Sign up for free and get 10,000 credits instantly

Starter credits for new creators, added to your account on the day you sign up.

Server Maintenance Complete — Server maintenance is now complete, and generation speeds for SDXL and Tsubaki.1 tasks are back to normal. Tasks that we…

View details
cover image
Avatar image of 句点むら寿司
avatar-frame

句点むら寿司

134Mengikuti190Pengikut7.95kJumlah Suka
KaryaKoleksi
AI artwork
Avatar image of 句点むら寿司
1girl, no humans, invisibility, empty clothes, floating hoodie, white hoodie, long sleeves, hood down, hollow collar, empty sleeves, empty hood, waist pinch, fabric tension, feminine silhouette, standing, floating, mid-air, full body, from side, slightly from below, bedroom, dusk, dim lighting, pastel pink wallpaper, lavender wallpaper, striped wallpaper, wooden floor, wooden planks, desk lamp, warm light, lamp glow, cast shadow, soft lighting, diffused light, cel shading, crisp linework, anime illustration, kawaii horror, eerie, cute, unsettling, no text A full-body side view, camera slightly below the hoodie's hem looking a little upward, so the garment hangs in the frame with nothing above it and nothing below it. Dead center of a quiet bedroom at dusk floats a white long-sleeved hoodie, its shoulder seams level as though a pair of shoulders held them, lifted a few centimeters clear of the wooden floor. The collar opening is a soft oval of hollow darkness with no face and no neck inside it; the hood lies draped softly behind the shoulders, empty fabric folded back on itself. Down the front the cotton pulls taut across an unseen chest in two shallow diagonal creases that radiate from the shoulder points and vanish at the sternum, and at the waist the fabric is pinched and gathered into a narrow inward curve, the hem riding up in small puckered folds where an unseen ribcage tapers to a hip — from the outline alone the feminine silhouette is unmistakable and entirely legible. Both sleeves hang plumb as if wrists rested inside them, the cuffs drooping open and empty a hand's width above the floor, faint weight-creasing at the elbow suggesting a real arm beneath; nothing emerges from either cuff. Below the hem the floorboards are visible uninterrupted, a clean gap of light-brown plank between the garment's lowest fold and the wood, with no legs, no feet, no shadow of a body. The only light is the small metal desk lamp on a low desk at the left edge of frame, its warm bulb throwing a cone across the wallpaper stripes of pastel pink and lavender and grazing the hoodie's left flank so the cotton's right side falls into soft lavender shadow; the garment casts one gentle diffuse shadow pooled on the floor directly beneath the floating hem, its shape a hoodie's outline with nothing inside it. The room is otherwise dim, dusk pressing at a curtained window in the background as a violet-blue wash, the wallpaper's stripes dimming toward the corners. Palette: off-white cotton, pastel pink, lavender, warm tungsten amber, and the gray-violet of the failing daylight, nothing else admitted. The cotton's weave catches the lamp only along its upward-facing folds, every downward fold staying soft and dim. Crisp cel-shaded linework, soft diffused lighting, quiet and cute and deeply wrong.
Nov 3, 2026 8:37 AM
AI artwork
Avatar image of 句点むら寿司
A life-sized stone statue of a woman is buried in the ground of a grassland. The statue is dressed as a modern high school girl wearing a sailor uniform. The statue is in a pose with one hand reaching toward the viewer, with a look on her face as if she is about to cry. The area of the woman's right eye is cracked, revealing a geode filled with gemstones. Drawn in a Japanese anime style.,painterly digital rendering, chunky brushwork, broad opaque strokes, faceted shapes, angular color blocking, hard-edged shading, painterly edges, soft tonal transitions, diffused highlights, ambient lighting, cinematic lighting, subtle bloom,kawaii
Nov 3, 2026 2:24 AM
AI artwork
Avatar image of 句点むら寿司
A life-sized stone statue of a woman is buried in the ground of a grassland. The statue is dressed as a modern high school girl wearing a sailor uniform. The statue is in a pose with one hand reaching toward the viewer, with a look on her face as if she is about to cry. The area of the woman's right eye is cracked, revealing a geode filled with gemstones. Drawn in a Japanese anime style.,painterly digital rendering, chunky brushwork, broad opaque strokes, faceted shapes, angular color blocking, hard-edged shading, painterly edges, soft tonal transitions, diffused highlights, ambient lighting, cinematic lighting, subtle bloom,kawaii
Nov 3, 2026 2:24 AM
#Siri Honkai#Honkai: Star Rail#Firefly
AI artwork
Avatar image of 句点むら寿司
A life-sized stone statue of a woman is buried in the ground of a grassland. The statue is dressed as a modern high school girl wearing a sailor uniform. The statue is in a pose with one hand reaching toward the viewer, with a look on her face as if she is about to cry. The area of the woman's right eye is cracked, revealing a geode filled with gemstones. Drawn in a Japanese anime style.,painterly digital rendering, chunky brushwork, broad opaque strokes, faceted shapes, angular color blocking, hard-edged shading, painterly edges, soft tonal transitions, diffused highlights, ambient lighting, cinematic lighting, subtle bloom,kawaii
Nov 3, 2026 2:24 AM
AI artwork
Avatar image of 句点むら寿司
