๋ฌด๋ฃŒ ๊ฐ€์ž… ํ›„ 10,000 ํฌ๋ ˆ๋”ง์„ ๋ฐ›์•„์š”!

๊ฐ€์ž… ๋‹น์ผ ๊ณ„์ •์— ์ง€๊ธ‰๋˜๋Š” ์ฐฝ์ž‘ ํฌ๋ ˆ๋”ง!

ํšŒ์›๊ฐ€์ž…ํ•˜๊ณ  ์ด๋ฏธ์ง€ 8์žฅ ๋ฌด๋ฃŒ ์ƒ์„ฑ!

๊ฐ€์ž… ๋‹น์ผ ๊ณ„์ •์— ์ง€๊ธ‰๋˜๋Š” ์ฐฝ์ž‘ ํฌ๋ ˆ๋”ง!

AI art "ๅ’Œๅฎคใงใใคใ‚ใOLๅฅณๅญไผš" featuring #์ •์ขŒ, #๋‹ค๋‹ค๋ฏธ, #๋ฏธ์†Œ, #์—ฌ๋Ÿฌ ๋ช…์˜ ์†Œ๋…€, #์ฐป์ž”, #์ •์žฅ, #OL and #์‹ค๋‚ด
๋ฌด๋ฃŒ๋กœ ์ƒ์„ฑํ•˜๊ธฐ

ๅ’Œๅฎคใงใใคใ‚ใOLๅฅณๅญไผš

้‡Ž็ฃๅพŒ่ผฉSEED๋‹˜์˜ AI ์ž‘ํ’ˆ 'ๅ’Œๅฎคใงใใคใ‚ใOLๅฅณๅญไผš'. PixAI์—์„œ ๊ฐ์ƒํ•˜์„ธ์š”. ํƒœ๊ทธ: ์—ฌ๋Ÿฌ ๋ช…์˜ ์†Œ๋…€, ์ฐป์ž”, ์ •์žฅ, OL, ์‹ค๋‚ด. ์‚ฌ์šฉ ๋ชจ๋ธ: Tsubaki.3.

ไป•ไบ‹ๅธฐใ‚Šใฎไธ€ๆฏใชใ‚‰ใฌใ€ๅ’ŒๅฎคใงใฎใŠ่Œถไผšใ€‚็•ณใฎ้ฆ™ใ‚Šใจๆ—ฅๅทฎใ—ใŒๅฟƒๅœฐใ‚ˆใใฆใ€ๅฝผๅฅณใŸใกใฎๆฅฝใ—ใใ†ใช็ฌ‘้ก”ใ‚’่ฆ‹ใฆใ„ใ‚‹ใจ็งใพใง็™’ใ•ใ‚Œใพใ™ใ€‚ๆฐ—ใซๅ…ฅใฃใฆใ„ใŸใ ใ‘ใŸใ‚‰ใ€ใ„ใ„ใญใ‚„ใƒ•ใ‚ฉใƒญใƒผใ‚’ใ—ใฆใ„ใŸใ ใ‘ใ‚‹ใจๅŠฑใฟใซใชใ‚Šใพใ™๏ผ

#์ •์ขŒ#๋‹ค๋‹ค๋ฏธ#๋ฏธ์†Œ#์—ฌ๋Ÿฌ ๋ช…์˜ ์†Œ๋…€#์ฐป์ž”#์ •์žฅ#OL#์‹ค๋‚ด
๋” ๋ณด๊ธฐ

๋Œ“๊ธ€

3 girls, solo focus on three, office lady, business attire, white blouse, blazer, pencil skirt, miniskirt, black pantyhose, pumps, name tag, lanyard, seiza, kneeling, tatami floor, traditional japanese room, washitsu, shoji screen, wooden veranda, sliding door, low table, teapot, teacups, chatting, laughing, open mouth, :d, one eye closed, light smile, looking at another, glancing sideways, head tilt, hand raised to mouth, from above, wide shot, full body, group, warm afternoon light, dust motes Seen from above in a three-quarter wide shot, three office ladies kneel in seiza on the tatami of a traditional Japanese room, arranged in a loose triangle so that no two share a sightline with the camera: the nearest woman at the bottom of the frame with her back three-quarters to the lens, the second facing her across the low table, the third at the right edge turned inward. All three sit with their knees folded flat under them, shins pressed to the woven tatami, buttocks resting on their heels, toes together behind; the nearest woman's pumps are slipped off neatly side by side at the tatami edge behind her, her stockinged soles hidden under her calves. They are dressed for the office: tailored blazers in charcoal, navy and taupe over white blouses, each with a lanyard and photo name tag hanging forward from the neck as she leans, and above the knee a short pencil miniskirt in black, grey and dark plum, dark pantyhose running down over folded thighs and taut at the knees where the fabric creases against the mat. The center woman leans forward with both hands flat on the tatami in front of her knees, elbows locked, grinning wide with her eyes squeezed to crescents and her chin tipped up toward the woman opposite. The woman opposite answers her, one hand lifted to cover her open laughing mouth, the other resting on her own thigh, her eyes crinkled and aimed straight at the center woman's face. The nearest woman, seen mostly from behind and above, turns her head back over her right shoulder toward the pair, her short bob swinging across her cheek, one brow arched, lips parted in a teasing half-smile, one hand braced on the tatami beside her hip to keep her balance in the turn. Between them a low black-lacquer table holds a round iron teapot and three small cups, steam rising in a thin twisting column; the woman opposite has just set her cup down, a ring of moisture blooming dark on the lacquer beneath it. Shoji screens with papered lattice fill the left and back walls, one panel slid open onto a narrow wooden veranda where a maple branch crosses the light; a hanging scroll and a single vase of winter branches sit in the alcove at the back. The light is a single warm low sun coming in through the open shoji from the left, striking the center woman's blouse and cheekbone, laying bright lattice-shaped patches across the tatami and up the women's stockings, while the right side of the room falls into soft cool shadow; the steam from the teapot catches the beam and the dust in it drifts visibly. Palette held to tatami straw-yellow, paper white, lacquer black and the muted blazer tones, warm and intimate.
๋งค๊ฐœ๋ณ€์ˆ˜ ํ‘œ์‹œ
์›๋ณธ ํ”„๋กฌํ”„ํŠธ
OL3ไบบใ€€ใƒŸใƒ‹ใ‚นใ‚ซใƒผใƒˆใ€€ๅ’Œๅฎคใซใ„ใ‚‹ใ€€ๆญฃๅบงใ—ใฆ่ซ‡็ฌ‘ใ—ใฆใ‚‹
๋ชจ๋“œ
pro
ํ’ˆ์งˆ ํƒœ๊ทธ
๏นํ”„๋กฌํ”„ํŠธ๏นž
ํฌ๊ธฐ
1104 x 1824
์ œ์™ธ ์กฐ๊ฑด
lowres, worst quality, low quality, bad anatomy, explicit
ํ”„๋กฌํ”„ํŠธ ๋„์šฐ๋ฏธ

๋ชจ๋ธ ๋ฐ LoRA ์‚ฌ์šฉ

๋น„์Šทํ•œ ์ž‘ํ’ˆ

์ž์„ธํžˆ ๋ณด๊ธฐ

๋” ์‚ดํŽด๋ณด๊ธฐ

์ถ”์ฒœ ํฌ๋ฆฌ์—์ดํ„ฐ

๋‹น์‹ ์—๊ฒŒ ์ถ”์ฒœ

AI artwork
Avatar image of ใƒชใ‚ช
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
ใƒชใ‚ช