๋ฌด๋ฃŒ ๊ฐ€์ž… ํ›„ 10,000 ํฌ๋ ˆ๋”ง์„ ๋ฐ›์•„์š”!

๊ฐ€์ž… ๋‹น์ผ ๊ณ„์ •์— ์ง€๊ธ‰๋˜๋Š” ์ฐฝ์ž‘ ํฌ๋ ˆ๋”ง!

ํšŒ์›๊ฐ€์ž…ํ•˜๊ณ  ์ด๋ฏธ์ง€ 8์žฅ ๋ฌด๋ฃŒ ์ƒ์„ฑ!

๊ฐ€์ž… ๋‹น์ผ ๊ณ„์ •์— ์ง€๊ธ‰๋˜๋Š” ์ฐฝ์ž‘ ํฌ๋ ˆ๋”ง!

AI artwork
๋ฌด๋ฃŒ๋กœ ์ƒ์„ฑํ•˜๊ธฐ

nanpan

nanpan๋‹˜์˜ AI ์ž‘ํ’ˆ. PixAI์—์„œ ๊ฐ์ƒํ•˜์„ธ์š”. ์‚ฌ์šฉ ๋ชจ๋ธ: Tsubaki.3 Flash.

๋” ๋ณด๊ธฐ

๋Œ“๊ธ€

character: ryougi_shiki, copyright: tsukihime 1girl, solo, ryougi shiki, short hair, brown hair, black hair, ahoge, blue eyes, grey eyes, kimono, japanese clothes, long sleeves, obi, sash, from side, profile, cowboy shot, looking down, head tilted down, one hand raised, fingers spread, knife, holding knife, standing, bare feet, empty street, night, snow, snowflakes, winter, dark background, high contrast A pure profile view from the side in a cowboy shot: one young woman stands alone in the middle of a narrow empty street at night, her body turned at three-quarters away from the camera while her head is turned further away still, chin dipped toward her lowered right hand, so the camera sees her silhouette and the back edge of her jaw rather than her face. She is small and wiry, a short cropped black-brown bob with a single small strand lifting free at the crown, the blunt fringe hanging across a temple; her eyes are lowered toward her own fingers and the eye line is a thin dark slit under a heavy lid, catching one cold spark. She is caught mid-motion, not standing square: her weight rides on the back foot, the front foot turned out with bare toes pressed flat against the frosted asphalt, heel lifted a half inch, and her left arm hangs loose with the long sleeve swinging half a beat behind the turn of her shoulder. Her right hand is raised to chest height, elbow bent, fingers spread wide, and a small fine-pointed knife lies flat across the spread fingers, balanced, not yet gripped tight; the flat of the blade mirrors the streetlight in a thin bright line that is brighter than the light that made it. The kimono is a dark, deep plum-navy fabric with a fine woven texture, cut with long sleeves that drape past her wrists, the collar crossed high at the throat, a broad obi bound tight around the waist and knotted at the back out of sight behind her, the hem falling to mid-calf and pulled into fabric folds where the knee pushes forward. On the hem and shoulder the snow has settled only on the upward-facing surfaces, a pale dusting along the top of the shoulder seam and the ridge of the sleeve, and nowhere on the vertical planes, which stay wet and dark. The street recedes behind her in one-point perspective: narrow low wooden shopfronts with their shutters pulled, a single naked bulb burning above a doorway far down the lane, its light pooling on the trodden snow and casting her long shadow forward past the camera's frame edge. The lamp is the only light source behind and to her left; it rims her shoulder, the lobe of her ear, the top of her hand and the spine of the blade in a cold blue-white, while the front of her body stays in near-blackness, and beyond the pool of light the darkness is absolute. The palette holds to deep ink-black, plum-navy cloth, cold blue-white light and the grey of trodden slush, with only the thin steel of the blade allowed a hard bright accent. Dense quiet, held breath.
๋งค๊ฐœ๋ณ€์ˆ˜ ํ‘œ์‹œ
์›๋ณธ ํ”„๋กฌํ”„ํŠธ
ใ€Žๆœˆๅงซใ€ใฎๅผ
๋ชจ๋“œ
flash
ํฌ๊ธฐ
1104 x 1824
ํ”„๋กฌํ”„ํŠธ ๋„์šฐ๋ฏธ

