Sign up for free and get 10,000 credits instantly

Starter credits for new creators, added to your account on the day you sign up.

Server Maintenance Complete — Server maintenance is now complete, and generation speeds for SDXL and Tsubaki.1 tasks are back to normal. Tasks that we…

View details
cover image
Avatar image of Kylee Violette (Kiy Chan)

Kylee Violette (Kiy Chan)

Deaf Natives, Gamer Discord: Moonlight_gamer93 for roleplay

USA
73Mengikuti90Pengikut2.93kJumlah Suka
KaryaKoleksi
AI artwork
Avatar image of Kylee Violette (Kiy Chan)
character: geralt_of_rivia 1girl, 1boy, hetero, orange hair, very long hair, hair past hips, green eyes, long dress, fabric dress, cream dress, large breasts, witcher geralt, white hair, long hair, yellow eyes, beard, standing behind her, kissing her neck, arms around waist, hands on her stomach, arms around his head, hands in his hair, looking at him, looking at another, from side, close-up, profile, dutch angle, eye contact, romantic atmosphere, tender, warm interior light, dusk window light, standing, back to viewer, leaning into each other A tight three-quarter close-up seen from the side at a slight low dutch tilt, the two of them filling the frame so the woman's body sits front-and-left and the man's white head leans in from behind-right. She stands with her weight settled on her back foot, torso angled a little away from the lens so her very long orange hair — thick, loose, falling past her hips — spills down over her shoulder toward the viewer, a bright ribbon against the cream fabric of the long dress that wraps her large chest and gathers in the soft folds of the skirt. Behind her, the man is drawn up close, chest against her shoulder blades, painted armor and dark glove leather at his forearms; his long white hair is pulled back so a few strands fall beside his bearded jaw, and his yellow eyes are lowered, lids half shut, as his lips press to the slope of her throat where it rises from the dress collar. Both of his arms are wrapped around her front, forearms crossing low over her stomach, the gloves overlapping her dress with a slight compression in the cloth, her stomach drawn back against his waist. Her chin is turned sharply over her shoulder toward him, green eyes fixed on his face, one brow faintly raised and her lips half open; both of her arms are lifted and wrapped behind her, hands buried in the back of his hair, the white strands threading through her fingers. His nose brushes the underside of her jaw; her chest rises on an inhale that pulls the fabric taut across it. Light comes from a window behind and left of the camera at dusk — a low, warm orange-blue key striking the edge of her cheek, the side of her throat, and the flat planes of his shoulder, while the far side of both faces sinks into soft shadow, and his cast shadow falls across her back. The palette is held to cream, burnt orange and cool grey-white. Warm, tender, unhurried.
Nov 3, 2026 11:08 PM
#The Witcher#Ciri
AI artwork
Avatar image of Kylee Violette (Kiy Chan)
character: geralt_of_rivia 2girl, 1boy, geralt, white hair, long hair, beard, yellow eyes, tall, muscular male, woman, orange hair, very long hair, green eyes, long flowing fabric dress, floor-length dress, large breasts, man standing behind woman, from behind, over-shoulder composition, arms around waist, hands on stomach, kiss on neck, lips pressed to neck, head tilt, eyes half-closed, tender expression, looking at her, blush, romantic atmosphere, intimate, warm light, soft glow, close-up, upper body, profile, couple, embrace Over-shoulder composition from slightly above and behind the woman's right shoulder: the white-haired, bearded man stands directly behind her, his chest pressed flat to her back, chin lowered so his lips are sealed against the left side of her neck just under the jaw; his head tips down and toward the camera side, yellow eyes open and angled down along her cheek. Both his arms come forward under hers and cross low over her stomach, gloved forearms clamped flat against the dress fabric, one broad hand splayed wide over the far hip and the other hooked into the fabric at her near side so the cloth pulls taut into shallow folds between his fingers. She stands a half-step ahead of him, weight settled onto her left leg with the right knee eased forward, shoulders drawn back into his chest; her very long orange hair spills over her near shoulder and down across his forearm, a few strands caught between her neck and his mouth. Her face is turned in three-quarter profile toward the frame edge, chin lifted, eyelids low and green irises only half visible past her lashes, a faint closed-lip smile pulling one corner of her mouth, the edge of a blush high on her cheekbone. The long cream fabric dress covers her to the floor, bodice drawn tight across her large chest with the neckline dipping as his chin presses behind her jaw, sleeve fabric sleeve soft and creased at the elbow where her arm is trapped down inside his grip. Light comes from a single warm low lamp at frame-left, its pool landing on her cheekbone, the curve of her throat, the bridge of his nose and the ridges of his knuckles, while the right side of both faces falls into one continuous soft shadow that they share as they stand pressed together; no second source, the room's darkness absolute beyond a narrow falloff. Palette restricted to warm amber lamp light, cream of the dress, the copper-orange of her hair and the silver-white of his. A single revealer of the pressure between them: the dress fabric puckers into radiating wrinkles from his fingertips and the collar of her bodice bows outward where his chest presses against her back. Intimate, tender.