A life-sized stone statue of a woman is buried in the ground of a grassland. The statue is dressed as a modern high school girl wearing a sailor uniform. The statue is in a pose with one hand reaching toward the viewer, with a look on her face as if she is about to cry. The area of the woman's right eye is cracked, revealing a geode filled with gemstones. Drawn in a Japanese anime style.,painterly digital rendering, chunky brushwork, broad opaque strokes, faceted shapes, angular color blocking, hard-edged shading, painterly edges, soft tonal transitions, diffused highlights, ambient lighting, cinematic lighting, subtle bloom,kawaii
Nov 3, 2026 2:23 AM
AI artwork
Avatar image of 句点むら寿司
pov, from below, first-person view, outstretched arm, open hand, palm up, long sleeves, reaching toward a floating white hoodie, hood up, empty hood, no body visible, invisible figure, feminine silhouette, soft bust curve in the fabric, narrow waist, draped hips, long hair strands peeking from under the hood, no face, no skin, dim indoor room, window behind, backlight, volumetric light, floating dust particles, ethereal glow, glass-like rim light, pale cool palette, light grey walls, off-white floor, washed-out blue-grey tones, shallow depth of field, anime illustration, painterly shading, creepy-cute, quiet horror, single subject, no text The camera sits low, tilted steeply upward from the viewer's own eye level: the reaching forearm enters from the bottom edge of the frame, foreshortened and large, a loose long-sleeved cuff sliding back over the wrist, five fingers spread open and angled up and slightly left, every knuckle lit faintly from behind. Above and beyond the fingertips, a white hoodie hangs in mid-air with nothing inside it — hood drawn up over an emptiness, the fabric bulging into a soft rounded bust, cinching narrow at the waist, falling in a gentle drape over where hips would be, the hem lifting slightly as if breath moved under it. The palm stops a few centimetres short of the midsection; the fabric there dimples inward a fraction, drawn toward the approaching heat of the hand, and the loose weave brightens in a thin halo along the shoulders and hood rim where the window light wraps it. Three or four long hair strands slip from beneath the hood's edge, hanging curved in the still air, catching the same rim glow and casting no shadow of a head. Behind the hoodie, a tall window cold with daylight dominates the back wall; the light comes from there and nowhere else, rimming the hoodie's silhouette while its front falls into soft blue-grey shade, and the room beyond the window's pool sinks into dimness. Dust motes drift in visible shafts between the lens and the figure, the ones near the window sharp and the ones near the hand blurred into soft discs. The floor is off-white and empty beneath the hem, without a shadow cast straight down — only a faint diffuse smudge, as though the light passes through the figure. Pale grey walls, off-white floor, washed-out blue-grey everywhere; the only warmth is a hint of pink in the invisible body's suggested form, none of it skin. Focus is pulled tight on the hoodie's chest and hood, the sleeve and hand in the foreground softened, the window dissolved into pale bloom. Quiet dread, tender.
Nov 3, 2026 2:23 AM
#Kagerou Project
AI artwork
Avatar image of 句点むら寿司
pov, first-person view, two hands reaching toward viewer, pale hands, hands from below, empty sleeves, floating clothes, invisible girl, white oversized hoodie, hood up, hooded jacket, standing, facing viewer, full body, glowing eyes, cyan eyes, glowing eyes only, darkness inside hood, faceless, no face, slender, shimmer, translucent silhouette, see-through, wet asphalt, street, night, midnight, neon lights, streetlight, light rays, fog, mist, glow, reflections, puddle, tokyo street, convenience store, chromatic aberration, film grain, depth of field, sharp focus, blue shadow, pink neon highlights, cinematic lighting, eerie, lonely, anime illustration, painterly, clean linework, highres A first-person POV shot looking straight down the axis of a narrow deserted Tokyo backstreet at midnight, the camera low and centred, the floating figure standing dead ahead at centre frame while two pale hands slide in from the bottom edge of the frame, palms angled up and inward, knuckles catching the neon rim light. The hands reach forward and apart, the fingertips pressing softly into the empty air a handspan in front of the figure's chest — the small pads of each fingertip compressing an unseen surface so that a shallow dimple forms in the air, its edge catching a thin refractive line where the glass-skin silhouette gives way, the fingers still and patient rather than grasping, wrists bare, no sleeves, no cuffs, both hands fully visible against the dark street beyond them. At the centre of the frame the white oversized hoodie hangs in mid-air with nothing visibly inside it, hood pulled up and standing slightly away from the empty head-space, the shoulders drooping at the seam where no shoulders hold them, the sleeves hanging straight down and empty, cuffs swinging faintly, the dropped hem drawn into a soft feminine taper that only the fabric's own drape suggests. Only the faintest shimmer traces the slender shape the cloth is wrapping — a refractive outline along one sleeve, a thin wavering caustic down the hoodie's flank, a suggestion of a hip and a thigh where the hem hangs longest — almost nothing, a heat-haze displacement of the neon stripes behind it. The hood opening is a column of pure darkness, and inside it two soft luminous pale cyan points float untouched by any surrounding shape, unblinking, with no brow, no nose, no mouth anywhere around them. The street runs away behind the figure in wet asphalt, its surface a black mirror split into long vertical smears of pink, cyan and warm amber, the