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氷菓(オリジナル)

yamanodaさんにお借りしたパンダ画像を動画化しました!思いの外、力強くなった(笑)こういうアイス表現もどうでしょう!

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PixAI '아이스바 페스티벌' 스페셜 콘테스트 - 여름 속으로 떠나자
#오리지널#서있는 자세#파이팅 포즈#판다#화필#서예 붓#아무도 없다#동물#검은 눈#카메라 시선#들고 있기#전신#곰#페인트#동물
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@image1 @image2 パンダが習字の筆を棒術のように巧みに捌きながら習字をしていくコミカルなアニメーション動画。センシティブに該当する描写は絶対にしない。 @image1 パンダが立ち上がり手に持った筆を棒術のように巧みに振り回して演舞を披露する。筆先に付いた墨が黒い軌跡を描き神秘的な光景を生み出す。 5秒~ 筆を腰構えに構えて壁に向かって筆先を振るう。右斜め上から下、上から下まで下ろし跳ね上げ、右から左へ払って右下に落とすなどの動作を何度か繰り返し、再び腰構えに戻る。 11秒~ カメラはパンダから離れ壁に向かう。そこには大きな白い紙が張られていて、紙には@image2 が描かれている。ドン、と披露するような大きなSEが流れ、紙の内容を隠さないように横にパンダが現れ力強くサムズアップすると0.5秒ほど停止して動画を終了する。
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모델
V4.0 Preview
모드
professional
동영상 시간
15
프로페셔널 애니메이션

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AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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