Nov 3, 2026 11:08 PM
#The Witcher
AI artwork
Avatar image of Kylee Violette (Kiy Chan)
character: geralt_of_rivia 2girls, 1boy, 2+girls, aged woman, elderly woman, orange hair, hair buns, double bun, green eyes, large breasts, curvy, wide hips, hourglass figure, long dress, floor-length fabric dress, heavy olive-green dress, long sleeves, geralt_of_rivia, white hair, long hair, beard, yellow eyes, armor, gloves, man standing behind, from behind, embrace, arms around waist, hands on stomach, kissing neck, neck kiss, lips pressed to her neck, tilted head, eyes closed, half-closed eyes, blush, gentle smile, romantic atmosphere, intimate, profile, cowboy shot, soft warm light, looking at another, tender, A close, intimate profile view, camera set slightly below eye level and off to the side so both bodies read as one silhouette: the woman stands in the near foreground, her back to the viewer's right, and the white-haired, bearded man in dark leather armor and gloves stands pressed against her from behind. She is elderly and curvy -- a full heavy bust carried by a corset-seamed bodice, wide hips, an hourglass line under the cloth -- her orange hair lifted into two round buns high on her head, a few loose strands escaping at the nape, and her green eyes half-lidded and turned back over her shoulder toward his face. Her long floor-length olive-green fabric dress falls in soft vertical folds to the floor, the fabric gathering and creasing where his forearm presses into it; her weight rests on her back foot, one hip pushed out, one hand lifted to rest loosely over his gloved wrist at her waist. He is taller, his chest against her shoulder blades, chin dipped so his lips press to the side of her neck just under the hinge of her jaw, eyes closed, a short hush of breath stirring the fine hair at her ear; both his arms circle her stomach, gloved hands overlapping flat on the fabric below her bust, fingers relaxed. Her head tilts toward him, a faint warm smile on her lips, her gaze on his temple; a small blush sits high on her cheek. Light comes only from a single low warm lamp off-frame to the left: it catches the rim of her neck where his mouth is, the curve of her cheek, one bun, and the leather of his sleeve, while the far side of both bodies falls into deep soft shadow and their joined shadows stretch across the floorboards behind them. Palette of olive green, deep brown leather, warm amber lamplight and the bright copper of her hair, nothing else admitted. Soft interior background falling out of focus, warm and dark. Tender, quietly devoted.
Nov 3, 2026 11:08 PM
#The Witcher
AI artwork
Avatar image of Kylee Violette (Kiy Chan)
character: geralt_of_rivia 2girls, 1girl, 1boy, male focus, orange hair, twin buns, green eyes, long fabric dress, cream-colored dress, scoop neckline, large breasts, curvy, wide hips, thick thighs, hourglass figure, adult woman, white hair, long hair, beard, yellow eyes, geralt of rivia, standing behind, arms around waist, hugging from behind, kissing neck, neck kiss, embrace, romantic, eyes closed, blush, head tilt back, from side, cowboy shot, profile, looking at another, hands on stomach, tall male, muscular, armor, gloves, shoulder-length white hair tied back, outdoors, golden hour, warm light, soft atmosphere, intimate, tender, in love From the side, a cowboy-shot view catches the two of them standing together in a sunlit meadow at golden hour. In the midground, a woman with orange hair twisted into two round buns stands with her back pressed against the chest of a tall, broad-shouldered man behind her. She wears a long, flowing cream-colored cotton dress with a scoop neckline, the fabric draping from her shoulders down past her hips, emphasizing her large breasts and full, curvy hourglass figure with wide hips and thick thighs. Her green eyes are half-lidded, gazing softly off to the side, lips slightly parted in a faint, content smile, a warm blush on her cheeks. Her right hand rests over his forearm where it crosses her stomach, fingers curled lightly over the leather of his glove. Behind her, the white-haired man leans down, his long white hair falling forward over his shoulder, his bearded jaw pressing to the curve of her neck in a lingering kiss, eyes closed. His muscular arms wrap fully around her midsection, hands clasped at her stomach, fingers laced. He wears dark leather armor with metal studs, a sword hilt visible over his shoulder. The low sun comes from behind them, backlighting the scene, rim light catching the edges of her hair and the curve of his shoulder, casting long shadows across the grass. The meadow stretches into a soft, blurred background of wildflowers and tall grass, warm amber and gold tones. A single variable detail: the fabric of her dress bunches and pulls taut where his arms press into her waist, the cotton creasing in folds that follow the tension of the embrace. The mood is tender, intimate, and deeply romantic.