reflection of each sign stretched and broken where gutters and paving seams interrupt it, the colour draining to a darker, softer version of its source the further it spreads. Dim streetlamps stand at either edge casting separate round pools of yellow-white light across the road, and between those pools the figure is lit mostly by the neon; low fog drifts ankle-deep along the whole street, thinning to transparency where a lamp pool hits it and coiling into the gutters. Far down the vanishing point a convenience-store frontage glows a flat white-green, small enough to be swallowed by the distance, its signage unreadable. The floating hoodie is the only element in razor-sharp focus; the receding street, the lamps and the distant storefront soften into bokeh behind it, and the fingertips in the extreme foreground blur slightly at their knuckles with only their tips crisp. Colour is graded cool blue-purple in every shadow — the alley mouths, the underside of the hood, the spaces between lamp pools — while pink neon lifts the hoodie's left side and the wet road, with cyan and amber as supporting accents. A slight chromatic aberration fringes the high-contrast contours, a red-cyan split riding the edge of the empty sleeve and the outline of the unseen body, and fine film grain sits over the whole frame. The asphalt holds the single physical trace of the touch: a tiny circle of disturbed fog at the point of contact, drawn outward as if something breathed against it. Eerie yet strangely cute, a quiet haunting loneliness.
Nov 3, 2026 2:23 AM
AI artwork
Avatar image of 句点むら寿司
character: yuuka_(blue_archive), noa_(blue_archive), copyright: blue_archive 1girl, solo, fusion, two girls fused into one body, right half and left half joined, body seam, seam hidden by pale bluish square digital noise, pixelated seam, two overlapping halos, mechanical halo, black halo, white halo, hollow expression, vacant stare, empty eyes, holding gun, gun ready, aiming gun, ruined town, decaying city background, long hair, very long hair, purple hair, white hair, grey hair, two side up, ponytail, hair between eyes, parted bangs, sidelocks, blunt bangs, purple eyes, blue eyes, white collared shirt, black shirt, long sleeves, blue necktie, white jacket, jacket partially removed, skirt, black skirt, buruma, black gloves, black pantyhose, headgear, hair ornament, millennium science school logo, from side, cowboy shot, dutch angle, looking at viewer, light smile absent, :|, expressionless, A single human figure stands fused from two girls, seen from a low three-quarter side angle that frames her from thigh to halo against a ruined town; the right half of her body belongs to one girl and the left half to the other, joined along a vertical seam that runs down the center of her torso, and that seam is sheared over by a band of pale bluish square pixels — flat, glowing, hard-edged little squares that crawl from her collar down across her belt to her hip, brighter than the skin around them, so the join reads as a corrupted file rather than a wound. Her right side carries long purple hair pinned in a two side up arrangement with a hair ornament, a lock of it falling parted between her brows over a pupil-less purple eye; her left side falls in very long white-grey hair that hides the ear beneath a headgear band, blunt bangs square across the brow and sidelocks framing a hollow blue eye. Where the two halves meet at the crown, the mechanical halo and the black halo overlap, the white halo intersecting them as a pale circle cut through by the others, all three tilted with the angle of her head. She holds the gun at the ready with the black-gloved hand on the right grip and the gloved left hand cupped under the barrel, elbows bent in, muzzle angled down and out of the frame's lower left corner — the weight of it pulls her right shoulder lower than her left, her hips shift onto the left leg, one foot ahead of the other on the cracked asphalt, the trailing foot's toe resting flat. Her head hangs slightly forward and her eyes look straight at the viewer with no light in them, lids heavy and level, mouth a flat unworried line, an expression drained of intent; her hair lifts slightly on a wind that comes from behind her left shoulder and one loosened end of the white jacket sleeve stirs at her forearm, the white jacket hanging half off that shoulder with the sleeve dropped down past the elbow while the blue necktie and the white collared shirt stay closed to the throat, the black shirt of the other half showing at the ribs above the black skirt and the buruma line at the hip, black pantyhose running down the left leg. On the right breast of the shirt sits the black school emblem, its stacked angular strokes small but sharp. The background is a wrecked town street: a shattered shopfront wall, buckled road with rubble banked against the curb, leaning utility poles and a broken window frame behind her, the buildings receding into a haze of grey dust so the far blocks simplify into silhouettes. The light is an overcast, sourceless white sky coming from above and slightly behind, so her faces are evenly lit and the only hard shadow is the small dark wedge of the gun thrown onto the road; the pale bluish pixels throw a faint glow upward onto her jaw and collar, the one thing in the whole image that is self-lit. The palette holds to white, grey, black and a damp neutral city tone, with purple and blue confined to her hair, eyes and necktie, and the pale blue of the seam as the sole luminous accent. Flat, clean anime rendering with light rounded linework, soft pastel fills and minimal shading; quiet dread.
