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榊原久就

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AI artwork
Avatar image of 榊原久就
1girl, solo, teen, teenage, teenager, junior high school student, aono miki, fresh pretty cure!, blue leather jacket, blue leather pants, lowleg pants, tight pants, long hair, purple hair, purple eyes, white hairband, blush, :d, cowboy shot, best quality, masterpiece, cinematic shadows, anime coloring, anime art, anime style, anime screencap, anime screenshot, official coloring, official style, official art, high quality, ultra-detailed, 8k, HD, High-resolution, excellent quality, ultimate masterpiece, no flaws, superb detail, very aesthetic, hyper-detailed, 100-layer, amazing quality, excellent, {{{{ultra-high resolution}}}}, {{{hi-vision anime}}}, super fine illustration, shiny skin, detailed skin, smoothy skin, iridescent skin, an extremely cute and beautiful, blurry background, indoors, locker room, stretching, legs apart, contrapposto, dynamic pose, dynamic move, elegant pose, stylish pose, motion lines, motion blur, from side, dutch angle
Nov 3, 2026 3:03 PM
AI artwork
Avatar image of 榊原久就
1girl, solo, teen, teenage, teenager, junior high school student, aono miki, fresh pretty cure!, blue leather jacket, blue leather pants, lowleg pants, tight pants, long hair, purple hair, purple eyes, white hairband, blush, :d, cowboy shot, best quality, masterpiece, cinematic shadows, anime coloring, anime art, anime style, anime screencap, anime screenshot, official coloring, official style, official art, high quality, ultra-detailed, 8k, HD, High-resolution, excellent quality, ultimate masterpiece, no flaws, superb detail, very aesthetic, hyper-detailed, 100-layer, amazing quality, excellent, {{{{ultra-high resolution}}}}, {{{hi-vision anime}}}, super fine illustration, shiny skin, detailed skin, smoothy skin, iridescent skin, an extremely cute and beautiful, blurry background, indoors, locker room, stretching, legs apart, contrapposto, dynamic pose, dynamic move, elegant pose, stylish pose, motion lines, motion blur, from side, dutch angle
Nov 3, 2026 3:03 PM
AI artwork
Avatar image of 榊原久就
1girl, solo, teen, teenage, teenager, junior high school student, aono miki, fresh pretty cure!, blue leather jacket, blue leather pants, lowleg pants, tight pants, long hair, purple hair, purple eyes, white hairband, blush, :d, cowboy shot, best quality, masterpiece, cinematic shadows, anime coloring, anime art, anime style, anime screencap, anime screenshot, official coloring, official style, official art, high quality, ultra-detailed, 8k, HD, High-resolution, excellent quality, ultimate masterpiece, no flaws, superb detail, very aesthetic, hyper-detailed, 100-layer, amazing quality, excellent, {{{{ultra-high resolution}}}}, {{{hi-vision anime}}}, super fine illustration, shiny skin, detailed skin, smoothy skin, iridescent skin, an extremely cute and beautiful, blurry background, indoors, locker room, stretching, legs apart, contrapposto, dynamic pose, dynamic move, elegant pose, stylish pose, motion lines, motion blur, from side, dutch angle
Nov 3, 2026 3:03 PM
AI artwork
Avatar image of 榊原久就
1girl, solo, teen, teenage, teenager, junior high school student, aono miki, fresh pretty cure!, blue leather jacket, blue leather pants, lowleg pants, tight pants, long hair, purple hair, purple eyes, white hairband, blush, :d, cowboy shot, best quality, masterpiece, cinematic shadows, anime coloring, anime art, anime style, anime screencap, anime screenshot, official coloring, official style, official art, high quality, ultra-detailed, 8k, HD, High-resolution, excellent quality, ultimate masterpiece, no flaws, superb detail, very aesthetic, hyper-detailed, 100-layer, amazing quality, excellent, {{{{ultra-high resolution}}}}, {{{hi-vision anime}}}, super fine illustration, shiny skin, detailed skin, smoothy skin, iridescent skin, an extremely cute and beautiful, blurry background, indoors, locker room, stretching, legs apart, contrapposto, dynamic pose, dynamic move, elegant pose, stylish pose, motion lines, motion blur, from side, dutch angle
Nov 3, 2026 3:03 PM
AI artwork
Avatar image of 榊原久就