Nov 3, 2026 11:08 PM
#The Witcher#Ciri#The Witcher 3: Wild Hunt
AI artwork
Avatar image of Kylee Violette (Kiy Chan)
character: geralt_of_rivia 2girls, aged woman, orange hair, single hair bun, green eyes, large breasts, curvy, wide hips, narrow waist, slim body, long fabric dress, cream dress, bare shoulders, witcher, geralt of rivia, white hair, long hair, beard, yellow eyes, armor, gloves, standing, embracing from behind, kiss on neck, neck kiss, eyes closed, from side, profile, cowboy shot, warm interior light, looking at another, relaxed expression, intimate, orange hair in single hair bun, green eyes, aged woman, long fabric dress, large breasts, curvy body with a bit of slimness, two subjects, neck kiss from behind, arms wrapped around her waist Seen in profile from the side, the frame holds two figures: in front, an aged woman stands with her weight settled on her back leg, her chin lifted and her head tilted slightly away from the lens so her throat opens in a clean line; her orange hair is gathered into a single bun at the back of her head, the loose strands at her temple catching the light, and her green eyes are dropped half closed, aimed at nothing in the middle distance. Her figure reads full through the bust and hips with a narrow waist, a touch of wiry slimness in the arms and shoulders, and she wears a long cream fabric dress of soft cotton, the bodice fitted to her large chest and the skirt falling in loose folds past her hips to the floor, the fabric bunching where her hips sway and a few creases drawn taut across the small of her back. Behind her, taller and broader, a white-haired man with a short beard and yellow eyes presses close along her back; his gloved hands come around her waist and rest flat on the fabric at her stomach, his armored chest against her shoulder blades, and his face is buried at the crook of her neck, lips pressed to the skin below her ear, his jaw shifted as he kisses, one strand of his long white hair fallen forward over her shoulder. Her own hand lifts to brush the back of his neck, fingers curling into the hair there. The light comes from a single lamp low and to the left, warm and amber, laying a bright edge down her throat and his cheek and leaving the far side of both bodies in deep shadow. The background is a dark, softly out-of-focus room of wooden walls and shadowed fabric, emptied of clutter. Quiet, tender.
Nov 3, 2026 11:08 PM
#The Witcher#Ciri#The Witcher 3: Wild Hunt
AI artwork
Avatar image of Kylee Violette (Kiy Chan)
1 dog, great dane, large dog, fawn coat, black mask on muzzle, sitting on ground, sitting, happy, open mouth, panting, tongue out, dog smile, ears perked, looking at viewer, head tilt, from below, low angle, close-up, three-quarter view, grass ground, daylight, soft clouds The camera sits low, below the dog's chin, looking up, so the Great Dane fills the frame from three-quarter front: a huge fawn body dropped square onto its haunches on short summer grass, hind legs splayed slightly wide for balance, front legs straight and planted, heavy paws flat on the turf, the black mask of its muzzle and the dark rims of its eyes reading clearly against the pale fawn of its skull and chest. The thick neck is lifted, the big head tilted just off vertical toward the light, ears pricked and angled forward, eyes fixed on the viewer with a bright, uncomplicated stare; the jaw is open in a loose happy pant, a soft pink tongue lolling slightly to one side over the lower lip, the corners of the mouth drawn back into a wide canine grin, a damp sheen on the nose leather. Warm afternoon sun comes from low off-frame right, rimming the edge of one ear and the top of the shoulders in pale gold, dropping the far cheek, the under-jaw and the grass beneath the chest into a cool grey shadow, the cast shadow pooling short and soft behind the forepaws. A slight breeze lifts a few strands of loose grass and stirs the loose folds of skin at the neck. Behind the dog, a soft out-of-focus field of green and pale sky, no clutter. Palette: warm fawn and golden grass against cool blue-grey shadow, with the black mask as the darkest anchor. Tag run: 1 dog, great dane, large dog, fawn, black mask, sitting, on ground, happy, panting, tongue out, open mouth, dog smile, ears up, head tilt, looking at viewer, from below, close-up, grass, sunlight, soft focus background, warm palette
Nov 3, 2026 11:08 PM
AI artwork
Avatar image of Kylee Violette (Kiy Chan)
1great dane, dog, solo, animal focus, fawn coat, short sleek fur, black mask on muzzle, cropped upright ears, deep chest, long slender legs, large paws, tall lean frame, standing on one hind leg, rearing up, hind paws planted on ground, forepaws on ledge, front paws resting on windowsill, head tilted down, looking down, from below, low angle, worm's-eye view, cowboy shot, tall narrow wall, warm afternoon sunlight, long cast shadow, tongue out, :d, open mouth, panting, collar with brass tag, window box, red geraniums, tail curled up, sunlight rim light on chest, bright warm palette, shallow depth of field, lively, heroic Seen from a low worm's-eye angle close to the base of a sun-warmed plaster wall, a single massive Great Dane rears up on his hind legs, both hind paws planted firmly on the cracked pavement while his two forepaws are planted flat on a wooden windowsill at chest height, claws just over the lip of the sill. His deep chest broadens toward the camera as he stretches up, long slender legs taut, spine curved into a slight arc, tail lifted and curling at the tip. His head is tilted down and to one side, muzzle dipped toward the windowsill, dark eyes fixed on the red geraniums in the window box a hand's width from his nose; his tongue lolls out of the open mouth in a loose happy pant and one ear swivels slightly out of true. A plain leather collar sits high on his neck with a small brass tag catching the light. Warm low afternoon sun rakes in from the right, striking the pale fawn flank and the underside of his jaw, throwing a hard-edged shadow of his rearing body back across the wall and pavement to the left; the windowsill's shadow line cuts across his forelegs. The palette is warm fawn, sun-bleached plaster cream, geranium red and leaf green against a deep cool shadow. The low camera makes the dog tower and the wall run up out of frame, the pavement filling the foreground bottom edge with a scatter of fallen petals and a thin dark water stain running along the sill's underside. Lively, heroic.
