鬼滅の刃・栗花落カナヲ＆ファイアーエムブレムエンゲージ・ヴェイル　CV:上田麗奈

heipo55님의 AI 작품 '鬼滅の刃・栗花落カナヲ＆ファイアーエムブレムエンゲージ・ヴェイル CV:上田麗奈'. PixAI에서 감상하세요. 태그: 베일, 파이어 엠블렘, 귀멸의 칼날, 파이어 엠블렘 인게이지. 사용 모델: Tsubaki.3.

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#파이어 엠블렘 #귀멸의 칼날 #파이어 엠블렘 인게이지 #베일

게시일 Nov 13, 2026

heipo55

character: tsuyuri_kanao, veyle_(fire_emblem), copyright: fire_emblem, kimetsu_no_yaiba 2girls, tsuyuri_kanao, veyle_(fire_emblem), rear three-quarter view, from behind, looking back, face visible, profile, mid-slash, drawing katana, sword, holding sword, slashing, flower petals, petals falling, petals on hair, petals on clothes, floating petals, dark magic, casting spell, magic circle, black and crimson energy, ominous aura, dark aura, red eyes, glowing eyes, long hair, two-tone hair, grey hair, black hair, streaked hair, wavy hair, feather hair ornament, hair ornament, side ponytail, ponytail, blunt bangs, purple eyes, butterfly hair ornament, demon slayer uniform, black skirt, pleated skirt, long sleeves, cape, outstretched arm, twisting body, dynamic pose, dutch angle, wide shot, dark background, The camera sits low and off-axis in a slight dutch tilt, looking up and in from behind and to the left of both figures, so the frame reads as a rear three-quarter view of each of them at once. Kanao Tsuyuri fills the left half in the near-midground, her body turned almost fully away from the lens — we see the back of her head, the nape, the black cape and the long-sleeved uniform jacket from behind — but her head is wrenched back over her right shoulder so that her face is fully visible in profile and half-profile: blunt bangs swinging clear of her brow, one wide purple eye fixed hard on her target off frame to the right, teeth bared in a tight clenched snarl. Her right hand is at her left hip, gripping the saya, the katana already a third of the way out of the scabbard and slicing a bright thin arc of steel across her torso; her left arm swings out and back behind her for counterbalance, sleeve billowing, her weight dropped onto her rear foot with the front knee bent and the black pleated skirt flaring outward from the pivot. Her dark side ponytail whips sideways across her shoulder, and the pair of butterfly hair ornaments at the tie catch the light as two small pale glints. A storm of flower petals surrounds her — pink and white, some plastered flat to the fabric of her shoulder and her skirt folds, several caught flat against the flat of the drawn blade where static makes them cling, the rest streaming off her in a spiral that spins out along the direction of her turn. Veyle hangs in the right half of the frame, further back and slightly higher, her very long two-tone black-and-grey streaked hair streaming upward and outward as though she is rising against a downdraft; the wavy strands and the small feather hair ornament at her crown break loose and drift. Her white dress snaps and whips around her legs. Her torso is turned away too, but her head is thrown back and around toward the viewer's left so that her face shows in a sharp rear three-quarter profile, and both her eyes are a flat luminous red, lit from within, staring down past her own raised hands at Kanao. Both arms are thrust forward and out to her left, palms open, fingers spread and rigid. Between her palms and Kanao's blade, a magic circle hangs in the air, drawn in black and crimson, its rings partially eroded and flaking into ribbons of dark energy that pour downward and to the left in a rough cone. A dense black-crimson aura boils off her shoulders and forearms, curling, with jagged flecks rising from it like sparks drawn upward by an unseen draft — a sinister, oppressive haze that dims the air behind her and swallows the edges of her silhouette. The two energies meet in the space between their bodies: the bright white-steel arc of the half-drawn katana from the left, the sullen crimson cone of the dark magic from the right, and the flower petals driven sideways through the gap by the pressure of both. The petals nearest the magic circle are scorched at their edges and curl; those nearest the blade are cut clean in half, and one severed half-petal hangs in the air. Kanao's cape bellies outward away from the blast while her ponytail is pulled toward it — cloth and hair moving in opposite directions from the same wind. Light comes from two sources only: the crimson underglow of the magic, striking upward into Veyle's face, her throat and the underside of her outstretched forearms, and the cooler pale rim from the polished steel of Kanao's blade, catching her jaw, her cheekbone and the edge of her shoulder. Everything behind them falls away to absolute darkness — no horizon, no floor, only the dim red bloom of the aura and a faint drift of illuminated petals fading out as they leave the light. The palette is black, grey-black, white dress and white petals against crimson magic and one bright steel line, with a single note of purple in Kanao's eye. Petals are rendered as separate crisp shapes with visible thickness at their torn edges, not as texture. High contrast, deep blacks, cold rim against warm underglow, ominous and electric.

鬼滅の刃・栗花落カナヲ＆ファイアーエムブレムエンゲージ・ヴェイル CV:上田麗奈

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鬼滅の刃・栗花落カナヲ＆ファイアーエムブレムエンゲージ・ヴェイル　CV:上田麗奈