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We can start again and again. ๐
Seni AI "We can start again and again. ๐" oleh Catroll di PixAI. Tag: Kulit gelap, Cawan, mata hitam, Kemeja, PixAINewYear2026. Dijana dengan RDXL Pixel Art.
Paparkan Parameter
- Saiz
- 768 x 1280
- Langkah Pensampelan
- 21
- Kaedah Pensampelan
- Euler a
- Skala CFG
- 5
- Negatif
- many people,logo, watermark, url, artistname, username, text, English text, bad quality, worst quality, worst detail, sketch, censor, mixed character, female, vagina, breasts, girly, feminine, bad anatomy, blurry, missing fingers,, nsfw
Model & LoRA yang digunakan
Imej Serupa
Papar lagi
1boy, brewster\(animal crossing\), animal crossing, gijinka, humanization, mature male, dark green hair, neatly parted hair, mustache, concentric ring pupils, tired lines, intense gaze, hyper-focused eyes, calm, serious, barista apron, crisp shirt, pouring hot water, gooseneck kettle, coffee dripper, steam, coffee, retro coffee shop background, warm moody lighting, flat cel-shading, sharp line art, clean line art, atmospheric, anime gijinka illustration, in the style of Kotoyama, dagill
Ex.mad
1boy, solo, adult male, muscular, dark brown hair, medium hair, shoulder-length hair, wavy hair, parted bangs, brown eyes, gold-rimmed glasses, black button-down shirt, sleeves rolled up, black apron, standing, smile, front view, cleaning a small rock glass, glass in left hand, handkerchief in right hand, holding glass, holding handkerchief, wiping, bar, bar interior, bottles on shelf, bottles of different liquors, liquor bottles behind counter, wooden counter, foreground counter, flat colors, defined shadows, sharp shadows, anime style, cinematic lighting, looking at viewer,
Front view, one man behind the wooden counter with the counter's edge running horizontally across the lower foreground, its top surface receding slightly back toward him. He stands square-shouldered but not stiff: weight settled on his right leg, left hip dropped a fraction, torso turned perhaps ten degrees left of dead-on so the apron's right-side embroidery faces the viewer. His left hand holds the small rock glass up at chest height, fingers curled under the thick base and thumb braced on the near facet; his right hand wraps the crumpled handkerchief around the outside of the glass, pressing it against the curved wall with the thumb driving in small circles -- mid-stroke, caught at the top of a wipe so the cloth bunches and wrinkles where it drags against the glass. The liquor inside is a shallow amber film, catching the light. His smile is a warm closed-lip one, one corner a little higher, cheeks lifting enough to push the gold rims slightly up the bridge of his nose; brown eyes look straight into the lens over the top edge of the glass. His shoulder-length dark brown wavy hair falls in loose S-curves past his jaw, parted bangs splitting slightly off-center and one lock hooking over the right temple of the glasses; the ends of the hair rest against his collar and move only a touch. The black button-down shirt is buttoned to near-collarbone, collar flat, sleeves rolled to just below the elbows in neat cuffs, revealing thick forearms with visible veins and muscle striation where the light rakes them; the shirt pulls taut at the chest and shoulders over the heavy build. The black apron hangs from the shoulders to just above the counter's plane, slightly stiffer black than the shirt, its ties visible at the waist, its fabric creased near the hips. On the right side of the apron, at chest height, the embroidered word "lustveil" in small lowercase thread, the letters raised and catching the key light along their loop stitches.
Behind him the back bar: two dark wooden shelves stacked with bottles of different liquors -- squat round rum bottles, tall slender liqueur bottles, square-Shouldered whisky bottles, a few with pale labels wiped illegible -- glass shoulders and necks throwing small crisp highlights. The wall behind is dark, mid-brown and deep red-brown tones. The shelves sit in shadow, lit only at their bottle tops.
Lighting is cinematic single-source: a warm key from the upper-left, roughly forty-five degrees, throws hard-edged highlights down the left side of his face, the rim of the glasses, the shoulder of the glass and the wet top of the bottles; sharp, defined shadows drop to the right of his jaw, under his chin, under the apron bib, and cast a hard diagonal band of darkness across the back shelf. The background falls into a muted deep brown; the counter's near edge is a pool of warm light with a few fine amber droplets and a faint ring where the glass sat earlier.
