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PixAI iOS 앱 App Store 일시 다운로드 중단 안내 — PixAI 이용자 여러분께 현재 PixAI iOS 앱을 App Store에서 검색하거나 다운로드할 수 없는 상황입니다. 빠른 시일 내에 다시 다운로드하실 수 있도록 Apple 측과 적극적으로 협의하고 있으며 서비스…

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AIと相談してるとあれを決めましょう、コレを決めましょうって設定をどんどん深掘りさせられ疲れてしまいました。その割にはキャラ名案は他作品の影響が大きく難航しました。

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秋野夕日

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カメラワークはカメラの移動、ズームアップ、ズームアウト可能。カメラ切り替え不可。 中央の女の子が可愛い仕草で終始動き続ける。 女の子の台詞「はーい続きまして、フットマンの…」女の子は画面右の執事へ手を伸ばす。右の執事の台詞「ケイシン・タチバナと申します。以後お見知りおきを。」礼儀正しくお辞儀する。 女の子の台詞「ケイシンは遠い東の国から来た剣士です。メガネがとても似合ってます」 右の執事「あ、ありがとうございます。」少し照れながら言う。 女の子の台詞、カメラ目線で手を振りながら言う「次回はメイドたちです！」 最後に時間があれば女の子が「じゃーね」と言う。時間がなければ不要。
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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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