Nov 1, 2026 2:18 PM
#Blue Archive#Hayase Yuuka
AI artwork
Avatar image of 句点むら寿司
character: yuuka_(blue_archive), noa_(blue_archive), copyright: blue_archive 1girl, solo, fusion, two girls fused into one body, right half and left half joined, body seam, seam hidden by pale bluish square digital noise, pixelated seam, two overlapping halos, mechanical halo, black halo, white halo, hollow expression, vacant stare, empty eyes, holding gun, gun ready, aiming gun, ruined town, decaying city background, long hair, very long hair, purple hair, white hair, grey hair, two side up, ponytail, hair between eyes, parted bangs, sidelocks, blunt bangs, purple eyes, blue eyes, white collared shirt, black shirt, long sleeves, blue necktie, white jacket, jacket partially removed, skirt, black skirt, buruma, black gloves, black pantyhose, headgear, hair ornament, millennium science school logo, from side, cowboy shot, dutch angle, looking at viewer, light smile absent, :|, expressionless, A single human figure stands fused from two girls, seen from a low three-quarter side angle that frames her from thigh to halo against a ruined town; the right half of her body belongs to one girl and the left half to the other, joined along a vertical seam that runs down the center of her torso, and that seam is sheared over by a band of pale bluish square pixels — flat, glowing, hard-edged little squares that crawl from her collar down across her belt to her hip, brighter than the skin around them, so the join reads as a corrupted file rather than a wound. Her right side carries long purple hair pinned in a two side up arrangement with a hair ornament, a lock of it falling parted between her brows over a pupil-less purple eye; her left side falls in very long white-grey hair that hides the ear beneath a headgear band, blunt bangs square across the brow and sidelocks framing a hollow blue eye. Where the two halves meet at the crown, the mechanical halo and the black halo overlap, the white halo intersecting them as a pale circle cut through by the others, all three tilted with the angle of her head. She holds the gun at the ready with the black-gloved hand on the right grip and the gloved left hand cupped under the barrel, elbows bent in, muzzle angled down and out of the frame's lower left corner — the weight of it pulls her right shoulder lower than her left, her hips shift onto the left leg, one foot ahead of the other on the cracked asphalt, the trailing foot's toe resting flat. Her head hangs slightly forward and her eyes look straight at the viewer with no light in them, lids heavy and level, mouth a flat unworried line, an expression drained of intent; her hair lifts slightly on a wind that comes from behind her left shoulder and one loosened end of the white jacket sleeve stirs at her forearm, the white jacket hanging half off that shoulder with the sleeve dropped down past the elbow while the blue necktie and the white collared shirt stay closed to the throat, the black shirt of the other half showing at the ribs above the black skirt and the buruma line at the hip, black pantyhose running down the left leg. On the right breast of the shirt sits the black school emblem, its stacked angular strokes small but sharp. The background is a wrecked town street: a shattered shopfront wall, buckled road with rubble banked against the curb, leaning utility poles and a broken window frame behind her, the buildings receding into a haze of grey dust so the far blocks simplify into silhouettes. The light is an overcast, sourceless white sky coming from above and slightly behind, so her faces are evenly lit and the only hard shadow is the small dark wedge of the gun thrown onto the road; the pale bluish pixels throw a faint glow upward onto her jaw and collar, the one thing in the whole image that is self-lit. The palette holds to white, grey, black and a damp neutral city tone, with purple and blue confined to her hair, eyes and necktie, and the pale blue of the seam as the sole luminous accent. Flat, clean anime rendering with light rounded linework, soft pastel fills and minimal shading; quiet dread.
