๋ฌด๋ฃ ๊ฐ์ ํ 10,000 ํฌ๋ ๋ง์ ๋ฐ์์!
๊ฐ์ ๋น์ผ ๊ณ์ ์ ์ง๊ธ๋๋ ์ฐฝ์ ํฌ๋ ๋ง!
ํ์๊ฐ์ ํ๊ณ ์ด๋ฏธ์ง 8์ฅ ๋ฌด๋ฃ ์์ฑ!
๊ฐ์ ๋น์ผ ๊ณ์ ์ ์ง๊ธ๋๋ ์ฐฝ์ ํฌ๋ ๋ง!
David Ozoria
David Ozoria๋์ AI ์ํ. PixAI์์ ๊ฐ์ํ์ธ์. ์ฌ์ฉ ๋ชจ๋ธ: Tsubaki.3 Flash.
๋งค๊ฐ๋ณ์ ํ์
- ์๋ณธ ํ๋กฌํํธ
- Una chica con tetas demasiado gigantes, muslos gigantes, pansita rellenita, tenga una camisita blanca,una mini falda,pero violeta,orejas y cola de vaca violeta,ojos rosa,la chica se verรญa super alta como 2.70,alante de ella estarรญa un niรฑo de 2 aรฑos que mira 87 cm,la chica mira al niรฑo con curiosidad mientras el niรฑo le entiende la mano izquierda,la chica se ve hermosa,la cara de la chica es inocente y adorable, lugar un granero
- ๋ชจ๋
- flash
- ํฌ๊ธฐ
- 1408 x 1408
ํ๋กฌํํธ ๋์ฐ๋ฏธ
๋ชจ๋ธ ๋ฐ LoRA ์ฌ์ฉ
๋น์ทํ ์ํ
์์ธํ ๋ณด๊ธฐ
do
1girl, 1boy, tall female, height difference, giantess, huge breasts, gigantic breasts, thick thighs, giant thighs, plump belly, slightly chubby, white shirt, miniskirt, violet skirt, animal ears, cow ears, violet ears, cow tail, violet tail, pink eyes, beautiful face, innocent face, adorable expression, curious expression, looking at another, sitting, kneeling, leaning forward, holding hands, hand-holding, child, toddler, 2-year-old boy, from side, low angle, cowboy shot, barn, wooden interior, hay, warm sunlight, sunbeam, dust motes, depth of field
The camera sits low and off to her right in a three-quarter side view, tilted up so the barn's dark roof beams rake across the top of the frame while the two figures hold the lower half; the framing is a cowboy shot that keeps her head, hands and knees in view and lets the boy stand small and complete at the bottom edge. She sits on a low bale of straw at the left of frame, hips shifted back and weight carried on her right hip, left leg folded under her and right knee drawn up high with the boot sole flat on the packed dirt floor; her spine leans forward and her shoulders round down toward the child so the enormous mass of her chest hangs forward and rests heavily against her folded right thigh, the white shirt stretched taut over it with the sleeve cuffs shoved to the elbows. Her left arm comes down the full length of her body, elbow nearly straight, and her hand closes gently around the boy's small hand at the height of her own knee โ his fingers wrapped inside her palm, his chubby arm angled up, his feet planted together on the dirt while he stands just in front of her. Her right hand rests flat on the straw beside her hip, fingers spread and pressing a shallow dent into the loose stalks. A violet miniskirt bunches and creases where her huge thighs press together, the hem riding high and the fabric pulled tight over the soft fullness of her belly above it, and a violet cow tail slips out from behind the skirt to curl in a lazy S down across the straw, tuft brushing the ground. Violet cow ears poke up through her pale hair and one of them angles toward the child, swiveling in his direction. She tips her chin down and looks at the boy with wide, curious pink eyes, brows lifted, mouth softly open in a wondering little O; the boy tips his head back and looks straight up into her face, mouth open, unafraid. Sunlight slants in through a gap between the barn boards high on the right, laying a warm diagonal shaft across her shoulder, the boy's crown and the chipped floor, and the rest of the barn falls away into cool brown shadow โ dust turns slowly inside the beam, and where the light ends the straw goes almost black. The palette stays narrow: bleached white cotton, strong violet in the skirt and the animal parts, warm ochre straw and timber, cool grey-brown shade, and her pale pink eyes as the one bright point at the center of the beam. Her size is carried by the physical evidence rather than the label โ the boy's whole body is barely taller than her forearm, and one of her hands covers both of his. Her face is gentle, round-cheeked and unguarded; the whole picture is warm and tender.