Nov 3, 2026 11:08 PM
AI artwork
Avatar image of Kylee Violette (Kiy Chan)
1girl, solo, beautiful woman, adult, silver hair, very long hair, wavy hair, ponytail, extremely long ponytail, red eyes, vertical slit pupils, slit pupils, curvy, large breasts, wide hips, thick thighs, narrow waist, hourglass figure, one-shoulder dress, asymmetric dress, bare shoulders, looking at own hand, hand turning into stardust, dissolving hand, particles, glowing particles, floating, floating upward, outstretched arm, from side, profile, close-up, dutch angle, head tilt, wide-eyed, parted lips, half-closed eyes, from above, night, dark background, volumetric light, rim light, backlight, A dramatic three-quarter close-up from slightly above and to her side, tilted a few degrees off level, so the frame holds her from mid-thigh to the crown of her head. She stands turned in profile to the right of frame, her torso angled away from the camera and her head tipped down and forward — chin low, the long fall of her throat exposed — as she follows the thing happening at the end of her own arm. Her right arm is lifted and extended in front of her chest, elbow bent, wrist turned so the back of her hand faces her; her left arm hangs slack against her hip, fingers curled loosely, forgotten. She is caught mid-turn, weight settled onto her back leg so that one hip pushes out and the other drops, and the one-shoulder gown cuts a single diagonal band across her upper body: the fabric climbs over her far shoulder and leaves the near shoulder and the whole slope of that shoulder bare, then pulls snug across her large breasts and gathers at the narrow waist before it pours down her hips in heavy folds that trail out of the bottom of the frame. The gown is deep indigo-violet, matte, faintly dusty at the hem. Her silver hair is the longest thing in the picture: gathered high at the back of her head into one immense wavy ponytail that falls past her waist and coils out to the side of the frame, its loose S-waves catching the backlight so the crests read almost white and the troughs drop to a cool grey-blue; it sways back and away from her shoulders as if she has only just turned, and the fine hairs at her nape and temples lift free of the mass. Her face is turned three-quarters away from the lens, cheek and jaw in profile. Her red eyes are wide open, irises a deep blood-crimson lit from within at the rim, and each is cut by a tall black vertical slit pupil; the lids are lifted, the lower lid tense, so the look is not fear but stunned, rapt attention. Her lips are parted on a breath she has not finished taking, one corner pulled slightly higher than the other. Where her hand used to be, the transformation is happening and it is travelling: the fingertips and knuckles have already gone, and the back of her hand is breaking apart into fine glittering motes that lift off the skin in a slow column — each grain drawn upward and slightly back toward her face, so a thin rising ribbon of sparks climbs out of the ruined edge of her wrist and drifts above her fingers. The edge of the change is warm — a soft gold-amber line where the skin is still skin, the boundary soft and joined rather than cut, the last solid surface thinning into translucent flakes. Her own eyes are fixed exactly on that boundary; a few of the motes cross her line of sight and catch on her lashes, and one small spark hangs in the air an inch from her lower lip. The world behind her is near-black, a deep blue-violet dark with no visible horizon or walls, and she is lit from behind and above by one cool silver moon-like source that lays a bright rim along her silver ponytail, the curve of her bare shoulder, and the top edge of her breasts and hip, leaving the front of her body and the underside of the gown in deep shadow. A second, much weaker warm source rises from the stardust itself: the motes are the only warm colour in the frame and they throw a small gold pool of light up onto the underside of her chin, the inside of her lifted forearm, and the wet shine of her lower lip. Everything else is cold — silver, indigo, and the dark. The lifted dust grains are in sharp focus and bloom slightly; the great mass of her ponytail is softer at its far edge; the empty ground is a flat featureless deep gradient. Palette is exactly silver-white, deep indigo-violet, blood-red and a single warm gold, nothing else admitted. Sparse drifting particles only in the air directly over her hand, none elsewhere. Quiet, melancholy enchantment.
