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Di PixAI, prompt bersifat awam secara lalai, tetapi pencipta boleh menyembunyikannya pada mana-mana karya yang mereka terbitkan. Pencipta karya ini memilih untuk berbuat demikian, jadi perkataan yang digunakan untuk menjana imej ini kekal peribadi dan hanya penciptanya sahaja yang boleh melihatnya. Menyembunyikan prompt tidak mengubah apa-apa yang lain: karya ini masih awam, dan anda masih boleh menyukai, mengulas dan berkongsinya seperti biasa.
Disembunyikan oleh penulis
Model & LoRA yang digunakan
Imej Serupa
Papar lagi
喧嘩煙管
user-1610101924432587709
detailed illustration, realistic style, surrealism, hdr, high contrast, masterpiece, best quality, photorealistic, ultra realistic details, detailed skin, 8k wallpaper., ((Information-overloaded illustration style), High-density illustration, high-density lines, information overload, strong lines, Intricate decorations, ultimate details.), 【圖像生成提示詞｜日本古代暴風雪中的浪士與倒臥者】 Screen specifications: 16:9 landscape cinematic composition, ultra-realistic cinematic still style, full body shot, 8K ultra-high definition, cinematic photography, camera slightly zoomed out, shooting angle higher than shoulder level, extreme environmental detail, realistic physical lighting and shadow, historical period drama aesthetics.
I. Scene and Era
The background is a traditional Japanese residence and narrow road during the Edo period, daytime, with heavy snow falling. The scene is located on a road outside an old samurai residence in a castle town, surrounded by visible walls of samurai and commoner residences, traditional Japanese eaves, and snow-covered roofs. The ground is covered in white snow. Snow accumulates on the roof outlines. On the left side of the image is a residence wall extending diagonally, and on the right is a fork in the road, forming a T-junction. The roofs extend toward the center of the image, creating a narrow, enclosed T-shaped space with a sense of depth. The entire environment presents a desolate, oppressive, cold, quiet, and dangerous atmosphere; a fierce battle has taken place at the T-junction.
II. Character Configuration and Actions
Standing slightly toward the rear of the T-junction in the center of the image is a young, handsome masterless ronin, shown in full body, wearing dark, textured traditional samurai clothing. The clothing is primarily dark gray and gray, and he wears a Japanese bamboo hat (kasa) to shield against the wind and snow; the outer fabric is dusted with snowflakes due to the blizzard. The ronin is handsome, with a tall posture and an appearance and temperament similar to the protagonist Junichi Okada in the movie "The Fallen Camellias." His body is slightly turned to the left, and his feet stand steadily in the snow. The ronin's head is tilted upward toward the sky, with a calm and silent expression. The gray long-sleeved Japanese robes hang down near his calves, fluttering subtly and naturally in the cold wind. The ronin's left hand hangs naturally, and at his left waist, there is a short sword (wakizashi) and an empty scabbard, with no other redundant swords or scabbards. His right hand holds a katana. The blade is presented in a low-key, realistic manner. The posture is natural.
III. Centered on the ronin, on the snow-covered ground slightly away from him, four wounded (but still alive) assassins—also masterless ronin—are lying on the ground wearing Japanese bamboo hats and straw raincoats (mino). The ronin and the four assassins are all located within the T-junction; they are distributed irregularly across the snow in the left-rear, middle-left, and right-front areas of the image, lying prone or fallen in various directions. Because the ronin used exquisite swordsmanship to intentionally wound only their hands (without severing them), all four assassins are clutching their wounded right hands with their left hands, trembling in pain and struggling/rolling. Their katanas have all fallen aside, out of reach; they have no weapons in their hands. All characters wear traditional clothing consistent with ancient Japan, with plain fabrics and tailoring, with no modern clothing or equipment. The contact between characters and the ground must comply with real gravity and human anatomy, with clothing folding naturally and snow depressions forming where the bodies press into the ground. The assassins are in a state of having fallen after defeat, losing combat capability, trembling in pain, and rolling/struggling; do not use exaggerated gory details.
IV. The entire scene is filled with falling snow. A large amount of fine snowflakes of different sizes and clarity are distributed across the foreground, middle ground, and background. Foreground snowflakes are larger, some appearing soft and with motion blur due to proximity to the camera; middle ground snowflakes are densely crisscrossed; the background forms a thick gray-blue snow mist, causing buildings to gradually vanish into the snow. Side winds cause the snowflakes to fly in diagonal trajectories, with snow particles irregularly sweeping across the characters, eaves, and ground. The snow is scattered with the messy straw sandal prints of multiple people, and fine wind-erosion textures and uneven accumulation are visible on the snow surface; thick and thin layers of snow cling to wall corners, wooden pillars, and roof edges. The air is filled with damp, cold mist, and distant scenery appears slightly blurred due to the snow mist and low visibility, creating an extremely cold and isolated environment.
