아랑: 마크 오브 더 울브스

白武遼님의 AI 작품. PixAI에서 감상하세요. 사용 모델: Tsubaki.3.

#아랑: 마크 오브 더 울브스

게시일 Nov 13, 2026

白

白武遼

character: rock_howard 2girls, 1boy, rock howard, blonde hair, red eyes, fingerless gloves, black pants, black shirt, jacket, slim waist, handsome, bishounen, beautiful refined face, 25 years old, woman, 35 years old, mature female, black hair, long hair, glossy lips, beautiful legs, glossy jacket, glossy miniskirt, pacifier, object in mouth, feeding, holding pacifier, standing close, height difference, frustrated, flustered, blush, gritted teeth, furrowed brow, conflicted expression, heart pounding, looking at another, half-closed eyes, back alley, night, brick wall, from side, cowboy shot, dutch angle, dramatic lighting, cinematic, depth of field A tight back alley at night, seen in a low three-quarter side view with a slight dutch tilt, waist-up cowboy framing that keeps both faces and both pairs of hands inside the crop. On the right of the frame stands Rock Howard: 25 years old, a lean, handsome young man whose face is clean-cut and refined, sharp jaw, straight nose, high cheekbones; short layered blond hair falling in strands over his forehead, bangs pushed aside; narrow red eyes. His waist is visibly narrow against the cut of his KOF outfit — a fitted black shirt and a dark jacket with a high collar, fingerless gloves on both hands, black pants, the jacket hanging open at the ribs so the slim taper of his torso reads clearly. He stands with his back half against the brick wall, weight on his right heel, left hip pushed forward, one shoulder dropped lower than the other; his chin is lifted an inch, pulled back from what is happening, and his lips are parted around the pacifier's ring. His brows are drawn down hard, a tight crease between them, teeth set behind the teat, but a hot flush runs across the tops of his cheeks and the tips of his ears, and his red eyes have gone heavy-lidded, flicking down toward her mouth and then away to the alley wall — disgusted with himself for how fast his heart is going. His left hand is half-raised at his own chest, fingers curled open, not quite pushing her away; his right hand is flat against the brick behind him, fingertips pressed white. On the left, a 35-year-old woman leans in close, taller in her heels. Long black hair falls heavy over one shoulder and down her back, catching a wet blue-black sheen. Her face is composed and amused, one eyebrow arched, the corner of her mouth curled; her lips are glossed so thickly they throw a hard specular highlight. She wears a glossy jacket — the patent surface mirroring the alley's lights in long streaks along the sleeve — over a glossy miniskirt that rides high, and her bare legs are long, shapely and lit from the side, one knee bent forward between his stance. Her right hand holds the pacifier's ring between two fingers, thumb and forefinger, and her left hand is braced flat on the brick beside his shoulder, pinning him without touching him; she is looking directly into his eyes, unblinking, enjoying the contradiction on his face. Her hair swings forward off her shoulder with the lean. Light comes only from a single caged bulb high on the wall behind her, so her glossy jacket, her glossed lips and the pacifier's plastic all catch the same small cold-white specular, while Rock's face falls into the softer shadow side and the alley behind them drops into near-black; a wet drain channel runs between the bricks at their feet and carries that single bulb as a broken, smeared reflection. Concrete and old brick fill the background, a steel door and a coiled hose off to the left, a few stacked crates, everything beyond the light pool read as dark shapes only. Palette: cold slate blue and wet-brick brown, the woman's black hair and black patent as the deep notes, the only warm colour the flush across Rock's face and the red of his eyes. Textures: slick patent highlights against dry, gritty mortar. Hot, tense, humiliatingly tender.

아랑: 마크 오브 더 울브스

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