Nov 2, 2026 10:15 PM
AI artwork
Avatar image of Kylee Violette (Kiy Chan)
1girl, solo, silver hair, very long hair, wavy ponytail, high ponytail, red eyes, vertical slit pupils, slit pupils, beautiful woman, adult, curvy, large breasts, wide hips, thick thighs, one-shoulder gown, crimson silk gown, bare shoulders, bare right shoulder, bare arm, looking at hand, own hand, outstretched arm, palm up, hand turning into stardust, dissolving hand, glowing particles, stardust, sparkling, floating upward, from below, close-up, dutch angle, upper body, head tilted down, looking down, serious expression, parted lips, half-closed eyes, bare ears, no hair ornament, hair unadorned, night sky, dark background, chiaroscuro, rim light, volumetric light, dramatic lighting, From a low, tilted three-quarter angle looking up at her, the woman fills the frame from the waist up against a deep midnight-blue void, her face turned down toward her own raised right hand. Her very long silver hair is gathered high into a wavy ponytail that spills over her left shoulder and twists down past her waist, every wave catching a cold rim light along its outer edge while the inner strands fall into shadow; her ears are completely bare, with nothing at the lobes or in the hair. Her neck and right shoulder are uncovered above the deep crimson silk gown, whose single strap crosses only her left shoulder, the fabric pulled taut and gleaming in a narrow specular band across the bust before folding into soft shadow at the décolletage and cinching at a narrow waist. Her red eyes, each with a vertical slit pupil, are lowered and fixed on her right hand, which she holds out at chest height, palm turned upward and fingers just beginning to splay — the fingertips and the heel of the palm are already breaking apart into fine golden-white motes that stream upward past her face against the dark. Her left arm is bent, the hand resting at her waist, thumb hooked lightly against the silk. Light comes from the dissolving hand itself, a warm point source beneath her chin that lights the underside of her jaw, the inner rims of her collarbones and the curve of her lower lip while throwing her brow and the far side of her face into deep shadow; the only other light is a faint cool rim from behind that traces her ponytail. The air is otherwise empty and absolute, the particles the sole bright elements and the background swallowing everything else in near-black. Her expression is still and grave, lids low, lips slightly parted as if she is watching something leave her. Quiet awe, inevitable loss.
Nov 2, 2026 10:14 PM
#Edmond Dantès
AI artwork
Avatar image of Kylee Violette (Kiy Chan)
1girl, solo, silver hair, very long hair, wavy hair, high ponytail, flowing ponytail, red eyes, vertical slit pupils, slit pupils, beautiful makeup, eyeshadow, long eyelashes, glossy lips, mature female, curvy, large breasts, wide hips, narrow waist, hourglass figure, one-shoulder gown, midnight-blue satin gown, bare right shoulder, bare right arm, sleeveless, looking at hand, outstretched arm, palm up, hand dissolving, disintegrating hand, stardust, glowing particles, sparkles, floating particles, particles rising, from side, profile, cowboy shot, dark background, dramatic lighting, rim lighting, particle effects, ethereal, melancholic A three-quarter-turned view from her right side, camera at chest height and slightly below, so she is seen nearly in profile with her right shoulder forward and her face turned down toward her own raised hand. Her silver hair is the longest in the frame, a wavy mass gathered high at the back of her head and bound into a single ponytail that sweeps down past her hips with a slow S-curve, its loose waves catching a hard white rim light along their outer edge while the inner strands fall into cool shadow; a few short wisps escape at her temple and float free of the tie. Her weight rests on her left leg, the right knee bent and the hip pushed out, which throws the satin of the gown into a long diagonal fold across the thigh and stacks a soft ripple of fabric above the floor. The midnight-blue satin is cut on one shoulder: the left shoulder and left arm are covered by a broad satin strap, while the right shoulder and right arm emerge bare from the diagonal neckline, and the fabric pulls taut over her large breasts and narrows at the waist before flaring across her wide hips — the sheen of the satin runs brightest where the chest and hip curve toward the light and goes deep navy-black in the folds. Her makeup is fully realised: silver-lavender eyeshadow blended out to the brow, a fine dark liner flicked at the outer corner, long separated lashes, a sculpted blush along the cheekbone, and glossy deep-rose lips parted a fraction as she breathes. Her right arm is extended forward and slightly across her body at chest height, elbow softly bent, the wrist turned so her palm faces upward and her fingers are spread — she is looking at that hand, chin dipped, eyes angled down along her own arm so the red of her irises catches a thin line of light and the vertical slit pupils narrow against it. From the centre of that palm the hand is coming apart: the fingertips and the outer edge of the hand have already lost their solid edge and break into a drifting constellation of tiny luminous points, gold and pale silver, which rise in a slow column above her palm, tumbling and thinning as they climb and guttering out one by one before they reach her face. The dust is brightest at the exact place where skin stops and spark begins, and it lights the underside of her jaw, the bare slope of her right shoulder and the front of her collarbone from below with a faint warm glow that contradicts the cool rim light from behind — two lights, two temperatures, both accounted for. Her left hand hangs relaxed at her side, fingers loosely curled against the satin at her hip. Her expression is quiet and unafraid, brows slightly drawn, the corner of her mouth held still, the grief carried in the lowered lid rather than in any open display. The background is a closed, near-black void with no furniture and no horizon, only a soft deep-blue gradient falling away behind her and a faint haze where the rising particles thin out, so the figure and the glow read as the only lit things in the frame; the darkness beyond her rim light is absolute and no second light source appears anywhere. The composition is vertical and intimate, cropping at mid-thigh, with her raised dissolving hand placed just above the centre of the frame and the long ponytail sweeping down the right-hand third to balance it; the particles drift upward through the negative space above her palm. Palette restricted to silver-white, blood red, midnight blue and the warm gold of the dust. Ethereal, quietly devastating.