1girl, solo, aono miki\(fresh precure!\), fresh pretty cure! style, fresh precure! style, 14 years old, teen, teenage, teenager, junior high school student, blue jacket, blue pants, lowleg pants, tight pants, cowboy shot, best quality, masterpiece, cinematic shadows, anime coloring, anime art, anime style, anime screencap, anime screenshot, official coloring, official style, official art, high quality, ultra-detailed, 8k, HD, High-resolution, excellent quality, ultimate masterpiece, no flaws, superb detail, very aesthetic, hyper-detailed, 100-layer, amazing quality, excellent, {{{{ultra-high resolution}}}}, {{{hi-vision anime}}}, super fine illustration, shiny skin, detailed skin, smoothy skin, iridescent skin, an extremely cute and beautiful, blurry background, indoors, locker room, stretching, legs apart, contrapposto, dynamic pose, dynamic move, elegant pose, stylish pose, motion lines, motion blur, from side, dutch angle, blush, :d, long hair, purple hair, purple eyes, white hairband
Nov 3, 2026 3:02 PM
AI artwork
Avatar image of 榊原久就
1girl, solo, aono miki\(fresh precure!\), fresh pretty cure! style, fresh precure! style, 14 years old, teen, teenage, teenager, junior high school student, blue jacket, blue pants, lowleg pants, tight pants, cowboy shot, best quality, masterpiece, cinematic shadows, anime coloring, anime art, anime style, anime screencap, anime screenshot, official coloring, official style, official art, high quality, ultra-detailed, 8k, HD, High-resolution, excellent quality, ultimate masterpiece, no flaws, superb detail, very aesthetic, hyper-detailed, 100-layer, amazing quality, excellent, {{{{ultra-high resolution}}}}, {{{hi-vision anime}}}, super fine illustration, shiny skin, detailed skin, smoothy skin, iridescent skin, an extremely cute and beautiful, blurry background, indoors, locker room, stretching, legs apart, contrapposto, dynamic pose, dynamic move, elegant pose, stylish pose, motion lines, motion blur, from side, dutch angle, blush, :d, long hair, purple hair, purple eyes, white hairband
Nov 3, 2026 3:01 PM
AI artwork
Avatar image of 榊原久就
1girl, solo, aono miki\(fresh precure!\), fresh pretty cure! style, fresh precure! style, 14 years old, teen, teenage, teenager, junior high school student, blue jacket, blue pants, lowleg pants, tight pants, cowboy shot, best quality, masterpiece, cinematic shadows, anime coloring, anime art, anime style, anime screencap, anime screenshot, official coloring, official style, official art, high quality, ultra-detailed, 8k, HD, High-resolution, excellent quality, ultimate masterpiece, no flaws, superb detail, very aesthetic, hyper-detailed, 100-layer, amazing quality, excellent, {{{{ultra-high resolution}}}}, {{{hi-vision anime}}}, super fine illustration, shiny skin, detailed skin, smoothy skin, iridescent skin, an extremely cute and beautiful, blurry background, indoors, locker room, stretching, legs apart, contrapposto, dynamic pose, dynamic move, elegant pose, stylish pose, motion lines, motion blur, from side, dutch angle, blush, :d, long hair, purple hair, purple eyes, white hairband
Nov 3, 2026 3:01 PM
AI artwork
Avatar image of 榊原久就
1girl, solo, aono miki\(fresh precure!\), fresh pretty cure! style, fresh precure! style, 14 years old, teen, teenage, teenager, junior high school student, blue jacket, blue pants, lowleg pants, tight pants, cowboy shot, best quality, masterpiece, cinematic shadows, anime coloring, anime art, anime style, anime screencap, anime screenshot, official coloring, official style, official art, high quality, ultra-detailed, 8k, HD, High-resolution, excellent quality, ultimate masterpiece, no flaws, superb detail, very aesthetic, hyper-detailed, 100-layer, amazing quality, excellent, {{{{ultra-high resolution}}}}, {{{hi-vision anime}}}, super fine illustration, shiny skin, detailed skin, smoothy skin, iridescent skin, an extremely cute and beautiful, blurry background, indoors, locker room, stretching, legs apart, contrapposto, dynamic pose, dynamic move, elegant pose, stylish pose, motion lines, motion blur, from side, dutch angle, blush, :d, long hair, purple hair, purple eyes, white hairband
Nov 3, 2026 3:01 PM
AI artwork
Avatar image of 榊原久就
