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Towa Higurasi

Towa Higurasi님의 AI 작품. PixAI에서 감상하세요. 사용 모델: Tsubaki.3.

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Towa Higurasi

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character: higurashi_towa 1girl, solo, (short hair:1.1), silver hair, white hair, (red streaked hair:1.1), hair between eyes, closed mouth, calm expression, white school uniform, white jacket with blue trim, red ribbon, white pants, brown shoes, (full body:1.2), very wide shot, from side, profile, sitting on tree branch, one knee up, (hand on own chin:1.1), (looking up:1.2), looking at sky, night, (starry sky:1.2), milky way, (full moon:1.1), shooting star, falling leaves, large oak tree, thick branch, scenery, moonlight, rim light, serene, wistful, asymmetrical composition, off-center, diagonal composition, leading lines, negative space, focal point, balanced composition, oil painting, traditional media, impasto, palette knife, thick brush strokes, visible brushstrokes, textured canvas, painterly, expressive brushwork, loose edges, sharp focal point on face, soft background, chiaroscuro, limited palette, deep indigo, midnight blue, violet, ochre, gold accents, warm moonlight, cool shadows, small red accents, depth of field, ponytail, long hair, medium breasts, yellow eyes, Seen from the side in strict profile, a lone girl sits high in the crown of a great oak, her whole body visible and small against the immense night — a very wide, off-center composition in which she occupies the lower right third while the upper left opens into empty sky. The thick branch runs on a diagonal from lower left to upper right beneath her; she straddles it, seated with her weight sunk on her left hip and rear against the bark, the right leg drawn up with the knee near her chest, boot sole braced on the branch, the left leg hanging and swinging slightly clear of the bole, heel knocked back. Her right hand rests under her chin, knuckles lightly touching the jawline, fingers loosely curled, the forearm supported by the raised knee; the left hand lies flat on the bark just ahead of her thigh, fingers spread for balance and pressing small dents into the moss. Her head is tilted back, chin lifted off the hand, and her eyes are fixed upward on the sky — a soft, distant, half-lidded calm, lip line closed and level, one brow faintly raised, the pulse visible at the relaxed throat. Her hair is cut short and, in a break from its usual tie, falls loose to the nape with a small gathered tail at the back of the skull, the locks a cool silver-white washed toward pale teal by the light, with two red streaks sweeping back over the ear and a fringe of fine strands hanging down between her brows. The white jacket with narrow blue trim sits open at the collar, its fabric creased at the elbow and the small of the back, and the red ribbon at the throat lifts and flutters toward the wind's direction, away from her face; white pants bag loosely over the bent knee; the brown shoes are scuffed at the toe. The moon is full and large in the upper left, warm ochre-gold, and it is the light source: it rims the whole of her from behind and above, a bright gold edge running along her lifted chin, her nose, her brow, the crown of her head, the top of her shoulder and the raised knee, while every surface turned from it falls into cool indigo and violet shadow. Her cast shadow drops down the bark away from the moon, and the leaves' shadows dapple the underside of her arm. Below and behind the crown, the Milky Way lays a pale silver-violet band across a midnight-blue sky dense with stars; one shooting star cuts a thin gold scratch across the upper right. Leaves drift down through the depth layers, each catching a spark of rim light, and the nearest ones pass large and soft in the foreground while distant ones thin to specks — the sky and the lower branches beyond her fall soft and out of focus, and only her face holds a hard, sharp edge. A single tiny red glint, the ribbon's own color, repeats in the fabric and the streaks alone, keeping the palette to indigo, teal, violet, ochre and gold. Painted in oil on a coarse canvas whose weave shows through the thin passages, built with impasto and palette-knife slabs in the bark and the clouds of foliage, thick expressive brushstrokes visible throughout, edges left loose except at her features, strong chiaroscuro between warm moonlight and cool shadow, tight depth of field. Serene, wistful.
매개변수 표시
원본 프롬프트
masterpiece, best quality, amazing quality, very aesthetic, absurdres, newest, 1girl, solo, higurashi towa, yashahime, (short hair:1.1), silver hair, white hair, (red streaked hair:1.1), hair between eyes, closed mouth, calm expression, white school uniform, white jacket with blue trim, red ribbon, white pants, brown shoes, (full body:1.2), very wide shot, from side, profile, sitting on tree branch, one knee up, (hand on own chin:1.1), (looking up:1.2), looking at sky, night, (starry sky:1.2), milky way, (full moon:1.1), shooting star, falling leaves, large oak tree, thick branch, scenery, moonlight, rim light, serene, wistful, asymmetrical composition, off-center, diagonal composition, leading lines, negative space, focal point, balanced composition, oil painting (medium), traditional media, impasto, palette knife, thick brush strokes, visible brushstrokes, textured canvas, painterly, expressive brushwork, loose edges, sharp focal point on face, soft background, chiaroscuro, limited palette, deep indigo, midnight blue, violet, ochre, gold accents, warm moonlight, cool shadows, small red accents, depth of field
모드
pro
크기
1344 x 832
제외 조건
lowres, bad anatomy, bad hands, extra fingers, fused fingers, missing fingers, deformed, cropped, cropped feet, out of frame, head out of frame, blurry, out of focus, low detail, flat color, cel shading, clean lineart, vector, plastic skin, oversaturated, neon, text, watermark, signature, jpeg artifacts, worst quality, long hair, multiple girls, extra limbs
프롬프트 도우미

