the frame — a hard rim of highlight running down her shoulder, forearm and the swell of her hip, skin reading wet-glossy and almost lacquered against the matte dust of everything else. Immediately beside her, at her left and slightly behind her stance, stands the patchwork iron scrap wagon: welded plates of mismatched rusted steel, a crooked axle, wheels of bolted-together scrap, the bed heaped with gutted engine blocks, coils of pipe and stacked cans of food, one can rolled to the lip and about to fall. Beyond them the ruined post-apocalyptic town recedes — broken facades, heaps of debris, a burned-out car slumped on flat tires in the midground, snapped signposts, dust drifting low across the road. Far back along the vanishing line a massive five-meter-tall truck looms over the rooftops, its cab foreshortened and its wheels taller than the girl, giving the scale of the emptiness around her. The sky is fully overcast, heavy gray cloud pressed flat and featureless, no sun disc, the whole scene lit by a single diffuse overhead source: soft ambient shadow pooling under the wagon, the truck and her boots, no hard cast shadows anywhere, the light wrapping her glossy green skin and the leather coat while the wasteland stays muted gray-brown and dusty red. The palette is disciplined to dusty gray and rust brown for the world, saturated red in her hair and coat, black in the boots, gloves and belt, and the green of her skin as the one unnatural, glowing accent against the ash-colored background; the graffiti-scrawl halftone texture lives in the shadows and the sky, giving the whole frame a printed, street-art grit. Deep depth of field keeps the far truck legible while the girl stays tack-sharp in the center. Quietly defiant, post-apocalyptic swagger.

Gobbo

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