Nov 1, 2026 2:18 PM
AI artwork
Avatar image of 句点むら寿司
Anime illustration, full body shot, camera positioned slightly below the hoodie's hem looking gently upward, so the floating garment fills the frame. Dead center of a quiet city street at night hovers a white long-sleeved hoodie — no visible body, no head, no hands inside it, lifted a few centimeters clear of the dark wet asphalt. The hood is pulled UP over the unseen head, so the hood fabric holds a soft rounded shape as if covering an invisible skull, with the collar opening visible at the front as an oval of hollow darkness. The feminine silhouette is unmistakable from the fabric alone: the cotton pulls taut across an unseen chest, gathers and pinches inward at the waist, the sleeves hang plumb as if wrists rested inside them with empty cuffs drooping a hand's width above the pavement, and nothing emerges. Below the hem the wet asphalt is uninterrupted — clear gap between the lowest fold and the street, no legs, no feet, no shadow of a body. Background is a quiet urban city street at night. Distant mid-rise building facades with a sparse few lit windows in warm yellow, a single tall overhead streetlamp behind and slightly to the left casting cool blue-white light from above, soft neon signs further down the block glowing pink and teal blurred by atmospheric haze, the wet asphalt reflecting smeared streaks of those neon colors. The night sky is deep indigo fading to black at the edges of frame. The streetlamp grazes the hoodie's right flank so its left falls into soft blue-violet shadow; the garment casts one diffuse shadow pooled on the wet asphalt directly beneath the floating hem, but the shadow's shape is a hoodie's outline with nothing inside. Palette: off-white cotton, cool streetlamp white-blue, soft neon pink, teal, wet asphalt black with colored reflections, deep indigo sky. Crisp cel-shaded linework, soft diffused cinematic lighting, quiet and cute and deeply wrong — eerie-cute kawaii horror mood. Eerie-cute kawaii horror aesthetic, full body, slightly from below, anime cel shading, night urban scene, floating empty hoodie, hood up, hollow darkness inside hood.,kawaii,super huge breasts, massive breasts, ,painterly digital rendering, chunky brushwork, broad opaque strokes, faceted shapes, angular color blocking, hard-edged shading, painterly edges, soft tonal transitions, diffused highlights, ambient lighting, cinematic lighting, subtle bloom
Nov 1, 2026 1:53 PM
AI artwork
Avatar image of 句点むら寿司
Anime illustration, full body shot, camera positioned slightly below the hoodie's hem looking gently upward, so the floating garment fills the frame. Dead center of a quiet city street at night hovers a white long-sleeved hoodie — no visible body, no head, no hands inside it, lifted a few centimeters clear of the dark wet asphalt. The hood is pulled UP over the unseen head, so the hood fabric holds a soft rounded shape as if covering an invisible skull, with the collar opening visible at the front as an oval of hollow darkness. The feminine silhouette is unmistakable from the fabric alone: the cotton pulls taut across an unseen chest, gathers and pinches inward at the waist, the sleeves hang plumb as if wrists rested inside them with empty cuffs drooping a hand's width above the pavement, and nothing emerges. Below the hem the wet asphalt is uninterrupted — clear gap between the lowest fold and the street, no legs, no feet, no shadow of a body. Background is a quiet urban city street at night. Distant mid-rise building facades with a sparse few lit windows in warm yellow, a single tall overhead streetlamp behind and slightly to the left casting cool blue-white light from above, soft neon signs further down the block glowing pink and teal blurred by atmospheric haze, the wet asphalt reflecting smeared streaks of those neon colors. The night sky is deep indigo fading to black at the edges of frame. The streetlamp grazes the hoodie's right flank so its left falls into soft blue-violet shadow; the garment casts one diffuse shadow pooled on the wet asphalt directly beneath the floating hem, but the shadow's shape is a hoodie's outline with nothing inside. Palette: off-white cotton, cool streetlamp white-blue, soft neon pink, teal, wet asphalt black with colored reflections, deep indigo sky. Crisp cel-shaded linework, soft diffused cinematic lighting, quiet and cute and deeply wrong — eerie-cute kawaii horror mood. Eerie-cute kawaii horror aesthetic, full body, slightly from below, anime cel shading, night urban scene, floating empty hoodie, hood up, hollow darkness inside hood.,kawaii,super huge breasts, massive breasts, ,painterly digital rendering, chunky brushwork, broad opaque strokes, faceted shapes, angular color blocking, hard-edged shading, painterly edges, soft tonal transitions, diffused highlights, ambient lighting, cinematic lighting, subtle bloom
Nov 1, 2026 1:53 PM
AI artwork
Avatar image of 句点むら寿司
Anime illustration, full body shot, camera positioned slightly below the hoodie's hem looking gently upward, so the floating garment fills the frame. Dead center of a quiet city street at night hovers a white long-sleeved hoodie — no visible body, no head, no hands inside it, lifted a few centimeters clear of the dark wet asphalt. The hood is pulled UP over the unseen head, so the hood fabric holds a soft rounded shape as if covering an invisible skull, with the collar opening visible at the front as an oval of hollow darkness. The feminine silhouette is unmistakable from the fabric alone: the cotton pulls taut across an unseen chest, gathers and pinches inward at the waist, the sleeves hang plumb as if wrists rested inside them with empty cuffs drooping a hand's width above the pavement, and nothing emerges. Below the hem the wet asphalt is uninterrupted — clear gap between the lowest fold and the street, no legs, no feet, no shadow of a body. Background is a quiet urban city street at night. Distant mid-rise building facades with a sparse few lit windows in warm yellow, a single tall overhead streetlamp behind and slightly to the left casting cool blue-white light from above, soft neon signs further down the block glowing pink and teal blurred by atmospheric haze, the wet asphalt reflecting smeared streaks of those neon colors. The night sky is deep indigo fading to black at the edges of frame. The streetlamp grazes the hoodie's right flank so its left falls into soft blue-violet shadow; the garment casts one diffuse shadow pooled on the wet asphalt directly beneath the floating hem, but the shadow's shape is a hoodie's outline with nothing inside. Palette: off-white cotton, cool streetlamp white-blue, soft neon pink, teal, wet asphalt black with colored reflections, deep indigo sky. Crisp cel-shaded linework, soft diffused cinematic lighting, quiet and cute and deeply wrong — eerie-cute kawaii horror mood. Eerie-cute kawaii horror aesthetic, full body, slightly from below, anime cel shading, night urban scene, floating empty hoodie, hood up, hollow darkness inside hood.,kawaii,super huge breasts, massive breasts, ,painterly digital rendering, chunky brushwork, broad opaque strokes, faceted shapes, angular color blocking, hard-edged shading, painterly edges, soft tonal transitions, diffused highlights, ambient lighting, cinematic lighting, subtle bloom
