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AI art "迫力満点の剣戟バトル！和風美少女たちの激闘" featuring #미니 기모노, #장발, #롱부츠, #전투, #여러 명의 소녀, #맨다리, #흐린 하늘 and #검사
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迫力満点の剣戟バトル！和風美少女たちの激闘

野獣後輩SEED님의 AI 작품 '迫力満点の剣戟バトル！和風美少女たちの激闘'. PixAI에서 감상하세요. 태그: 미니 기모노, 장발, 롱부츠, 전투, 여러 명의 소녀, 맨다리. 사용 모델: Tsubaki.3.

着物姿の凛々しい彼女たちが、激しい雨の中で繰り広げる真剣勝負に心を奪われました。ぶつかり合う剣先と、闘志を燃やす表情がとても魅力的で、思わず見入ってしまいます。気に入ったらいいねとフォローをお願いします！次回の作品もお楽しみに、コメントで感想を聞かせてくださいね。

#미니 기모노#장발#롱부츠#전투#여러 명의 소녀#맨다리#흐린 하늘#검사
野

野獣後輩SEED

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6 girls, 3 kunoichi, 3 female knights, sword fight, clashing blades, mini kimono, sleeveless, knee boots, mini pencil skirt, wide shot, from below, dutch angle, dynamic composition, motion blur, flying sparks, open mouth, gritted teeth, sweat, windblown hair, full body, depth of field, no text, no speech bubbles, no signature The shot is a low wide-angle from just above the flagstones, tilted a few degrees off level, so all six fighters tower and the crossed blades sit high in the frame against a storm-grey sky. The ground is a broad courtyard of flat grey stone slabs, wet from recent rain, with nothing else built up around it and a low mist swallowing the far edge; behind the melee a single stone pillar stands off-centre to the right, its base streaked with damp. On the left side, three kunoichi in sleeveless mini kimono — one deep indigo printed with small white flowers, one charcoal with a red obi, one plum with black trim — hems cut high at the thigh, sleeves cut away so their bare shoulders and arms are fully exposed, wide obi sashes knotted at the front, each pair of legs ending in black leather knee boots laced tight to just below the knee, the boots planted and pivoting on the wet stone. The indigo one lunges in front, front knee bent deep, back boot skidding a short arc of water behind her; both hands on a straight short blade driven up against a knight's descending longsword, arms fully extended, jaw clenched, teeth bared. Slightly behind and above her the charcoal one is caught mid-leap, twin tantō crossed, kimono skirt flaring away from her hips with the jump, hair and obi tails snapped backward by the motion. The plum one crouches lowest at the left edge, one palm flat on the wet stone for balance, the other blade swept low and rising toward a knight's shin. On the right, three female knights in mini tight pencil skirts — one steel-grey skirt with a polished cuirass and bare shoulders above it, one oxblood skirt with a black chestplate, one ivory skirt with a scuffed silver breastplate — the skirts hugging hip and thigh to mid-thigh, slit at the side so the stride opens, each pair of legs in dark knee boots. The steel-grey knight leans into the bind against the indigo kunoichi, her longsword angled down and stopped dead on the short blade, both her hands wrapped on the grip, her weight on the front boot, a spray of sparks bursting at the exact point the two edges meet and streaking sideways through the air; her brows are drawn down and her mouth is open in a shout. The oxblood knight has wheeled to meet the leaping kunoichi, shield-less, her sword swung across her body, eyes locked upward on the airborne attacker. The ivory knight at the right edge is turned half away, blade dropped low to catch the plum kunoichi's rising cut, one boot back and heel dug in. Every gaze is accounted for: the steel-grey knight stares down the length of her blade into the indigo kunoichi's eyes, and the indigo kunoichi stares back over their crossed steel; the oxblood knight's eyes snap up to the leaping charcoal kunoichi, who looks down at her; the ivory knight's chin is turned over her shoulder toward the crouching plum kunoichi, who looks up along her own rising edge. Contact points are explicit — hands on grips, blades meeting edge to edge, boots on wet stone, the plum kunoichi's palm flat and splayed on the flagstones. Light comes from a single break in the cloud low behind the fighters: a cold white rim light picks out the wet edges of the blades, the bare shoulders and the boot leather, while their fronts fall into cool shadow. Water on the stone mirrors the fighters as darker, softer, broken reflections, and each boot sole throws a thin sheet of spray that catches the rim light. Palette is restricted to indigo, charcoal, plum, oxblood, ivory, steel-grey and the wet grey of stone and sky. High-contrast cel-shaded animation still, hard shadows, wind-driven cloth. Tense, kinetic.
매개변수 표시
원본 프롬프트
くノ一3人　ミニ着物　ノースリーブ　ニーブーツ 女騎士3人　ミニタイトスカート くノ一と女騎士が斬り合ってる
모드
pro
크기
1104 x 1824
제외 조건
lowres, worst quality, low quality, bad anatomy, explicit
프롬프트 도우미