๋ชจ๋ธ ๋ฐ LoRA ์‚ฌ์šฉ

๋น„์Šทํ•œ ์ž‘ํ’ˆ

์ž์„ธํžˆ ๋ณด๊ธฐ
AI artwork
n
character: ryougi_shiki, copyright: tsukihime 1girl, solo, ryougi shiki, short hair, brown hair, black hair, ahoge, blue eyes, grey eyes, kimono, japanese clothes, long sleeves, obi, sash, from side, profile, cowboy shot, looking down, head tilted down, one hand raised, fingers spread, knife, holding knife, standing, bare feet, empty street, night, snow, snowflakes, winter, dark background, high contrast A pure profile view from the side in a cowboy shot: one young woman stands alone in the middle of a narrow empty street at night, her body turned at three-quarters away from the camera while her head is turned further away still, chin dipped toward her lowered right hand, so the camera sees her silhouette and the back edge of her jaw rather than her face. She is small and wiry, a short cropped black-brown bob with a single small strand lifting free at the crown, the blunt fringe hanging across a temple; her eyes are lowered toward her own fingers and the eye line is a thin dark slit under a heavy lid, catching one cold spark. She is caught mid-motion, not standing square: her weight rides on the back foot, the front foot turned out with bare toes pressed flat against the frosted asphalt, heel lifted a half inch, and her left arm hangs loose with the long sleeve swinging half a beat behind the turn of her shoulder. Her right hand is raised to chest height, elbow bent, fingers spread wide, and a small fine-pointed knife lies flat across the spread fingers, balanced, not yet gripped tight; the flat of the blade mirrors the streetlight in a thin bright line that is brighter than the light that made it. The kimono is a dark, deep plum-navy fabric with a fine woven texture, cut with long sleeves that drape past her wrists, the collar crossed high at the throat, a broad obi bound tight around the waist and knotted at the back out of sight behind her, the hem falling to mid-calf and pulled into fabric folds where the knee pushes forward. On the hem and shoulder the snow has settled only on the upward-facing surfaces, a pale dusting along the top of the shoulder seam and the ridge of the sleeve, and nowhere on the vertical planes, which stay wet and dark. The street recedes behind her in one-point perspective: narrow low wooden shopfronts with their shutters pulled, a single naked bulb burning above a doorway far down the lane, its light pooling on the trodden snow and casting her long shadow forward past the camera's frame edge. The lamp is the only light source behind and to her left; it rims her shoulder, the lobe of her ear, the top of her hand and the spine of the blade in a cold blue-white, while the front of her body stays in near-blackness, and beyond the pool of light the darkness is absolute. The palette holds to deep ink-black, plum-navy cloth, cold blue-white light and the grey of trodden slush, with only the thin steel of the blade allowed a hard bright accent. Dense quiet, held breath.
nanpan
AI artwork
n
character: ryougi_shiki, copyright: tsukihime 1girl, solo, ryougi shiki, short hair, black hair, brown hair, ahoge, blue eyes, grey eyes, brown eyes, kimono, japanese clothes, long sleeves, sash, obi, from side, profile, cowboy shot, standing, head tilt, looking down, dutch angle, serious, closed mouth, night, alley, stone wall, atmospheric perspective, high contrast, deep shadows, cool palette, blue moonlight, warm amber lantern glow, film grain, depth of field A cowboy-shot profile view from the side, tilted slightly by a dutch angle: a single young woman stands in a narrow stone-paved alley at night, her body turned in profile toward the left of the frame while her chin is lifted a fraction and her eyes, half-lidded and calm, look down and away past the edge of the alley โ€” not at the viewer. Her short black hair falls just past her jaw with a faint brown warmth in the strands the moonlight catches, one small ahoge springing loose at her crown and stirred by a thin draft. She wears a dark kimono of Japanese cut with long sleeves that hang heavy past her wrists; the fabric is gathered and bound at her waist by a broad obi sash tied flat, its cloth compressed into a soft crease where the knot pulls. Her weight rests on the back foot, the front foot placed slightly forward and flat on the paving, one hand drawn up to her opposite sleeve cuff, fingers curled loosely around the cloth; the other hand hangs at her side, relaxed. A few strands of hair lift toward her cheek. The walls of the alley rise close on both sides, wet-damp stone with mortar lines running away toward a vanishing point behind her, and the paving beneath her reflects the sky light in broken patches where the stones' seams hold water. The one strong light is cool blue moonlight falling from high and behind her right shoulder: it rims the crown of her hair, the edge of her sleeve and the outer line of her jaw in pale silver, and leaves her face, the front of the kimono and the near wall in deep shadow. A single warm amber lantern burns far down the alley behind her at mid-height, small and out of focus, its glow grazing one stone course and putting a faint amber bead on the damp paving; beyond these two sources the darkness is close to absolute. Palette is restricted to cold blue-grey stone and moonlight, black and deep indigo cloth, a warm brown warmth in her hair, and that one amber point down the alley. Her head and shoulders are sharp; the far alley, the lantern and the receding wall soften into shallow depth of field. A thin film grain sits over the whole frame. Quiet, poised menace.