V. Camera position and composition use a fixed-position wide-screen cinematic lens, shooting the entire scene from a height slightly above the characters' shoulders. The lens faces the narrow road outside the Japanese residence, using the diagonal earthen wall on the left and the fork in the road with the samurai residence to form natural perspective lines, guiding the viewer's gaze to the standing samurai toward the rear of the T-junction in the center. The samurai is the primary visual focus. The fallen figures are distributed in the middle ground and foreground, creating layers from near to far. The bottom of the image retains a large area of white-gray snow, creating a strong light-dark contrast between the snow and the dark figures. The spatial representation utilizes a cinematic wide-angle lens of approximately 28–35mm to avoid overly exaggerated perspective distortion. The overall composition is steady and realistic, preserving the distance relationship between the architectural structures and the characters.
VI. Lighting, color, and exposure utilize low-light photography, with cold blue-gray as the primary tone. Overall colors include deep blue-gray, graphite gray, dark black, snow white-gray, and a small amount of low-saturation cold cyan. The image does not use bright lights, strong warm lights, or vivid colors. Faint environmental skylight scatters through the curtain of snow and open areas, forming soft, low-contrast cold reflections on the snow surface. Most of the characters' dark clothing and faces fall in shadow, with only a few outlines traced by weak environmental light. The overall exposure is slightly dark, with deep blacks that still retain details of the architecture and clothing. The image contains subtle film grain, low-light noise, and natural dark tones characteristic of real film stock, presenting a serious, heavy, and cold atmosphere of a Japanese historical costume movie.
VII. Materials and realistic details: ultra-realistic ancient Japanese architectural materials, walls, wood, traditional fabrics, and snow details. The snow has a natural soft texture, small ice crystals, and depressions formed after being stepped on. Dark clothing shows fiber texture, creases, damp marks, and the effect of clinging snowflakes. Eaves and walls show realistic surfaces. Character clothing conforms to the historical aesthetics of ancient Japanese samurai; no modern military uniforms, plastic materials, sci-fi armor, or fantasy game styles appear.
VIII. Overall style and quality requirements: Ultra-realistic Japanese period drama movie still, historical war movie aesthetics, Cinematic Historical Drama, Gritty Realism, Photorealistic, Natural Atmospheric Perspective, Low-Key Lighting, Cold Blue-Gray Color Grading, Volumetric Snowstorm, Authentic Japanese Architecture, Realistic Snow Accumulation, Subtle Film Grain, Deep Shadows, Natural Fabric Physics, Physically Accurate Lighting. The image should present the effect of a real camera filming in cold wind and snow, avoiding an illustrative, game CG, artificial synthesis, or over-sharpened feel.
Negative Prompts: low resolution, blurry subject, over-sharpened, over-denoised, plastic texture, cartoon style, anime style, illustration style, game CG, fantasy armor, sci-fi equipment, modern architecture, modern clothing, modern weapons, overly bright night scenes, unnatural blue halo, over-saturated, over-HDR, fake snow, repeating snowflake patterns, unreasonable snow structures, floating characters, incorrect human proportions, distorted limbs, extra hands or feet, duplicate characters, fused characters, incorrect perspective, overly gory, exaggerated wounds, text, subtitles, watermarks, logos, redundant swords.
MAD MAX
MAD MAX
水戸黄門＆暴れん坊将軍21
ビュコック
Pengguna Disyorkan
Anda Mungkin Suka
ᯓ★ ⚡ ♡ ᯓ★
(mai)
Winter joy in the snow
FriddaTiss
kyramisu
logos
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
Hu Tao
KanKan Matcha
Tilith, the Goddess of Magical Star
entrophee_E:
푸른 물결 속의 신비로운 소녀
조개
X-Ray • Verina
ichikiki
anime
𝚖𝚎𝚛𝚒𝚖𝚎𝚛𝚒
miku
𝚖𝚎𝚛𝚒𝚖𝚎𝚛𝚒
samsara asura
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
🧣🚉 🪐 ‧₊˚ ♡ ˚₊‧
(mai)
❄️Lolicia❄️
weirdcore...
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
HaruYuu 02
uzukun
reunited at last
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
₊˚⊹♡ 𝗯𝘂𝗻𝗻𝘆 𝗴𝗶𝗿𝗹 ♡⊹˚₊
●♡⃝ 𝓑𝓾𝓽𝓽𝓮𝓻𝓯𝓵𝔂•ʚїɞ.𝕏𝕠
...
Tofu
1
...
Tofu
1
₊˚ ꒰ᐢ. .ᐢ꒱ 🍓🍞 ✧
(mai)
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica
Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
Sg75
...
Tofu
이름
이름
1
Komen