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AI art "Sheryl"
Jana Secara Percuma

Sheryl

Avatar image of Galeon22
avatar-frame

Galeon22

Lebih Banyak untuk Dilihat

Komen

Di PixAI, prompt bersifat awam secara lalai, tetapi pencipta boleh menyembunyikannya pada mana-mana karya yang mereka terbitkan. Pencipta karya ini memilih untuk berbuat demikian, jadi perkataan yang digunakan untuk menjana imej ini kekal peribadi dan hanya penciptanya sahaja yang boleh melihatnya. Menyembunyikan prompt tidak mengubah apa-apa yang lain: karya ini masih awam, dan anda masih boleh menyukai, mengulas dan berkongsinya seperti biasa.
Disembunyikan oleh penulis

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Avatar image of 句点むら寿司
1girl, solo, full body, full-body shot, from below, dutch angle, long hair, blonde hair, wavy hair, hair flowing in the wind, large eyes, emerald eyes, green eyes, curvy, full bust, wide hips, soft body, thick thighs, smile, grin, wink, one eye closed, cheerful, open mouth, peace sign, v, hand up, arm up, one leg up, raised leg, knee bent, standing on one leg, dynamic pose, looking at viewer, white and teal costume, idol costume, long sleeves, teal cuff ribbons, high neckline, frilled collar, white frills, teal vest, white blouse, long skirt, layered skirt, teal skirt, white skirt, white tights, white boots, torn paper, paper tear, horizontal tear line, torn image, midriff cutout, chest cutout, white bra, white panties, underwear only, exposed navel, night, concert stage, stage lights, spotlight, lens flare, glowstick, audience silhouette, backlighting, rim light, depth of field, cinematic lighting, A full-body shot taken from a low, slightly tilted angle so the girl reads tall and buoyant against the stage haze. She is the single figure in frame, centered but not squared to the camera: her weight rides on her straight left leg, her right knee is lifted and bent, the right thigh swinging forward with the white boot hanging mid-air, toe pointed, and her right hand lifts a peace sign right beside her cheek, two fingers spread, palm turned toward the lens. Her left arm hangs relaxed with the elbow slightly back. Her head tilts a touch toward her raised hand; her right eye is squeezed shut in a cheerful wink, the left emerald-green eye wide and bright and aimed straight down the barrel of the lens under a lifted brow, her mouth open in a sunny grin. Long wavy blonde hair lifts and streams to her left in the stage draft, strands crossing her jaw and one lock swinging across the collar of her costume; the layered teal-and-white skirt swings out from the lifted knee, its hem rippling below the knees, and the white tights and boots catch the light along their front edges. Her costume fully covers her everywhere the image is intact: a high neckline ringed with soft white frills at the throat, a teal vest fitted over a white blouse, long white sleeves ending in teal ribbons tied at the cuffs, and the long layered teal-and-white skirt falling below the knees over white tights down into white boots. Then, in the same pose, unchanged and continuous -- the same lifted knee, the same peace sign, the same streaming hair -- the picture itself is torn: a ragged paper-tear line runs horizontally across the whole width of the image, passing through the center, its ripped white fibers and curled edges lying flat across the frame. Around her chest the tear opens a hole in the paper; around her hips a second torn-away patch crosses her waist. Inside those two ragged openings the paper is gone and so is the costume beneath it -- at the chest only a simple white bra, at the hips only plain white panties -- revealing a soft, curvy body with a full bust and wide hips and a bare midriff between the two tears. Her body lines up perfectly through the openings, the skin tones matching at every torn edge, so the intact and torn zones read as one continuous photograph with paper ripped off its surface; the curled white edges of the tears cast thin shadows onto the skin they uncover. Behind and below her: a night concert stage, deep near-black air, banks of spotlights on the rig above flaring into anamorphic lens flares across the top of the frame, cold teal beams cutting down at her shoulders and a warm white key raking her front so the blonde hair glows at its rim; the stage floor throws a long soft shadow back and to her right. Below the stage edge, an audience is a dark silhouette mass, hundreds of teal and white glow sticks waving as short bright streaks, their light bouncing a pale teal up onto the hem of her skirt and the underside of her chin. The palette is closed to teal, white, blonde gold and deep stage black, with the bare skin of the two torn openings the only other tone. Glow-stick reflection smears across the polished floor only where the beams strike it. Effortlessly bright, stage-lit pop.
句点むら寿司

Pengguna Disyorkan

Anda Mungkin Suka

AI artwork
Avatar image of Kani x
character: tenma_tsukasa "", , , digital illustration, cel shading, iridescent palette, pastel aesthetic, pastel colors, soft gradients, subtle color shifts, "painterly semi-realistic anime: faceted torn-glass shading, loose linework, warm golden rim light, lens-flare/prism edges, jewel or earthy palette, large gradient eyes, ornate vintage costuming, dynamic off-balance poses.", pastel_candy_style, dreamy pastel anime illustration, delicate soft lineart, luminous glossy eyes, gentle glowing lighting, glossy hair highlights, intricate frills and decorative details, tenma tsukasa, sitting on a pile of stars with a high angle, one hand over his eye, light reflecting off his face. darkness below but harsh light up ahead, hair swept back, looking up, side high angle, star theme, Tenma tsukasa looking up, dark themes""
Kani x
1#Hatsune Miku: Colorful Stage!#Tsukasa Tenma
AI artwork
Avatar image of リオ
character: kagamine_rin, copyright: vocaloid lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
リオ
18#Kagamine Rin#Vocaloid#Lofi Dream
AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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5#Attack on Titan#Mikasa Ackerman
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