Nov 1, 2026 1:53 PM
AI artwork
Avatar image of 句点むら寿司
Anime illustration, full body shot, camera positioned slightly below the hoodie's hem looking gently upward, so the floating garment fills the frame. Dead center of a quiet city street at night hovers a white long-sleeved hoodie — no visible body, no head, no hands inside it, lifted a few centimeters clear of the dark wet asphalt. The hood is pulled UP over the unseen head, so the hood fabric holds a soft rounded shape as if covering an invisible skull, with the collar opening visible at the front as an oval of hollow darkness. The feminine silhouette is unmistakable from the fabric alone: the cotton pulls taut across an unseen chest, gathers and pinches inward at the waist, the sleeves hang plumb as if wrists rested inside them with empty cuffs drooping a hand's width above the pavement, and nothing emerges. Below the hem the wet asphalt is uninterrupted — clear gap between the lowest fold and the street, no legs, no feet, no shadow of a body. Background is a quiet urban city street at night. Distant mid-rise building facades with a sparse few lit windows in warm yellow, a single tall overhead streetlamp behind and slightly to the left casting cool blue-white light from above, soft neon signs further down the block glowing pink and teal blurred by atmospheric haze, the wet asphalt reflecting smeared streaks of those neon colors. The night sky is deep indigo fading to black at the edges of frame. The streetlamp grazes the hoodie's right flank so its left falls into soft blue-violet shadow; the garment casts one diffuse shadow pooled on the wet asphalt directly beneath the floating hem, but the shadow's shape is a hoodie's outline with nothing inside. Palette: off-white cotton, cool streetlamp white-blue, soft neon pink, teal, wet asphalt black with colored reflections, deep indigo sky. Crisp cel-shaded linework, soft diffused cinematic lighting, quiet and cute and deeply wrong — eerie-cute kawaii horror mood. Eerie-cute kawaii horror aesthetic, full body, slightly from below, anime cel shading, night urban scene, floating empty hoodie, hood up, hollow darkness inside hood.,kawaii,super huge breasts, massive breasts, ,painterly digital rendering, chunky brushwork, broad opaque strokes, faceted shapes, angular color blocking, hard-edged shading, painterly edges, soft tonal transitions, diffused highlights, ambient lighting, cinematic lighting, subtle bloom
Nov 1, 2026 1:52 PM
AI artwork
Avatar image of 句点むら寿司
character: yuuka_(blue_archive), noa_(blue_archive), copyright: blue_archive 1girl, solo, fused body, two girls fused into one body, right half and left half joined at a vertical seam, seam covered by pale blue square pixel noise, glitch blocks, two overlapping halos, mechanical halo, black halo, white halo, hollow expression, empty eyes, aiming gun, holding handgun, ruined town, rubble, long hair, very long hair, purple hair, blue hair, white hair, grey hair, two side up, ponytail, parted bangs, hair between eyes, sidelocks, blunt bangs, hair ornament, headgear, purple eyes, blue eyes, white shirt, collared shirt, black shirt, blue necktie, white jacket, jacket partially removed, black skirt, buruma, long sleeves, black gloves, black pantyhose, millennium science school logo, cowboy shot, from below, dutch angle, looking at viewer, outstretched arm, serious, dark, grey sky, Low-angle dutch-tilt cowboy shot, tilted so the fused figure towers against a burnt-out sky. One body stands with its weight sunk into the right leg, hip canted, left leg braced slightly forward: the right half wears the black shirt, blue necktie, white jacket hanging half off the shoulder with one sleeve empty and swinging, black skirt and buruma, the Millennium Science School logo printed small on the jacket's upper arm; the left half wears the black skirt replaced with black pantyhose down a long leg, the white collared shirt and a looser white jacket, a headgear band across the crown of its hair. The vertical joining seam runs from crown to hip down the middle of the torso, and it is hidden along its whole length under a column of pale blue rectangular noise blocks, hard-edged squares that stair-step over the fabric, cut across the collar, and flicker with a few pulled, displaced fragments at the edges. The two heads sit at the top of the single body: the right head has long purple hair in two side up with a ponytail, parted bangs, hair between eyes, a hair ornament at the side, and a black mechanical halo of thin floating rings and segmented plates; the left head has very long white-grey hair, blunt bangs, sidelocks, and a plain white halo. The two halos overlap in an X of bands at the upper left, the mechanical rings passing through the white ring, brighter where they cross. Both faces are hollow: lowered lids, flat irises of purple and of blue, slack mouths, no blink, gaze aimed straight down the barrel at the viewer. The right arm extends level toward the lens with black-gloved fingers wrapped hard around the pistol's grip, index outside the trigger guard, the gun foreshortened large; the left arm hangs low, gloved fingertips half-curled at the fused hip. The seam noise casts a faint blue spill onto the white shirt beside it. Behind, a ruined town in receding layers: a collapsed concrete block building with a raw floor slab at the left, a snapped utility pole leaning across the sky, a skeletal window frame at the right, dust and ash in the air, a cracked road running to the horizon. Overcast grey daylight from high behind the figure, so the faces fall in soft shadow and the noise blocks and the halo rings are the brightest things in the frame. Palette held to white, black, ash grey and the pale blue of the glitch, with purple only in one head's hair and blue only in one eye. Ash settles only on the upward-facing edges of the rubble and on the shoulders' flat tops. Cold, blank, unsettling.