모델 및 LoRA 사용

Tsubaki.3 - AI Model 커버 이미지

PixAI DiT.3

Tsubaki.3
7.60k

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AI artwork
Avatar image of Towa Higurasi
character: higurashi_towa 1girl, solo, (short hair:1.1), silver hair, white hair, (red streaked hair:1.1), hair between eyes, closed mouth, calm expression, white school uniform, white jacket with blue trim, red ribbon, white pants, brown shoes, (full body:1.2), very wide shot, from side, profile, sitting on tree branch, one knee up, (hand on own chin:1.1), (looking up:1.2), looking at sky, night, (starry sky:1.2), milky way, (full moon:1.1), shooting star, falling leaves, large oak tree, thick branch, scenery, moonlight, rim light, asymmetrical composition, off-center, diagonal composition, leading lines, negative space, oil painting, traditional media, impasto, palette knife, thick brush strokes, visible brushstrokes, textured canvas, painterly, expressive brushwork, loose edges, chiaroscuro, limited palette, deep indigo, midnight blue, violet, ochre, gold accents, warm moonlight, cool shadows, small red accents, depth of field, serene, wistful Seen in pure side profile from a distance, the girl sits alone on a thick horizontal oak limb that cuts diagonally through the frame from lower left to upper right, off-center to the right; her body occupies only about a fifth of the wide canvas, with the deep indigo night swelling as enormous negative space at the left. Her near leg is drawn up, knee high, the white pant leg creasing at the hip, the brown shoe planted flat on the bark; the far leg hangs down along the trunk side, heel tucked back, toes pointing into the dark. Her torso leans fractionally forward, elbow of the far arm propped on the raised knee so the hand comes to her chin — fingers loosely curled against the jaw, index along the cheekbone, knuckles touching the closed lips' corner. The near arm rests across her raised shin, wrist slack. Short silver-white hair falls just past the jawline, the strands over the brow and between the eyes lifted slightly by the night air, and the red streaks — one at the temple, one behind the ear — catch the moon as the only warm-bright threads on her head; the white jacket with its blue trim at the cuffs, hem and lapel is the brightest mass in the picture, the red ribbon at the collar a small tight accent, and the white pants pick up cool blue in their folds. Her chin is tilted back and her eyes are lifted clear of the horizon, fixed high on the sky, soft and unfocused with thought rather than focused on any one star; the profile shows the calm closed mouth, the faintest upward pull at its corner, a lower lid slightly raised — serene and wistful at once. The full moon hangs high at the upper left, the single source: it rims the top of her hair, the bridge of her nose, the shoulder and the top edge of the raised knee in warm gold-ochre light, while every surface facing away — the underside of the branch, the front of her jacket, the hollow of her throat — sinks into violet and midnight blue, and her cast shadow falls sharp-edged along the bark behind her. The milky way sweeps in a broad pale band behind the trunk, granular and soft, a single shooting star scratching a thin gold line down and to the right, and leaves drift down through the frame, each one lit only on the face turned toward the moon. The face is the one sharp focal point — crisp at the jaw, the lashes, the knuckles at the chin — while the branch's far end, the canopy and the star field blur into soft painterly edges, depth of field falling away in layers. Oil on textured canvas: impasto laid with a palette knife in the bark and the moon's disc, thick visible brushstrokes in the sky's indigo-to-violet gradation, loose expressive edges where the leaves and the milky way dissolve, tight controlled strokes only in the face; the palette admits nothing beyond deep indigo, midnight blue, violet and ochre with gold accents, plus the small red accents of ribbon and hair streaks. Quiet, luminous, tender.
Towa Higurasi
AI artwork
Avatar image of Towa Higurasi
