Severian Lowell

Severian님의 AI 작품 'Severian Lowell'. PixAI에서 감상하세요. 사용 모델: Tsubaki.3.

게시일 Nov 13, 2026

Severian

character: severian_lowell, copyright: zenless_zone_zero 1boy, solo, adult male, policeman, mature male, cat boy, animal ears, cat ears, animal ear fluff, cat tail, long hair, grey hair, white hair, hair between eyes, crossed bangs, yellow eyes, stern, stoic, expressionless, black jacket, grey shirt, collared shirt, long sleeves, yellow necktie, black gloves, police badge, police uniform, sitting, office chair, big office chair, swivel chair with wheeled base and armrests, legs crossed, holding report, chin resting on hand, elbow on armrest, hand on own chin, resting face against hand, looking at viewer, serious, indoors, police office, desk, paperwork, from side, cowboy shot, dutch angle, detailed face, high quality, correct anatomy, five fingers A three-quarter view from the side and slightly below, in a narrow vertical crop that holds the whole seated figure from mid-thigh up, the big swivel office chair filling the left half of the frame while his torso and the raised hand occupy the right. He is a tall adult man with a long grey-white mane: the hair falls past his shoulders on the near side, and a narrow braid hangs forward over his collarbone on the far side, half hidden inside the black jacket's lapel. The pale fringe is cut in two crossing locks that meet between his brows, and the heavily tufted grey-white cat ears flop slightly outward at the top of his head, their inner fluff catching the light. His long tufted cat tail curls around the outside of the chair's right armrest, its tip resting against the worn leather. He sits deep in the chair with his weight settled onto the right hip, the right leg crossed high over the left knee so the hang of the trouser leg breaks the chair's silhouette; the black gloved left hand lies open on the crossed knee for balance, fingers spread and clearly five, while the right glove comes up to his chin. That right elbow is planted precisely on the chair's right armrest, and his lightly bent knuckles support his jaw, four fingers curled and the thumb set against the cheek. Between that same gloved right hand and the curve of the armrest, a thin stack of typed report pages is pinched, its near corner lifted and caught by the desk lamp's glow; the top sheet's typing stays deliberately illegible, the ruled lines running along the slight curve of the paper. His chin lifts a bare millimetre off the knuckles and his eyes, gold-yellow and narrowed, look straight at the viewer from under level brows without any change in the flat set of his mouth; the corner of that mouth does not move, and the only life in the face is the small crease at the outer eye and the shadow of the ear fluff against his temple. The yellow necktie is knotted tight at his throat under the grey shirt collar, and the police badge sits pinned on the black jacket's near breast, its enamel catching the lamp. The office behind him is a midground of a dark wooden desk edge in the lower right, a stack of files, a mug gone cold, and a cabinet receding into shadow, kept soft and low-contrast. A single warm desk lamp sits off-frame low and to the right; it is the only light source, raking his cheekbones and the ridge of his jaw, glinting along the rim of the badge and the leather armrest, while the top of the chair's back and the far corner of the room dissolve into deep unlit shadow with no fill light. The palette is disciplined: black, grey, and cold white-grey hair, with the single yellow of the necktie, the badge and his eyes as the only warm accents. Cinematic cel-shaded rendering with crisp edges set against muted shadow. Quiet authority, cool and severe.

Severian Lowell

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