วงดนตรีหนุ่มในวังหลวง

เอกฤทธิ์ มะสีหา님의 AI 작품 'วงดนตรีหนุ่มในวังหลวง'. PixAI에서 감상하세요. 태그: 앉은 자세, 단발 머리, 표지, 빨간 머리, 뒤돌아보기, 흑발. 사용 모델: Tsubaki.3 Flash.

게시일 Nov 13, 2026

เอกฤทธิ์ มะสีหา

4boys, multiple boys, 4girls absent, four young men, album cover art, square composition, pop music theme, rock music theme, royal aesthetic, guitar, piano, musical ensemble, boys band, melodic performance mood, ornate palace interior, gold filigree, deep crimson velvet, dark navy and antique gold palette, dramatic chiaroscuro lighting, from below, dutch angle, full body, group shot, dynamic poses, looking at viewer, two boys with guitar, two boys at grand piano, ornate title lettering, faithful cel shading, clean linework, soft gradient shading, no extra people, no instruments beyond guitar and piano, Shot from a dramatically low dutch-tilted angle at close to floor level, four young men hold a staged formation inside a cavernous baroque palace hall, the whole frame tilted a few degrees off plumb so the marble floor's perspective lines rake diagonally across the bottom of the square cover. Nearest the lens, in the left foreground, a lean broad-shouldered young man with shaggy black hair and a pierced right ear straddles a black lacquered electric guitar low against his hip, his left hand clamped around the neck near the third fret and his right hand frozen mid-downstroke over the pickups, the strap cutting diagonally across his chest and one boot planted forward on the veined marble while the other heel lifts; he wears a fitted oxblood military-style jacket with gold braided epaulettes and frog closures, its hem flaring back from the tilt of his body. To his right, slightly further from the lens, a taller slender young man with swept-back silver-blond hair leans back on the piano lid, both palms pressed flat on the polished black wood, his chin tilted down toward the camera under a half-lidded, challenging stare, dressed in a high-collared midnight-blue tailcoat with heavy gold passementerie at the shoulders over a ruffled cravat, his long coat tails hanging straight down under gravity. Round the curve of the grand piano to the right, seated at the bench in profile but twisted back over his shoulder toward the lens, a compact young man with wavy dark auburn hair and round wire spectacles plays the piano, his right hand caught striking a chord on the keys while his left rests splayed across the upper octaves, the fallboard raised and the gold soundboard plate catching a thin reflection; he wears a deep crimson velvet dinner jacket with black satin lapels and a chunky gold signet ring, the cuffs of his white shirt pushed back as the chord lands. In the right background behind the piano stands the fourth, a lanky young man with short platinum-white hair and a sharp jaw, both hands uplifted and clapping once above his head, a ruffled silk jabot spilling from the collar of his tailcoat as his head tips back mid-beat. The marble floor, the piano's curved rim, the balustrade sweeping up toward the rear, and the gilt-framed mirrors behind the group all echo the ensemble, holding the camera's low angle with strong upward diagonals into the cruciform vault. A single hazy amber chandelier hangs high and out of frame above, its shafts cutting down through drifting dust so each of the four faces catches a warm rim of light along the brow, cheekbone and the raised edge of a hand, while their jawlines and the hollows beneath them fall into deep shadow. The auburn-haired pianist's wire-rimmed glasses throw two faint rectangular highlights, and the polish on the piano lid mirrors his silver-haired bandmate's silhouette darker and softer than the boy himself. Crimson, midnight blue and antique gold divide the frame -- gold in the epaulettes, the ring, the piano's ornate plate and the chandelier light, crimson in the velvet jacket and the drapes, navy in the tailcoats and the shadows -- leaving only a sliver of pale ivory in the marble for relief. Over the lower left of the cover, a dense filigree ribbon of ornamental gold leaf curls around the composition, and in bold embossed gold serif capital letters across the top center of the square runs the display title "GILDED SOUND," with the smaller subtitle "A SONG IN FOUR PARTS" in fine gold small caps beneath it at center; the band's lineup credits, the legal fine print and the label logo in the lower right corner are deliberately tiny, illegible gold micro-text. The whole cover is rendered in a faithful anime cel-shaded finish with clean crisp linework and soft gradient shading across the fabrics and skin, luxurious yet energetic, theatrical and melodic.

วงดนตรีหนุ่มในวังหลวง

댓글

모델 및 LoRA 사용

비슷한 작품

더 살펴보기

추천 크리에이터

당신에게 추천