Nov 2, 2026 10:14 PM
AI artwork
Avatar image of Kylee Violette (Kiy Chan)
1girl, solo, silver hair, very long hair, wavy hair, ponytail, red eyes, slit pupils, vertical slit pupils, beautiful makeup, eyeshadow, eyeliner, lipstick, large breasts, curvy, wide hips, thick thighs, one-shoulder gown, asymmetrical dress, bare shoulder, looking at own hand, disintegrating, turning to dust, dust particles, floating dust, upward draft, outstretched arm, open hand, palm up, from side, profile, close-up, upper body, three-quarter view, standing, slight lean forward, parted lips, wide-eyed, half-closed eyes, solemn, dark background, single light source, volumetric light Profile three-quarter view from her left, camera close on her upper body so her outstretched left arm crosses the frame toward the lens, her open palm held up at chest height with fingers spread and slightly curled, the hand caught mid-disintegration: fingertips already broken into loose grains, the edges of her palm thinning into a translucent lace of skin that peels away in thin flakes and lifts. Grains of dust stream off her hand and rise diagonally upward in a slow current, drifting toward the top of the frame and catching the light one by one; larger flecks tumble, finer motes hang, and the smallest of them are only visible where they cross the beam. Her head is tilted down toward her palm, red eyes with narrow vertical slit pupils fixed on her own dissolving fingers, eyelids heavy, lips parted on a breath she has not let out, a faint crease between her brows. She wears a one-shoulder gown whose single strap crosses her right shoulder, the left shoulder and collarbone left bare, the fabric a deep wine satin that clings over her large breasts and nips at a narrow waist before flaring over wide hips; the hem of the sleeve opening at her wrist is already fraying into the same dust. Her very long wavy silver ponytail is tied high at the back of her head, the tail falling in loose waves past her shoulder and out of frame behind her, a few strands pulled forward across her bare shoulder by the updraft, the wave crests lit almost white while the undersides shade to cool grey. Her weight rests on her right hip, her right arm hanging relaxed at her side, and the shoulder line stays asymmetrical with the bare side slightly raised. Beautiful makeup is fully visible in profile: blended mauve shadow, a sharp dark liner flick, glossy dark-rose lips, a soft highlight along the cheekbone. Background is a near-black void with a faint cold haze, the only forms being a dim vertical edge far behind her; a single hard warm key light comes from high on her left, raking across her palm and the top of her bust, throwing the dust into bright relief while the right side of her face and body fall into deep shadow, and the grains cast tiny separate shadows that thin as they climb. Palette: silver-white, wine red, warm skin tones, and black. Silent, mournful.
Nov 2, 2026 10:14 PM
#Sakata Nemuno
AI artwork
Avatar image of Kylee Violette (Kiy Chan)
1girl, solo, very long hair, silver hair, wavy hair, high ponytail, ponytail, red eyes, slit pupils, vertical slit pupils, beautiful makeup, eyeshadow, eyeliner, glossy lips, curvy, large breasts, wide hips, thick thighs, hourglass figure, one-shoulder gown, midnight-blue silk gown, bare shoulder, looking at own hand, holding hand up, hand disintegrating, turning to dust, dust particles floating upward, from below, close-up, cowboy shot, depth of field, dutch angle, dramatic lighting, dark background, floating hair, parted lips, wide-eyed, awe, elegant, ethereal, cinematic A low-angle close-up shot from below, angled slightly off-axis, fixes on the woman's upper body and raised hand against a deep, featureless night void. Her very long, wavy silver ponytail, gathered high at the crown, spills down past her waist and trails off in slow, undulating waves around her shoulders, catching the light so the strands read as cool moonlight-white. Her face is turned in three-quarter view toward the camera but her gaze drops downward to her own outstretched right hand; her red irises are luminous, each pupil a thin vertical black slit, and her makeup is flawless and dramatic—deep charcoal shadow blended out to a wing of black liner, luminous highlighter along the cheekbone, lips a glossy dark-plum that catch the light. She wears a single-shoulder midnight-blue silk gown that drapes from her left shoulder, baring the right one entirely; the silk clings across her large breasts and cinches tight at the narrow waist before flaring over wide hips, the fabric's sheen tracing every curve. Her right arm is lifted and extended toward the camera, palm up, fingers curling slightly; from the fingertips inward, the hand is disintegrating, flesh and bone breaking into silver-grey dust that streams upward in a slow, luminous plume, each mote catching the light as it drifts toward the top of the frame. Her left arm hangs relaxed, fingers just brushing the gown at her hip. The expression is caught between wonder and quiet sorrow: brows drawn a fraction, lips parted on a held breath, one eye slightly narrower than the other as she watches the dust escape. The key light is a single hard source from upper left, cool-white, carving a bright edge along her jaw, shoulder, breast and the rising dust; shadows fall dense and blue-black on the right side of her face and body, and the blue silk throws a soft reflected glow onto her chest and the underside of her chin. Beyond her, the background is absolute darkness, unbroken save for the drifting dust, so the figure and the plume are the only lit things in the world. The palette is built from silver-white, deep midnight blue and warm skin tones, held over an absolute black ground. A small physics detail anchors it: each dust particle casts its own tiny shadowless glow, the plume brightest at the source fingers and fading to a fine glitter as it thins toward the top of the frame. Ethereal, mournful wonder.