David Ozoria
do
1girl, 1boy, tall female, height difference, giantess, huge breasts, gigantic breasts, thick thighs, giant thighs, plump belly, slightly chubby, white shirt, miniskirt, violet skirt, animal ears, cow ears, violet ears, cow tail, violet tail, pink eyes, beautiful face, innocent face, adorable expression, curious expression, looking at another, sitting, kneeling, leaning forward, holding hands, hand-holding, child, toddler, 2-year-old boy, from side, low angle, cowboy shot, barn, wooden interior, hay, warm sunlight, sunbeam, dust motes, depth of field
The camera sits low and off to her right in a three-quarter side view, tilted up so the barn's dark roof beams rake across the top of the frame while the two figures hold the lower half; the framing is a cowboy shot that keeps her head, hands and knees in view and lets the boy stand small and complete at the bottom edge. She sits on a low bale of straw at the left of frame, hips shifted back and weight carried on her right hip, left leg folded under her and right knee drawn up high with the boot sole flat on the packed dirt floor; her spine leans forward and her shoulders round down toward the child so the enormous mass of her chest hangs forward and rests heavily against her folded right thigh, the white shirt stretched taut over it with the sleeve cuffs shoved to the elbows. Her left arm comes down the full length of her body, elbow nearly straight, and her hand closes gently around the boy's small hand at the height of her own knee โ his fingers wrapped inside her palm, his chubby arm angled up, his feet planted together on the dirt while he stands just in front of her. Her right hand rests flat on the straw beside her hip, fingers spread and pressing a shallow dent into the loose stalks. A violet miniskirt bunches and creases where her huge thighs press together, the hem riding high and the fabric pulled tight over the soft fullness of her belly above it, and a violet cow tail slips out from behind the skirt to curl in a lazy S down across the straw, tuft brushing the ground. Violet cow ears poke up through her pale hair and one of them angles toward the child, swiveling in his direction. She tips her chin down and looks at the boy with wide, curious pink eyes, brows lifted, mouth softly open in a wondering little O; the boy tips his head back and looks straight up into her face, mouth open, unafraid. Sunlight slants in through a gap between the barn boards high on the right, laying a warm diagonal shaft across her shoulder, the boy's crown and the chipped floor, and the rest of the barn falls away into cool brown shadow โ dust turns slowly inside the beam, and where the light ends the straw goes almost black. The palette stays narrow: bleached white cotton, strong violet in the skirt and the animal parts, warm ochre straw and timber, cool grey-brown shade, and her pale pink eyes as the one bright point at the center of the beam. Her size is carried by the physical evidence rather than the label โ the boy's whole body is barely taller than her forearm, and one of her hands covers both of his. Her face is gentle, round-cheeked and unguarded; the whole picture is warm and tender.
David Ozoria
do
1girl, 1boy, tall female, height difference, giantess, huge breasts, gigantic breasts, thick thighs, giant thighs, plump belly, slightly chubby, white shirt, miniskirt, violet skirt, animal ears, cow ears, violet ears, cow tail, violet tail, pink eyes, beautiful face, innocent face, adorable expression, curious expression, looking at another, sitting, kneeling, leaning forward, holding hands, hand-holding, child, toddler, 2-year-old boy, from side, low angle, cowboy shot, barn, wooden interior, hay, warm sunlight, sunbeam, dust motes, depth of field
The camera sits low and off to her right in a three-quarter side view, tilted up so the barn's dark roof beams rake across the top of the frame while the two figures hold the lower half; the framing is a cowboy shot that keeps her head, hands and knees in view and lets the boy stand small and complete at the bottom edge. She sits on a low bale of straw at the left of frame, hips shifted back and weight carried on her right hip, left leg folded under her and right knee drawn up high with the boot sole flat on the packed dirt floor; her spine leans forward and her shoulders round down toward the child so the enormous mass of her chest hangs forward and rests heavily against her folded right thigh, the white shirt stretched taut over it with the sleeve cuffs shoved to the elbows. Her left arm comes down the full length of her body, elbow nearly straight, and her hand closes gently around the boy's small hand at the height of her own knee โ his fingers wrapped inside her palm, his chubby arm angled up, his feet planted together on the dirt while he stands just in front of her. Her right hand rests flat on the straw beside her hip, fingers spread and pressing a shallow dent into the loose stalks. A violet miniskirt bunches and creases where her huge thighs press together, the hem riding high and the fabric pulled tight over the soft fullness of her belly above it, and a violet cow tail slips out from behind the skirt to curl in a lazy S down across the straw, tuft brushing the ground. Violet cow ears poke up through her pale hair and one of them angles toward the child, swiveling in his direction. She tips her chin down and looks at the boy with wide, curious pink eyes, brows lifted, mouth softly open in a wondering little O; the boy tips his head back and looks straight up into her face, mouth open, unafraid. Sunlight slants in through a gap between the barn boards high on the right, laying a warm diagonal shaft across her shoulder, the boy's crown and the chipped floor, and the rest of the barn falls away into cool brown shadow โ dust turns slowly inside the beam, and where the light ends the straw goes almost black. The palette stays narrow: bleached white cotton, strong violet in the skirt and the animal parts, warm ochre straw and timber, cool grey-brown shade, and her pale pink eyes as the one bright point at the center of the beam. Her size is carried by the physical evidence rather than the label โ the boy's whole body is barely taller than her forearm, and one of her hands covers both of his. Her face is gentle, round-cheeked and unguarded; the whole picture is warm and tender.