14 years old, teen, teenage, teenager, junior high school student, naked, blue jacket, cleavage, open jacket, blue pants, lowleg pants, tight pants, cowboy shot, best quality, masterpiece, cinematic shadows, anime coloring, anime art, anime style, anime screencap, anime screenshot, official coloring, official style, official art, high quality, ultra-detailed, 8k, HD, High-resolution, excellent quality, ultimate masterpiece, no flaws, superb detail, very aesthetic, hyper-detailed, 100-layer, amazing quality, excellent, {{{{ultra-high resolution}}}}, {{{hi-vision anime}}}, super fine illustration, shiny skin, detailed skin, smoothy skin, iridescent skin, an extremely cute and beautiful, blurry background, indoors, locker room, stretching, legs apart, contrapposto, dynamic pose, dynamic move, elegant pose, stylish pose, motion lines, motion blur, from side, dutch angle, blush, :d, 1girl, solo, fresh pretty cure! style, fresh precure! style, aono miki\(fresh precure!\), long hair, purple hair, purple eyes, white hairband
Nov 3, 2026 2:52 PM
AI artwork
Avatar image of 榊原久就
14 years old, teen, teenage, teenager, junior high school student, naked, blue jacket, cleavage, open jacket, blue pants, lowleg pants, tight pants, cowboy shot, best quality, masterpiece, cinematic shadows, anime coloring, anime art, anime style, anime screencap, anime screenshot, official coloring, official style, official art, high quality, ultra-detailed, 8k, HD, High-resolution, excellent quality, ultimate masterpiece, no flaws, superb detail, very aesthetic, hyper-detailed, 100-layer, amazing quality, excellent, {{{{ultra-high resolution}}}}, {{{hi-vision anime}}}, super fine illustration, shiny skin, detailed skin, smoothy skin, iridescent skin, an extremely cute and beautiful, blurry background, indoors, locker room, stretching, legs apart, contrapposto, dynamic pose, dynamic move, elegant pose, stylish pose, motion lines, motion blur, from side, dutch angle, blush, :d, 1girl, solo, fresh pretty cure! style, fresh precure! style, aono miki\(fresh precure!\), long hair, purple hair, purple eyes, white hairband
Nov 3, 2026 2:52 PM
AI artwork
Avatar image of 榊原久就
soccer stadium, Kawasaki, futuristic technology, retractable translucent roof panels, holographic pitch-side display, LED perimeter boards, robotic camera rigs on overhead rails, autonomous delivery robots, aerial drone show, wide shot, from above, elevated corner view, night, neon green and deep blue palette, no people in foreground, crowd as distant texture, architectural visualization, clean sci-fi realism An elevated corner view from above the floodlight gantry looks down across a futuristic soccer stadium built beside the Tama River in Kawasaki, the camera set high enough that the full oval of the pitch opens into a clean geometric lens and the tiered stands rise away in concentric arcs. The field is a perfect rectangle of striped turf, freshly mown, its mower lines converging away from the near corner with true perspective; the white touchline curves slightly at the corners as real painted lines do, and the center circle holds a crisp painted emblem. Above the pitch, the retractable roof is half open: segmented translucent panels slide along exposed titanium ribs, and where the panels overlap they dim the floodlights into soft graded bands before the light falls clean and white onto the grass. An array of holographic pitch-side panels hovers just above the advertising boards along the far touchline, their projection light spilling in faint volumetric sheets onto the turf; the perimeter LED boards glow a saturated signal green that reflects along the wet sheen of the mown grass in long broken streaks. Overhead rails cross the roof trusses, and three robotic camera rigs hang from them at different depths, their lenses angled down toward the pitch, visibly closer in the foreground and reduced to small silhouettes deeper in the bowl. On the near sideline a line of low autonomous delivery robots rests in a neat row on their charging pads, one of them mid-return, its small wheels casting a single hard shadow. Higher still, above the open roof gap, a drone formation hovers in a loose grid, each