Nov 2, 2026 10:14 PM
AI artwork
Avatar image of Kylee Violette (Kiy Chan)
1girl, solo, very long hair, silver hair, wavy hair, high ponytail, ponytail, red eyes, slit pupils, vertical slit pupils, beautiful makeup, eyeshadow, eyeliner, glossy lips, curvy, large breasts, wide hips, thick thighs, hourglass figure, one-shoulder gown, midnight-blue silk gown, bare shoulder, looking at own hand, holding hand up, hand disintegrating, turning to dust, dust particles floating upward, from below, close-up, cowboy shot, depth of field, dutch angle, dramatic lighting, dark background, floating hair, parted lips, wide-eyed, awe, elegant, ethereal, cinematic A low-angle close-up shot from below, angled slightly off-axis, fixes on the woman's upper body and raised hand against a deep, featureless night void. Her very long, wavy silver ponytail, gathered high at the crown, spills down past her waist and trails off in slow, undulating waves around her shoulders, catching the light so the strands read as cool moonlight-white. Her face is turned in three-quarter view toward the camera but her gaze drops downward to her own outstretched right hand; her red irises are luminous, each pupil a thin vertical black slit, and her makeup is flawless and dramatic—deep charcoal shadow blended out to a wing of black liner, luminous highlighter along the cheekbone, lips a glossy dark-plum that catch the light. She wears a single-shoulder midnight-blue silk gown that drapes from her left shoulder, baring the right one entirely; the silk clings across her large breasts and cinches tight at the narrow waist before flaring over wide hips, the fabric's sheen tracing every curve. Her right arm is lifted and extended toward the camera, palm up, fingers curling slightly; from the fingertips inward, the hand is disintegrating, flesh and bone breaking into silver-grey dust that streams upward in a slow, luminous plume, each mote catching the light as it drifts toward the top of the frame. Her left arm hangs relaxed, fingers just brushing the gown at her hip. The expression is caught between wonder and quiet sorrow: brows drawn a fraction, lips parted on a held breath, one eye slightly narrower than the other as she watches the dust escape. The key light is a single hard source from upper left, cool-white, carving a bright edge along her jaw, shoulder, breast and the rising dust; shadows fall dense and blue-black on the right side of her face and body, and the blue silk throws a soft reflected glow onto her chest and the underside of her chin. Beyond her, the background is absolute darkness, unbroken save for the drifting dust, so the figure and the plume are the only lit things in the world. The palette is built from silver-white, deep midnight blue and warm skin tones, held over an absolute black ground. A small physics detail anchors it: each dust particle casts its own tiny shadowless glow, the plume brightest at the source fingers and fading to a fine glitter as it thins toward the top of the frame. Ethereal, mournful wonder.
Nov 2, 2026 10:14 PM
AI artwork
Avatar image of Kylee Violette (Kiy Chan)
1girl, solo, very long hair, silver hair, wavy hair, high ponytail, ponytail, red eyes, slit pupils, vertical slit pupils, beautiful makeup, eyeshadow, eyeliner, glossy lips, curvy, large breasts, wide hips, thick thighs, hourglass figure, one-shoulder gown, midnight-blue silk gown, bare shoulder, looking at own hand, holding hand up, hand disintegrating, turning to dust, dust particles floating upward, from below, close-up, cowboy shot, depth of field, dutch angle, dramatic lighting, dark background, floating hair, parted lips, wide-eyed, awe, elegant, ethereal, cinematic A low-angle close-up shot from below, angled slightly off-axis, fixes on the woman's upper body and raised hand against a deep, featureless night void. Her very long, wavy silver ponytail, gathered high at the crown, spills down past her waist and trails off in slow, undulating waves around her shoulders, catching the light so the strands read as cool moonlight-white. Her face is turned in three-quarter view toward the camera but her gaze drops downward to her own outstretched right hand; her red irises are luminous, each pupil a thin vertical black slit, and her makeup is flawless and dramatic—deep charcoal shadow blended out to a wing of black liner, luminous highlighter along the cheekbone, lips a glossy dark-plum that catch the light. She wears a single-shoulder midnight-blue silk gown that drapes from her left shoulder, baring the right one entirely; the silk clings across her large breasts and cinches tight at the narrow waist before flaring over wide hips, the fabric's sheen tracing every curve. Her right arm is lifted and extended toward the camera, palm up, fingers curling slightly; from the fingertips inward, the hand is disintegrating, flesh and bone breaking into silver-grey dust that streams upward in a slow, luminous plume, each mote catching the light as it drifts toward the top of the frame. Her left arm hangs relaxed, fingers just brushing the gown at her hip. The expression is caught between wonder and quiet sorrow: brows drawn a fraction, lips parted on a held breath, one eye slightly narrower than the other as she watches the dust escape. The key light is a single hard source from upper left, cool-white, carving a bright edge along her jaw, shoulder, breast and the rising dust; shadows fall dense and blue-black on the right side of her face and body, and the blue silk throws a soft reflected glow onto her chest and the underside of her chin. Beyond her, the background is absolute darkness, unbroken save for the drifting dust, so the figure and the plume are the only lit things in the world. The palette is built from silver-white, deep midnight blue and warm skin tones, held over an absolute black ground. A small physics detail anchors it: each dust particle casts its own tiny shadowless glow, the plume brightest at the source fingers and fading to a fine glitter as it thins toward the top of the frame. Ethereal, mournful wonder.