nanpan
AI artwork
n
character: ryougi_shiki, copyright: tsukihime 1girl, solo, ryougi shiki, short hair, black hair, brown hair, ahoge, blue eyes, grey eyes, brown eyes, kimono, japanese clothes, long sleeves, sash, obi, from side, profile, cowboy shot, standing, head tilt, looking down, dutch angle, serious, closed mouth, night, alley, stone wall, atmospheric perspective, high contrast, deep shadows, cool palette, blue moonlight, warm amber lantern glow, film grain, depth of field A cowboy-shot profile view from the side, tilted slightly by a dutch angle: a single young woman stands in a narrow stone-paved alley at night, her body turned in profile toward the left of the frame while her chin is lifted a fraction and her eyes, half-lidded and calm, look down and away past the edge of the alley โ€” not at the viewer. Her short black hair falls just past her jaw with a faint brown warmth in the strands the moonlight catches, one small ahoge springing loose at her crown and stirred by a thin draft. She wears a dark kimono of Japanese cut with long sleeves that hang heavy past her wrists; the fabric is gathered and bound at her waist by a broad obi sash tied flat, its cloth compressed into a soft crease where the knot pulls. Her weight rests on the back foot, the front foot placed slightly forward and flat on the paving, one hand drawn up to her opposite sleeve cuff, fingers curled loosely around the cloth; the other hand hangs at her side, relaxed. A few strands of hair lift toward her cheek. The walls of the alley rise close on both sides, wet-damp stone with mortar lines running away toward a vanishing point behind her, and the paving beneath her reflects the sky light in broken patches where the stones' seams hold water. The one strong light is cool blue moonlight falling from high and behind her right shoulder: it rims the crown of her hair, the edge of her sleeve and the outer line of her jaw in pale silver, and leaves her face, the front of the kimono and the near wall in deep shadow. A single warm amber lantern burns far down the alley behind her at mid-height, small and out of focus, its glow grazing one stone course and putting a faint amber bead on the damp paving; beyond these two sources the darkness is close to absolute. Palette is restricted to cold blue-grey stone and moonlight, black and deep indigo cloth, a warm brown warmth in her hair, and that one amber point down the alley. Her head and shoulders are sharp; the far alley, the lantern and the receding wall soften into shallow depth of field. A thin film grain sits over the whole frame. Quiet, poised menace.
nanpan
AI artwork
n
character: ryougi_shiki, copyright: tsukihime 1girl, solo, ryougi shiki, short hair, black hair, brown hair, ahoge, blue eyes, grey eyes, brown eyes, kimono, japanese clothes, long sleeves, sash, obi, from side, profile, cowboy shot, standing, head tilt, looking down, dutch angle, serious, closed mouth, night, alley, stone wall, atmospheric perspective, high contrast, deep shadows, cool palette, blue moonlight, warm amber lantern glow, film grain, depth of field A cowboy-shot profile view from the side, tilted slightly by a dutch angle: a single young woman stands in a narrow stone-paved alley at night, her body turned in profile toward the left of the frame while her chin is lifted a fraction and her eyes, half-lidded and calm, look down and away past the edge of the alley โ€” not at the viewer. Her short black hair falls just past her jaw with a faint brown warmth in the strands the moonlight catches, one small ahoge springing loose at her crown and stirred by a thin draft. She wears a dark kimono of Japanese cut with long sleeves that hang heavy past her wrists; the fabric is gathered and bound at her waist by a broad obi sash tied flat, its cloth compressed into a soft crease where the knot pulls. Her weight rests on the back foot, the front foot placed slightly forward and flat on the paving, one hand drawn up to her opposite sleeve cuff, fingers curled loosely around the cloth; the other hand hangs at her side, relaxed. A few strands of hair lift toward her cheek. The walls of the alley rise close on both sides, wet-damp stone with mortar lines running away toward a vanishing point behind her, and the paving beneath her reflects the sky light in broken patches where the stones' seams hold water. The one strong light is cool blue moonlight falling from high and behind her right shoulder: it rims the crown of her hair, the edge of her sleeve and the outer line of her jaw in pale silver, and leaves her face, the front of the kimono and the near wall in deep shadow. A single warm amber lantern burns far down the alley behind her at mid-height, small and out of focus, its glow grazing one stone course and putting a faint amber bead on the damp paving; beyond these two sources the darkness is close to absolute. Palette is restricted to cold blue-grey stone and moonlight, black and deep indigo cloth, a warm brown warmth in her hair, and that one amber point down the alley. Her head and shoulders are sharp; the far alley, the lantern and the receding wall soften into shallow depth of field. A thin film grain sits over the whole frame. Quiet, poised menace.
nanpan

๋” ์‚ดํŽด๋ณด๊ธฐ

์ถ”์ฒœ ํฌ๋ฆฌ์—์ดํ„ฐ

๋‹น์‹ ์—๊ฒŒ ์ถ”์ฒœ

AI artwork
Avatar image of ใƒชใ‚ช
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
ใƒชใ‚ช