drone a point of green light, and the whole grid reads as a shallow floating constellation against the deep blue night sky. The stands are packed, but the spectators are rendered only as dense texture: a granular sea of small lit faces and phone screens in the lower tiers, resolving into pure color banding in the upper decks, no individual figure singled out. Kawasaki's riverside skyline sits at the far edge beyond the roof opening -- a few lit towers, the faint arc of a bridge, and the black ribbon of the river catching the city glow. The palette is held strictly to signal green, deep navy blue and cool white light, with the titanium structure in neutral gray and the crowd a muted warm haze, nothing else admitted. The single-source physics that sells the scene: the floodlights strike only the open portion of the pitch, so the grass under the closed roof panels sits in cool blue shadow while the exposed turf glows green-white, a hard diagonal boundary between the two falling exactly along the roof's edge. Crisp, orderly, quietly spectacular.
Nov 2, 2026 7:46 AM
AI artwork
Avatar image of 榊原久就
soccer stadium, Kawasaki, futuristic technology, retractable translucent roof panels, holographic pitch-side display, LED perimeter boards, robotic camera rigs on overhead rails, autonomous delivery robots, aerial drone show, wide shot, from above, elevated corner view, night, neon green and deep blue palette, no people in foreground, crowd as distant texture, architectural visualization, clean sci-fi realism An elevated corner view from above the floodlight gantry looks down across a futuristic soccer stadium built beside the Tama River in Kawasaki, the camera set high enough that the full oval of the pitch opens into a clean geometric lens and the tiered stands rise away in concentric arcs. The field is a perfect rectangle of striped turf, freshly mown, its mower lines converging away from the near corner with true perspective; the white touchline curves slightly at the corners as real painted lines do, and the center circle holds a crisp painted emblem. Above the pitch, the retractable roof is half open: segmented translucent panels slide along exposed titanium ribs, and where the panels overlap they dim the floodlights into soft graded bands before the light falls clean and white onto the grass. An array of holographic pitch-side panels hovers just above the advertising boards along the far touchline, their projection light spilling in faint volumetric sheets onto the turf; the perimeter LED boards glow a saturated signal green that reflects along the wet sheen of the mown grass in long broken streaks. Overhead rails cross the roof trusses, and three robotic camera rigs hang from them at different depths, their lenses angled down toward the pitch, visibly closer in the foreground and reduced to small silhouettes deeper in the bowl. On the near sideline a line of low autonomous delivery robots rests in a neat row on their charging pads, one of them mid-return, its small wheels casting a single hard shadow. Higher still, above the open roof gap, a drone formation hovers in a loose grid, each drone a point of green light, and the whole grid reads as a shallow floating constellation against the deep blue night sky. The stands are packed, but the spectators are rendered only as dense texture: a granular sea of small lit faces and phone screens in the lower tiers, resolving into pure color banding in the upper decks, no individual figure singled out. Kawasaki's riverside skyline sits at the far edge beyond the roof opening -- a few lit towers, the faint arc of a bridge, and the black ribbon of the river catching the city glow. The palette is held strictly to signal green, deep navy blue and cool white light, with the titanium structure in neutral gray and the crowd a muted warm haze, nothing else admitted. The single-source physics that sells the scene: the floodlights strike only the open portion of the pitch, so the grass under the closed roof panels sits in cool blue shadow while the exposed turf glows green-white, a hard diagonal boundary between the two falling exactly along the roof's edge. Crisp, orderly, quietly spectacular.