Oct 31, 2026 1:52 PM
#Blue Archive#Hayase Yuuka
AI artwork
Avatar image of 句点むら寿司
character: yuuka_(blue_archive), noa_(blue_archive), copyright: blue_archive 1girl, solo, fused body, two girls fused into one body, right half and left half joined at a vertical seam, seam covered by pale blue square pixel noise, glitch blocks, two overlapping halos, mechanical halo, black halo, white halo, hollow expression, empty eyes, aiming gun, holding handgun, ruined town, rubble, long hair, very long hair, purple hair, blue hair, white hair, grey hair, two side up, ponytail, parted bangs, hair between eyes, sidelocks, blunt bangs, hair ornament, headgear, purple eyes, blue eyes, white shirt, collared shirt, black shirt, blue necktie, white jacket, jacket partially removed, black skirt, buruma, long sleeves, black gloves, black pantyhose, millennium science school logo, cowboy shot, from below, dutch angle, looking at viewer, outstretched arm, serious, dark, grey sky, Low-angle dutch-tilt cowboy shot, tilted so the fused figure towers against a burnt-out sky. One body stands with its weight sunk into the right leg, hip canted, left leg braced slightly forward: the right half wears the black shirt, blue necktie, white jacket hanging half off the shoulder with one sleeve empty and swinging, black skirt and buruma, the Millennium Science School logo printed small on the jacket's upper arm; the left half wears the black skirt replaced with black pantyhose down a long leg, the white collared shirt and a looser white jacket, a headgear band across the crown of its hair. The vertical joining seam runs from crown to hip down the middle of the torso, and it is hidden along its whole length under a column of pale blue rectangular noise blocks, hard-edged squares that stair-step over the fabric, cut across the collar, and flicker with a few pulled, displaced fragments at the edges. The two heads sit at the top of the single body: the right head has long purple hair in two side up with a ponytail, parted bangs, hair between eyes, a hair ornament at the side, and a black mechanical halo of thin floating rings and segmented plates; the left head has very long white-grey hair, blunt bangs, sidelocks, and a plain white halo. The two halos overlap in an X of bands at the upper left, the mechanical rings passing through the white ring, brighter where they cross. Both faces are hollow: lowered lids, flat irises of purple and of blue, slack mouths, no blink, gaze aimed straight down the barrel at the viewer. The right arm extends level toward the lens with black-gloved fingers wrapped hard around the pistol's grip, index outside the trigger guard, the gun foreshortened large; the left arm hangs low, gloved fingertips half-curled at the fused hip. The seam noise casts a faint blue spill onto the white shirt beside it. Behind, a ruined town in receding layers: a collapsed concrete block building with a raw floor slab at the left, a snapped utility pole leaning across the sky, a skeletal window frame at the right, dust and ash in the air, a cracked road running to the horizon. Overcast grey daylight from high behind the figure, so the faces fall in soft shadow and the noise blocks and the halo rings are the brightest things in the frame. Palette held to white, black, ash grey and the pale blue of the glitch, with purple only in one head's hair and blue only in one eye. Ash settles only on the upward-facing edges of the rubble and on the shoulders' flat tops. Cold, blank, unsettling.
