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chapter xx『逃亡』
箱推님의 AI 작품 'chapter xx『逃亡』'. PixAI에서 감상하세요. 태그: 마리안, 네온, 승리의 여신: 니케. 사용 모델: Tsubaki.3.
매개변수 표시
- 원본 프롬프트
- The Commander is fleeing while carrying Marian (NIKKE)—who is wearing a wedding dress—in his arms. Rapi (NIKKE), Anis (NIKKE), and Neon (NIKKE) are in pursuit. The Commander looks flustered, Marian wears a faint, amused smile, Rapi and Anis appear angry, and Neon looks like she’s having a great time.,marian_wedding, wedding dress, bridal veil,nikke style,nikke,妮姬,goddess of victory: nikke,hyper-detailed anime illustration in 8k, vivid anime coloring, incredibly_absurdres, official art style, sharp focus, anime screencap and game cg style, clean lineart and cel shading, cinematic depth, stylish lighting with highlights and contrasts
- 모드
- pro
- 품질 태그
- ﹝프롬프트﹞
- 크기
- 1104 x 1824
- 샘플링 방식
- Euler
- 제외 조건
- lowres, worst quality, low quality, bad anatomy, explicit
프롬프트 도우미
모델 및 LoRA 사용
![Detailed Anime Enhancer [IL2.0]【アニメ塗り】 - AI Model 커버 이미지](https://images-ng.pixai.art/images/thumb/e7f8cad1-bea9-424a-80ee-6126cc692815)
비슷한 작품
자세히 보기
tl
The Knight's Vow: A Royal Gathering
Tri lord
tl
Enterprise&Newcastle: An Azur Lane Wedding
Tri lord
HURIHURI
友
character: marian_(nikke), commander_(nikke)
2girls, 1boy, bride and groom, wedding ceremony, church interior, marian_(nikke), commander_(nikke), wedding attire, bridal veil, white wedding dress, white gloves, military dress uniform, black coat, epaulettes, standing at altar, facing another, holding hands, looking at another, profile, from side, dutch angle, close-up on joined hands, stained glass window, candlelight, warm golden light, long brown hair, purple eyes, hair completely unadorned under the veil, open bare collar, bare of military hat, bare of necktie, no hat, no necktie, no bridal bouquet in hands, cinematic
Seen from a low side angle with a slight dutch tilt, a nun-like quiet fills the church interior: two figures stand at the altar in profile, facing each other across the closed space between them. On the left the woman — long brown hair spilling forward over her shoulders from under a simple white veil, strands floating slightly as if lifted by the breath of the candles, purple eyes lowered and then lifting to meet his face — wears a white wedding dress with fitted bodice and a soft A-line skirt pooling at her ankles, white gloves on both hands, no hat, no necktie, hair completely unadorned beneath the veil, nothing clutched at her waist. On the right the man in a black military dress uniform, a long coat with epaulettes and a row of brass buttons catching the light, bare-headed, open collar with his own bare throat showing and no necktie. Their joined hands are the focal contact: her gloved fingers closed over the back of his bare hand, his thumb pressed to the ridge of her knuckles. His chin is angled down toward her, his gaze on her face; her eyes are on his, a faint closed-lip smile slanting one corner of her mouth. Behind them the tall stained-glass window arches overhead, its colored panes throwing red and blue dapples across the dress skirt and the polished floor; rows of dark pews recede into shadow on either side. The candlelight on the altar rail is the only warm source, and it rims the veil edge and the coat shoulder with gold. The single most physical detail: the bride's veil hem is trembling against the stone step, caught by the draft that also bends the candle flames toward the nave. Tender, solemn.
友井田忠
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