Nov 2, 2026 7:46 AM
AI artwork
Avatar image of 榊原久就
soccer stadium, Kawasaki, futuristic technology, retractable translucent roof panels, holographic pitch-side display, LED perimeter boards, robotic camera rigs on overhead rails, autonomous delivery robots, aerial drone show, wide shot, from above, elevated corner view, night, neon green and deep blue palette, no people in foreground, crowd as distant texture, architectural visualization, clean sci-fi realism An elevated corner view from above the floodlight gantry looks down across a futuristic soccer stadium built beside the Tama River in Kawasaki, the camera set high enough that the full oval of the pitch opens into a clean geometric lens and the tiered stands rise away in concentric arcs. The field is a perfect rectangle of striped turf, freshly mown, its mower lines converging away from the near corner with true perspective; the white touchline curves slightly at the corners as real painted lines do, and the center circle holds a crisp painted emblem. Above the pitch, the retractable roof is half open: segmented translucent panels slide along exposed titanium ribs, and where the panels overlap they dim the floodlights into soft graded bands before the light falls clean and white onto the grass. An array of holographic pitch-side panels hovers just above the advertising boards along the far touchline, their projection light spilling in faint volumetric sheets onto the turf; the perimeter LED boards glow a saturated signal green that reflects along the wet sheen of the mown grass in long broken streaks. Overhead rails cross the roof trusses, and three robotic camera rigs hang from them at different depths, their lenses angled down toward the pitch, visibly closer in the foreground and reduced to small silhouettes deeper in the bowl. On the near sideline a line of low autonomous delivery robots rests in a neat row on their charging pads, one of them mid-return, its small wheels casting a single hard shadow. Higher still, above the open roof gap, a drone formation hovers in a loose grid, each drone a point of green light, and the whole grid reads as a shallow floating constellation against the deep blue night sky. The stands are packed, but the spectators are rendered only as dense texture: a granular sea of small lit faces and phone screens in the lower tiers, resolving into pure color banding in the upper decks, no individual figure singled out. Kawasaki's riverside skyline sits at the far edge beyond the roof opening -- a few lit towers, the faint arc of a bridge, and the black ribbon of the river catching the city glow. The palette is held strictly to signal green, deep navy blue and cool white light, with the titanium structure in neutral gray and the crowd a muted warm haze, nothing else admitted. The single-source physics that sells the scene: the floodlights strike only the open portion of the pitch, so the grass under the closed roof panels sits in cool blue shadow while the exposed turf glows green-white, a hard diagonal boundary between the two falling exactly along the roof's edge. Crisp, orderly, quietly spectacular.