모델 및 LoRA 사용

Tsubaki.3 - AI Model 커버 이미지

PixAI DiT.3

Tsubaki.3
7.53k

비슷한 작품

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AI artwork
野
3 kunoichi, 3 female knights, 6 girls, group vs group, sword fight, katana, longsword, clashing blades, mid-slash, sleeveless mini kimono, short kimono, bare arms, thigh strap, knee boots, mini tight skirt, tight pencil skirt, from below, dutch angle, wide shot, foreshortening, motion blur on blade, sparks, gritted teeth, open mouth, shouting, furrowed brows, swept hair, fluttering cloth, dynamic pose, crossed legs, arms up, outstretched arm, looking at another, depth of field Shot from a low dutch angle, tilted about twelve degrees, wide enough to hold all six fighters: three kunoichi drive in from the left of frame, three female knights bear down from the right, and the two front lines meet in a tangled X of locked steel just left of centre. Every blade in the picture is caught at the instant of contact rather than after it -- sparks spray from the crossing point and streak backward on the diagonal the swing came from. In the nearest plane, foreshortened and thrust toward the lens, a kunoichi has lunged off her back foot; her front knee-boot is planted flat and her trailing boot heel is lifted off the flagstones so only the toe presses down. She wears a sleeveless mini kimono in deep indigo, its hem cut high on the thigh, bare arms flexed as both hands drive a katana up into a descending longsword. Her jaw is set, teeth bared, one eye squeezed shut, a strand of her dark hair swept across her cheek by the wind of her own cut. The knight she is receiving wears a mini tight skirt of black wool that creases hard across her leading hip as she steps in; her longsword comes down at forty-five degrees, both wrists rolled, weight through her front heel, and her face is twisted in a shout, mouth open, brows crushed together, sweat at her temple. Their eyes are locked on each other's, not on the blades. Behind that pair, overlapping and slightly further back, a second kunoichi has broken right, torso twisted so her sleeveless kimono sleeve-hole shows the bare shoulder and the short hem flares out behind her knee boots mid-stride; she cuts low and horizontal, katana flat edge skimming at hip height, eyes tracking the knight she is trying to catch. That knight has dropped into a braced crouch, mini tight skirt strained across her thighs, longsword angled to parry the low line, chin tucked, one corner of her mouth pulled back in a grimace. Their blades meet with a hard flat clang and a comet-burst of sparks that light the underside of both their faces. In the furthest plane, small but not simplified out of existence, the third kunoichi and third knight are locked hilt to hilt in a shoving bind: the kunoichi's bare heels skid back along the wet stone, kimono hem whipping, and the knight leans her whole shoulder in behind her crossguard, skirt hem snapping, both of them snarling with their hair thrown forward over their eyes. The ground is a stone courtyard, dark and rain-damp, seams running away from the camera with the perspective; the low angle lays a pale sky band across the top of the frame, empty except for a couple of ragged clouds, giving the six silhouettes headroom to fight into. A single cold overcast source sits high and behind the fighters, so their fronts are in shadow, the rims of their shoulders, pauldrons and blade edges burn bright, and every cast shadow drops long toward the viewer. Palette holds to indigo and black for the kunoichi, steel-grey and wine-red trim for the knights, plus the wet slate ground and the white-hot sparks -- nothing else admitted. Small detail budget on the two closest faces and their gripping hands, broad shapes for the rear pair. Tense, electric.
野獣後輩SEED

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AI artwork
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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
4#마법소녀 마도카☆마기카#카나메 마도카#마법소녀 마도카☆마기카
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