一期一振 - うるしの日

みずは님의 AI 작품 '一期一振 - うるしの日'. PixAI에서 감상하세요. 태그: 도검난무. 사용 모델: Tsubaki.3.

#도검난무 #이치고히토후리

게시일 Nov 15, 2026

みずは

character: ichigo_hitofuri close-up, upper body, solo, 1boy, adult male, mature male, short aquamarine hair, side-swept bangs, visible eyebrows, neat straight eyebrows, softly arched brows, pale cool-toned skin, smooth even complexion, slender adult male, realistic adult male proportions, balanced head-to-body ratio, restrained shoulder breadth, slight shoulder slope, slender oval face, narrow facial width, smooth cheek line, softly tapered jawline, gently pointed chin, narrow lower face, almond-shaped eyes, horizontally elongated eyes, medium-sized eyes, refined upper eyelid crease, thin clean eyelid line, short natural eyelashes, straight narrow nose bridge, small refined nose tip, compact nostrils, narrow philtrum, small mouth, thin upper lip, slightly fuller lower lip, (golden outer iris:1.25), (lime-green inner iris ring:1.35), (two-layer gold and lime-green iris:1.25), midnight-indigo jacket, ivory shirt, standing collar, blue-gray collar facing, narrow bound edges, dark cloth-covered buttons, structured cuffs, woven cuff motif, holding lacquer box, black lacquer box, shut lid, gold maki-e autumn grasses, silver leaves, seated, left palm supporting box, right fingertips steadying box corner, looking down, raised eyebrows, parted lips, absorbed expression, Kyoto craft studio, wooden work shelf, shoji frame, warm lamp light from upper right, daylight from left, single coherent lighting, square 1:1 composition, eye level, slightly from front-right, masterpiece, best quality, delicate anime illustration, refined facial features, detailed eyes, glossy hair, elegant lineart, smooth shading, luminous skin, intricate details, beautiful lighting, detailed illustration, genkiheiki, shiguretau, nihonga, textured brushwork, paper texture, watercolor style, poetic composition, spiritual undertone A square 1:1 close view at his eye level, from slightly to his front-right, frames Ichigo Hitofuri from the crown of his head to his lower ribs; his face holds the upper-left half of the frame while the shut black lacquer box and both hands sit clearly at the lower right. His short aquamarine hair falls in neat side-swept bangs, and his visible brows lift in genuine admiration above almond-shaped, horizontally elongated eyes with (golden outer iris:1.25), (lime-green inner iris ring:1.35), and (two-layer gold and lime-green iris:1.25) gathered in a clean, subtle eye area. His porcelain-pale cool-toned skin has a smooth even complexion; the slender oval face is slightly longer than wide, with a smooth forehead, slim cheek line, softly tapered jawline, narrow lower face, and gently pointed chin. A refined upper eyelid crease and thin clean lid line frame short, restrained natural lashes; his straight narrow nose bridge is short-to-medium with a small refined tip, subtle projection, compact nostrils, and a narrow philtrum. His small mouth shows a thin upper lip and slightly fuller lower lip, restrained in volume, and his lips part a little with the corners nearly level rather than forming a habitual smile. His chin dips toward the box, his shoulders settle, and his attention becomes completely absorbed by the gold decoration; both visible eyes stay fixed on the same near-side autumn-grass motif, caught by the unexpected play of light across the lid. His elegant slender adult build, around twenty-five, keeps a balanced head-to-body ratio, restrained shoulder breadth, and a slight natural shoulder slope beneath a midnight-indigo fine tsumugi-weave studio jacket worn over an ivory matte-cotton shirt. The short standing collar has a muted blue-gray inner facing and narrow bound edges, and small dark cloth-covered buttons close the straight front from the throat through the visible chest, leaving a slim strip of the ivory shirt inside the collar. Long sleeves narrow into structured cuffs with a single covered button each, and a slender woven motif runs only along the outer edge of the visible right cuff. The dense, softly irregular silk weave contrasts with the dry cotton beneath it; the bent left elbow throws a broad diagonal fold while the right cuff gathers gently above his supporting hand. A small rectangular wooden box covered in deep black cured lacquer rests horizontally above his lap, solid and palm-supported rather than floating. Its close-fitting lid is fully shut, with softly rounded corners and a precise, continuous seam between lid and base. Fine gold maki-e autumn grasses and a few silver leaves spread across part of the lid and turn over one side, while much of the black surface remains open and reflective. His left palm supports the box from beneath its base; his right fingertips steady the near lower corner without concealing the gold design. The forearms and hands run clearly to those separate contact points. The setting is a quiet present-day Japanese lacquer studio. A short section of dark wooden work shelf remains visible along the right edge, and part of a pale shoji frame stands behind his far shoulder; both stay secondary to his face and the lacquer box. A warm shaded work lamp above and to the right is the principal light, placing one restrained reflection across the black lid and catching the gold powder. Softer daylight from the left keeps his brows, mouth, skin, and irises legible. Contact shadows beneath the box and the folds of the jacket follow the same single coherent setup. Quiet reverence, absorbed focus.

一期一振 - うるしの日

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