Nov 2, 2026 10:14 PM
AI artwork
Avatar image of Kylee Violette (Kiy Chan)
1girl, solo, very long wavy silver ponytail, impossibly long hair, red eyes, vertical slit pupils, slit-pupil, beautiful makeup, eyeshadow, eyeliner, glossy lips, large breasts, curvy figure, wide hips, thick thighs, slim waist, one-shoulder gown, asymmetric dress, bare one shoulder, dissolving, body turning into sparkling dust, dust particles, sparkles, glittering motes, soft smile, sad expression, sorrowful eyes, farewell, from side, profile, from below, dutch angle, looking at viewer, half-closed eyes, grief, quiet sorrow, no text, From a low dutch angle she is seen in three-quarter profile, chin turned back over her near shoulder so her red slit-pupiled eyes meet the viewer from under lowered lids, one small sad smile on her lips. She stands alone at a slight weight shift, hips canted away from the camera, her far hand closed gently at her chest and her near arm slack at her side, every contact point closed: bare toes on the dark ground, the one gown strap over the far shoulder only so the near shoulder, collarbone and one full curve of her large chest are open to the light while the fabric clings downward over her waist, hips and thigh. Her impossibly long wavy silver ponytail lifts and unspools sideways as if a wind is taking it, the ends thinning to nothing. The dissolution begins at the hem and her near forearm and rises: the gown's edge, then her skirt, then the outer edge of one thigh break apart into a drifting cloud of fine shining dust, and the dust does not fall -- it rises, so the motes climb away from her and hang in the air in a slow spiral around her body, brightest where they peel off her, dim and far between where they scatter. Small sparks pop and glint inside the cloud, each a pinprick highlight on nothing, and the upward drift is the only evidence of the force taking her. A single warm white key light stands low and in front of her, raking up the front of her gown and throat, striking the wet shine of her lips and the tears held at the lower lash; a faint red bounce from her own eyes catches the inner corner of each socket. Behind her and above, the light fails entirely, and the darkness there is absolute except where the floating motes catch their own glints, thicker and brighter the closer they are to her skin, sparse in the deep background. Palette: cold silver hair, smoke-grey and pearl gown with faint lilac in its shadows, and against all of it the one saturated red of her irises, echoed in the pupils' thin black vertical line. Deep shadow swallows the ground beneath her feet so she seems to stand on the dark itself. Tender, aching farewell.
Nov 2, 2026 10:14 PM
AI artwork
Avatar image of Kylee Violette (Kiy Chan)
sole female, 1girl, adult woman, very long silver hair, wavy ponytail, high ponytail, silver hair flowing and drifting, red eyes, vertical slit pupils, slit pupils, beautiful face, elegant makeup, dark eyeliner, soft eyeshadow, glossy lips, curvy, large breasts, wide hips, narrow waist, hourglass figure, one-shoulder gown, asymmetric dress, bare shoulder, collarbone, sparkling dust, glowing particles, particle aura, light motes rising from skin, soft smile, closed-lip smile, sad expression, melancholy, farewell, emotional goodbye, looking at viewer, half-closed eyes, from below, cowboy shot, slight low angle, dramatic backlight, dark background, rim light, volumetric glow, portrait from a low angle, the woman fills the frame from mid-thigh to above her head, head tilted slightly down toward the camera so her gaze lands on the viewer with the weight of a last look; her weight rests on her right leg with the left hip eased out, the one-shoulder gown's bare shoulder on her left side catching the key light while the draped fabric crosses her chest and gathers at the opposite hip in soft folds; her long wavy silver ponytail is bound high at the back of her head and sweeps down past her shoulder in loose curling locks that lift and drift outward as if in a slow breeze, catching the light in pale ribbons; her red eyes with vertical slit pupils are half-lidded and gleaming, a faint wetness at the lower lash line, dark lashes and a soft smoky shadow framing them, glossy tinted lips parted into a small closed soft smile that is contradicted by the drawn inner brows and the sorrow pooling in her eyes; fine sparkling dust motes and tiny glints lift off her skin, her shoulders, her forearms and the hem of the gown, drifting upward and outward in a slow luminous cloud, each particle a pinprick of warm white-gold light against the darkness; the only light source is a soft cool rim light from behind and above her left shoulder that outlines the silver hair and the bare shoulder in a bright edge, with a faint warm fill on her face, so that the background beyond her falls into near-total darkness and the glow of escaping particles is the brightest thing in the lower frame; palette restricted to silver-white, deep charcoal black, the warm gold of the dust, and the single deep red of her eyes and lips; the dress is a dark muted tone with a subtle sheen, its fabric smooth and heavy; the mood is a quiet, tender, heartbreaking farewell.
Nov 2, 2026 10:14 PM
SebelumnyaSeterusnya
Laman UtamaModelJanaRecipeProfil