David Ozoria
do
1girl, 1boy, tall female, height difference, giantess, huge breasts, gigantic breasts, thick thighs, giant thighs, plump belly, slightly chubby, white shirt, miniskirt, violet skirt, animal ears, cow ears, violet ears, cow tail, violet tail, pink eyes, beautiful face, innocent face, adorable expression, curious expression, looking at another, sitting, kneeling, leaning forward, holding hands, hand-holding, child, toddler, 2-year-old boy, from side, low angle, cowboy shot, barn, wooden interior, hay, warm sunlight, sunbeam, dust motes, depth of field
The camera sits low and off to her right in a three-quarter side view, tilted up so the barn's dark roof beams rake across the top of the frame while the two figures hold the lower half; the framing is a cowboy shot that keeps her head, hands and knees in view and lets the boy stand small and complete at the bottom edge. She sits on a low bale of straw at the left of frame, hips shifted back and weight carried on her right hip, left leg folded under her and right knee drawn up high with the boot sole flat on the packed dirt floor; her spine leans forward and her shoulders round down toward the child so the enormous mass of her chest hangs forward and rests heavily against her folded right thigh, the white shirt stretched taut over it with the sleeve cuffs shoved to the elbows. Her left arm comes down the full length of her body, elbow nearly straight, and her hand closes gently around the boy's small hand at the height of her own knee โ his fingers wrapped inside her palm, his chubby arm angled up, his feet planted together on the dirt while he stands just in front of her. Her right hand rests flat on the straw beside her hip, fingers spread and pressing a shallow dent into the loose stalks. A violet miniskirt bunches and creases where her huge thighs press together, the hem riding high and the fabric pulled tight over the soft fullness of her belly above it, and a violet cow tail slips out from behind the skirt to curl in a lazy S down across the straw, tuft brushing the ground. Violet cow ears poke up through her pale hair and one of them angles toward the child, swiveling in his direction. She tips her chin down and looks at the boy with wide, curious pink eyes, brows lifted, mouth softly open in a wondering little O; the boy tips his head back and looks straight up into her face, mouth open, unafraid. Sunlight slants in through a gap between the barn boards high on the right, laying a warm diagonal shaft across her shoulder, the boy's crown and the chipped floor, and the rest of the barn falls away into cool brown shadow โ dust turns slowly inside the beam, and where the light ends the straw goes almost black. The palette stays narrow: bleached white cotton, strong violet in the skirt and the animal parts, warm ochre straw and timber, cool grey-brown shade, and her pale pink eyes as the one bright point at the center of the beam. Her size is carried by the physical evidence rather than the label โ the boy's whole body is barely taller than her forearm, and one of her hands covers both of his. Her face is gentle, round-cheeked and unguarded; the whole picture is warm and tender.
David Ozoria
๋ ์ดํด๋ณด๊ธฐ
์ถ์ฒ ํฌ๋ฆฌ์์ดํฐ
๋น์ ์๊ฒ ์ถ์ฒ
แฏโ
โก โก แฏโ
(mai)
Winter joy in the snow
FriddaTiss
kyramisu
7
logos
แฏแฏ ๐๐ค๐๐ค๐๐ก๐ช๐๐๐
Hu Tao
KanKan Matcha
Tilith, the Goddess of Magical Star
entrophee_E:
ํธ๋ฅธ ๋ฌผ๊ฒฐ ์์ ์ ๋น๋ก์ด ์๋
์กฐ๊ฐ
anime
๐๐๐๐๐๐๐๐
miku
๐๐๐๐๐๐๐๐
๐งฃ๐ ๐ช โงโห โก หโโง
(mai)
โ๏ธLoliciaโ๏ธ
weirdcore...
แฏแฏ ๐๐ค๐๐ค๐๐ก๐ช๐๐๐
reunited at last
แฏแฏ ๐๐ค๐๐ค๐๐ก๐ช๐๐๐
โหโนโก ๐ฏ๐๐ป๐ป๐ ๐ด๐ถ๐ฟ๐น โกโนหโ
โโกโ ๐๐พ๐ฝ๐ฝ๐ฎ๐ป๐ฏ๐ต๐โขสัษ.๐๐
...
Tofu
5
...
Tofu
2
โห ๊ฐแข. .แข๊ฑ ๐๐ โง
(mai)
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica
Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
ใชใช
Sg75
...
Tofu
์ด๋ฆ
์ด๋ฆ
2
...
Tofu
...
Tofu
3
the ballerina
แฏแฏ ๐๐ค๐๐ค๐๐ก๐ช๐๐๐
๋๊ธ