Oct 31, 2026 1:52 PM
#Blue Archive#Hayase Yuuka
AI artwork
Avatar image of 句点むら寿司
character: yuuka_(blue_archive), noa_(blue_archive), copyright: blue_archive 1girl, solo, fused body, two girls fused into one body, right half and left half joined at a vertical seam, seam covered by pale blue square pixel noise, glitch blocks, two overlapping halos, mechanical halo, black halo, white halo, hollow expression, empty eyes, aiming gun, holding handgun, ruined town, rubble, long hair, very long hair, purple hair, blue hair, white hair, grey hair, two side up, ponytail, parted bangs, hair between eyes, sidelocks, blunt bangs, hair ornament, headgear, purple eyes, blue eyes, white shirt, collared shirt, black shirt, blue necktie, white jacket, jacket partially removed, black skirt, buruma, long sleeves, black gloves, black pantyhose, millennium science school logo, cowboy shot, from below, dutch angle, looking at viewer, outstretched arm, serious, dark, grey sky, Low-angle dutch-tilt cowboy shot, tilted so the fused figure towers against a burnt-out sky. One body stands with its weight sunk into the right leg, hip canted, left leg braced slightly forward: the right half wears the black shirt, blue necktie, white jacket hanging half off the shoulder with one sleeve empty and swinging, black skirt and buruma, the Millennium Science School logo printed small on the jacket's upper arm; the left half wears the black skirt replaced with black pantyhose down a long leg, the white collared shirt and a looser white jacket, a headgear band across the crown of its hair. The vertical joining seam runs from crown to hip down the middle of the torso, and it is hidden along its whole length under a column of pale blue rectangular noise blocks, hard-edged squares that stair-step over the fabric, cut across the collar, and flicker with a few pulled, displaced fragments at the edges. The two heads sit at the top of the single body: the right head has long purple hair in two side up with a ponytail, parted bangs, hair between eyes, a hair ornament at the side, and a black mechanical halo of thin floating rings and segmented plates; the left head has very long white-grey hair, blunt bangs, sidelocks, and a plain white halo. The two halos overlap in an X of bands at the upper left, the mechanical rings passing through the white ring, brighter where they cross. Both faces are hollow: lowered lids, flat irises of purple and of blue, slack mouths, no blink, gaze aimed straight down the barrel at the viewer. The right arm extends level toward the lens with black-gloved fingers wrapped hard around the pistol's grip, index outside the trigger guard, the gun foreshortened large; the left arm hangs low, gloved fingertips half-curled at the fused hip. The seam noise casts a faint blue spill onto the white shirt beside it. Behind, a ruined town in receding layers: a collapsed concrete block building with a raw floor slab at the left, a snapped utility pole leaning across the sky, a skeletal window frame at the right, dust and ash in the air, a cracked road running to the horizon. Overcast grey daylight from high behind the figure, so the faces fall in soft shadow and the noise blocks and the halo rings are the brightest things in the frame. Palette held to white, black, ash grey and the pale blue of the glitch, with purple only in one head's hair and blue only in one eye. Ash settles only on the upward-facing edges of the rubble and on the shoulders' flat tops. Cold, blank, unsettling.
Oct 31, 2026 1:51 PM
#Blue Archive#Hayase Yuuka
AI artwork
Avatar image of 句点むら寿司
character: yuuka_(blue_archive), noa_(blue_archive), copyright: blue_archive 1girl, solo, fused body, two girls fused into one body, right half and left half joined at a vertical seam, seam covered by pale blue square pixel noise, glitch blocks, two overlapping halos, mechanical halo, black halo, white halo, hollow expression, empty eyes, aiming gun, holding handgun, ruined town, rubble, long hair, very long hair, purple hair, blue hair, white hair, grey hair, two side up, ponytail, parted bangs, hair between eyes, sidelocks, blunt bangs, hair ornament, headgear, purple eyes, blue eyes, white shirt, collared shirt, black shirt, blue necktie, white jacket, jacket partially removed, black skirt, buruma, long sleeves, black gloves, black pantyhose, millennium science school logo, cowboy shot, from below, dutch angle, looking at viewer, outstretched arm, serious, dark, grey sky, Low-angle dutch-tilt cowboy shot, tilted so the fused figure towers against a burnt-out sky. One body stands with its weight sunk into the right leg, hip canted, left leg braced slightly forward: the right half wears the black shirt, blue necktie, white jacket hanging half off the shoulder with one sleeve empty and swinging, black skirt and buruma, the Millennium Science School logo printed small on the jacket's upper arm; the left half wears the black skirt replaced with black pantyhose down a long leg, the white collared shirt and a looser white jacket, a headgear band across the crown of its hair. The vertical joining seam runs from crown to hip down the middle of the torso, and it is hidden along its whole length under a column of pale blue rectangular noise blocks, hard-edged squares that stair-step over the fabric, cut across the collar, and flicker with a few pulled, displaced fragments at the edges. The two heads sit at the top of the single body: the right head has long purple hair in two side up with a ponytail, parted bangs, hair between eyes, a hair ornament at the side, and a black mechanical halo of thin floating rings and segmented plates; the left head has very long white-grey hair, blunt bangs, sidelocks, and a plain white halo. The two halos overlap in an X of bands at the upper left, the mechanical rings passing through the white ring, brighter where they cross. Both faces are hollow: lowered lids, flat irises of purple and of blue, slack mouths, no blink, gaze aimed straight down the barrel at the viewer. The right arm extends level toward the lens with black-gloved fingers wrapped hard around the pistol's grip, index outside the trigger guard, the gun foreshortened large; the left arm hangs low, gloved fingertips half-curled at the fused hip. The seam noise casts a faint blue spill onto the white shirt beside it. Behind, a ruined town in receding layers: a collapsed concrete block building with a raw floor slab at the left, a snapped utility pole leaning across the sky, a skeletal window frame at the right, dust and ash in the air, a cracked road running to the horizon. Overcast grey daylight from high behind the figure, so the faces fall in soft shadow and the noise blocks and the halo rings are the brightest things in the frame. Palette held to white, black, ash grey and the pale blue of the glitch, with purple only in one head's hair and blue only in one eye. Ash settles only on the upward-facing edges of the rubble and on the shoulders' flat tops. Cold, blank, unsettling.
Oct 31, 2026 1:51 PM
#Blue Archive#Hayase Yuuka
SebelumnyaSeterusnya
Laman UtamaModelJanaRecipeProfil