character: higurashi_towa 1girl, solo, (short hair:1.1), silver hair, white hair, (red streaked hair:1.1), hair between eyes, closed mouth, calm expression, white school uniform, white jacket with blue trim, red ribbon, white pants, brown shoes, (full body:1.2), very wide shot, from side, profile, sitting on tree branch, one knee up, (hand on own chin:1.1), (looking up:1.2), looking at sky, night, (starry sky:1.2), milky way, (full moon:1.1), shooting star, falling leaves, large oak tree, thick branch, scenery, moonlight, rim light, serene, wistful, asymmetrical composition, off-center, diagonal composition, leading lines, negative space, focal point, balanced composition, oil painting, traditional media, impasto, palette knife, thick brush strokes, visible brushstrokes, textured canvas, painterly, expressive brushwork, loose edges, sharp focal point on face, soft background, chiaroscuro, limited palette, deep indigo, midnight blue, violet, ochre, gold accents, warm moonlight, cool shadows, small red accents, depth of field A very wide shot in true side profile: the girl sits alone high on a thick oak branch that runs from the lower-left of the frame up toward the right, the limb's diagonal mirrored by the milky way's band, so the whole picture tilts on one rising line. She occupies barely a fifth of the canvas, set off-center to the right, and the left half is open night sky -- a broad pool of negative space the boughs frame without filling. Her body is turned three-quarters away from the lens, knees toward the far side; the near leg is drawn up with the boot's brown leather wedged flat on the bark and the lower leg hanging loose below the branch, and the far leg disappears along the limb behind the near thigh. Her left hand rests on her own chin, palm against the jaw, fingertips pressed to the cheek just under the cheekbone, the elbow planted on the raised knee so the arm makes a taut triangle; the right hand lies open on the bark behind her hip, fingers curled over the branch's ridge for balance. The weight sits back on her sitting bones and is funneled into the wood, and because one leg hangs free the hips are canted and the jacket's white hem rides up a hand's breadth on the raised-knee side, exposing the white trousers at the waist. Her short silver-white hair is cut just above the jaw with a heavier sweep across the brow and strands falling between her eyes; where the hair is lifted by the draught two narrow red streaks catch the moonlight along the crown and behind the near ear, and the short ends flick back from her temple so the profile stays clean. Her chin is tipped up: she is looking up and out past her own raised knee into the sky, lids half-lowered, lips pressed closed, the faintest softening at the mouth; the eye's white catches the moon and the iris is turned up and away from the viewer, giving the profile its wistful quiet. She wears the white school uniform jacket with blue trim piping its lapels, cuffs and hem, a red ribbon knotted at the collar, white trousers, and brown shoes; the jacket hangs open and its front edge swings out from her ribs, and the ribbon's tails lift and flutter back along her shoulder. The large oak fills the lower right and lower left corners with heavy black trunks and a few leaf clusters in palette-knife slabs of ochre and violet; the thick branch under her bears a ridge of raised bark and a shallow saddle where her weight compresses it, and one leaf lands on the branch's upward-facing ridge where fallen leaves have gathered, never on its underside -- the one physics detail that makes the night airy and moving. A full moon hangs high in the upper left, warm and gold-tinged, ringed by a soft ochre halo, and the milky way's pale violet-and-indigo river of stars cuts diagonally through the deep midnight blue; a single shooting star is scratched thin and bright, low across the middle right, its head brighter than its tail. Moonlight is the only source: it strikes from above and slightly behind her, rim-lighting her silver hair, the near shoulder of the white jacket, the raised knee and the top of the branch with a warm gold edge, while everything the moon does not reach -- her face's far side, the undersides of the boughs, her hanging boot -- falls into cool indigo and violet shadow; a soft cast shadow of the branch and of her dangling leg drops onto the bark below. Palette is a limited one: deep indigo, midnight blue and violet for the sky and shadows, ochre and gold for the moon, moonlight rim and leaves, small red accents only in the two hair streaks and the ribbon at her throat. The rendering is traditional oil on textured canvas: impasto and palette-knife slabs in the moon, leaves and bark; thick, visible brushstrokes and expressive brushwork; loose edges dissolving the star field and the distant branches into softness, while the face keeps a sharp focal point -- the profile of nose, lips and closed jaw rendered crisp against all that soft background under strong chiaroscuro. Shallow depth of field keeps the nearby leaves just short of focus. Serene, wistful.
Towa Higurasi

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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
4#마법소녀 마도카☆마기카#카나메 마도카#마법소녀 마도카☆마기카
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