Nov 2, 2026 7:46 AM
AI artwork
Avatar image of 榊原久就
soccer stadium, Kawasaki, futuristic technology, retractable translucent roof panels, holographic pitch-side display, LED perimeter boards, robotic camera rigs on overhead rails, autonomous delivery robots, aerial drone show, wide shot, from above, elevated corner view, night, neon green and deep blue palette, no people in foreground, crowd as distant texture, architectural visualization, clean sci-fi realism An elevated corner view from above the floodlight gantry looks down across a futuristic soccer stadium built beside the Tama River in Kawasaki, the camera set high enough that the full oval of the pitch opens into a clean geometric lens and the tiered stands rise away in concentric arcs. The field is a perfect rectangle of striped turf, freshly mown, its mower lines converging away from the near corner with true perspective; the white touchline curves slightly at the corners as real painted lines do, and the center circle holds a crisp painted emblem. Above the pitch, the retractable roof is half open: segmented translucent panels slide along exposed titanium ribs, and where the panels overlap they dim the floodlights into soft graded bands before the light falls clean and white onto the grass. An array of holographic pitch-side panels hovers just above the advertising boards along the far touchline, their projection light spilling in faint volumetric sheets onto the turf; the perimeter LED boards glow a saturated signal green that reflects along the wet sheen of the mown grass in long broken streaks. Overhead rails cross the roof trusses, and three robotic camera rigs hang from them at different depths, their lenses angled down toward the pitch, visibly closer in the foreground and reduced to small silhouettes deeper in the bowl. On the near sideline a line of low autonomous delivery robots rests in a neat row on their charging pads, one of them mid-return, its small wheels casting a single hard shadow. Higher still, above the open roof gap, a drone formation hovers in a loose grid, each drone a point of green light, and the whole grid reads as a shallow floating constellation against the deep blue night sky. The stands are packed, but the spectators are rendered only as dense texture: a granular sea of small lit faces and phone screens in the lower tiers, resolving into pure color banding in the upper decks, no individual figure singled out. Kawasaki's riverside skyline sits at the far edge beyond the roof opening -- a few lit towers, the faint arc of a bridge, and the black ribbon of the river catching the city glow. The palette is held strictly to signal green, deep navy blue and cool white light, with the titanium structure in neutral gray and the crowd a muted warm haze, nothing else admitted. The single-source physics that sells the scene: the floodlights strike only the open portion of the pitch, so the grass under the closed roof panels sits in cool blue shadow while the exposed turf glows green-white, a hard diagonal boundary between the two falling exactly along the roof's edge. Crisp, orderly, quietly spectacular.
Nov 2, 2026 7:46 AM
AI artwork
Avatar image of 榊原久就
baseball stadium, futuristic stadium, new technology, solar panel roof, drone, holographic scoreboard, robot groundskeeper, LED field line, empty stadium, no people, wide shot, from above, aerial view, symmetrical composition, dusk, floodlights, cool palette, architectural rendering, clean lines, still air, vast scale Seen from high above in a wide aerial shot, a baseball stadium built around new technology spreads out symmetrically, the diamond at its exact centre and the stands ringing it in clean concentric curves. The playing field is real turf and real dirt, mown into a faint mowing pattern, but its foul lines and batter's box are drawn in thin glowing LED strips set flush into the ground, holding a steady cool cyan instead of chalk. A ring of solar panels caps the roof of the upper deck all the way around, each panel tilted at the same angle toward the western sky. Two small quadcopter drones hover at fixed stations above the outfield, their little status lights blinking, one drifting a metre off its mark as if correcting position. Along the third-base line a squat wheeled robot groundskeeper drags a roller, leaving a fresh smoothed strip of infield dirt behind it that is visibly darker and moist against the drier grey of the untouched raked area. The scoreboard rises beyond the center-field wall as a floating holographic panel, a translucent sheet of light projecting player names and numerals in blocks that stay just short of legible, its glow bleeding faintly onto the grass below and onto the top edge of the wall. The stands are empty of people, seat after seat in neat rows, the only movement the drones and the robot. The sun has just dropped behind the third-base grandstand, so the sky overhead is a deep, even blue while a low warm band of afterglow sits along the roofline; the stadium's banks of floodlights are already lit, throwing bright pools down onto the diamond and leaving the upper tiers in shadow, and each of the four light towers casts a long soft shadow that converges toward the infield. Palette is held to cool blue, grey concrete, dark green turf, and the single cyan of the LED lines and the holographic board, with the afterglow's amber admitted only along one edge of the sky. Loose cables and antenna masts break the roof's perfect geometry just enough to read as a working installation rather than a model. Quiet, purposeful, quietly futuristic.
Nov 2, 2026 7:43 AM
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