Palette: black, warm brown, dark amber and gold, with pale skin as the one bright mass against the dark room; flat cel colors with crisp two-tone shadow shapes, no gradients. Quiet, warm, effortlessly confident.
SilverArtist13
1boy, brewster\(animal crossing\), animal crossing, gijinka, humanization, mature male, dark green hair, neatly parted hair, mustache, concentric ring pupils, tired lines, intense gaze, hyper-focused eyes, calm, serious, barista apron, crisp shirt, pouring hot water, gooseneck kettle, coffee dripper, steam, coffee, retro coffee shop background, warm moody lighting, flat cel-shading, sharp line art, clean line art, atmospheric, anime gijinka illustration, in the style of Kotoyama, dagill
Ex.mad
1boy, solo, adult male, muscular, dark brown hair, medium hair, shoulder-length hair, wavy hair, parted bangs, brown eyes, gold-rimmed glasses, black button-down shirt, sleeves rolled up, black apron, standing, smile, front view, cleaning a small rock glass, glass in left hand, handkerchief in right hand, holding glass, holding handkerchief, wiping, bar, bar interior, bottles on shelf, bottles of different liquors, liquor bottles behind counter, wooden counter, foreground counter, flat colors, defined shadows, sharp shadows, anime style, cinematic lighting, looking at viewer,
Front view, one man behind the wooden counter with the counter's edge running horizontally across the lower foreground, its top surface receding slightly back toward him. He stands square-shouldered but not stiff: weight settled on his right leg, left hip dropped a fraction, torso turned perhaps ten degrees left of dead-on so the apron's right-side embroidery faces the viewer. His left hand holds the small rock glass up at chest height, fingers curled under the thick base and thumb braced on the near facet; his right hand wraps the crumpled handkerchief around the outside of the glass, pressing it against the curved wall with the thumb driving in small circles -- mid-stroke, caught at the top of a wipe so the cloth bunches and wrinkles where it drags against the glass. The liquor inside is a shallow amber film, catching the light. His smile is a warm closed-lip one, one corner a little higher, cheeks lifting enough to push the gold rims slightly up the bridge of his nose; brown eyes look straight into the lens over the top edge of the glass. His shoulder-length dark brown wavy hair falls in loose S-curves past his jaw, parted bangs splitting slightly off-center and one lock hooking over the right temple of the glasses; the ends of the hair rest against his collar and move only a touch. The black button-down shirt is buttoned to near-collarbone, collar flat, sleeves rolled to just below the elbows in neat cuffs, revealing thick forearms with visible veins and muscle striation where the light rakes them; the shirt pulls taut at the chest and shoulders over the heavy build. The black apron hangs from the shoulders to just above the counter's plane, slightly stiffer black than the shirt, its ties visible at the waist, its fabric creased near the hips. On the right side of the apron, at chest height, the embroidered word "lustveil" in small lowercase thread, the letters raised and catching the key light along their loop stitches.
Behind him the back bar: two dark wooden shelves stacked with bottles of different liquors -- squat round rum bottles, tall slender liqueur bottles, square-Shouldered whisky bottles, a few with pale labels wiped illegible -- glass shoulders and necks throwing small crisp highlights. The wall behind is dark, mid-brown and deep red-brown tones. The shelves sit in shadow, lit only at their bottle tops.
Lighting is cinematic single-source: a warm key from the upper-left, roughly forty-five degrees, throws hard-edged highlights down the left side of his face, the rim of the glasses, the shoulder of the glass and the wet top of the bottles; sharp, defined shadows drop to the right of his jaw, under his chin, under the apron bib, and cast a hard diagonal band of darkness across the back shelf. The background falls into a muted deep brown; the counter's near edge is a pool of warm light with a few fine amber droplets and a faint ring where the glass sat earlier.
Palette: black, warm brown, dark amber and gold, with pale skin as the one bright mass against the dark room; flat cel colors with crisp two-tone shadow shapes, no gradients. Quiet, warm, effortlessly confident.
SilverArtist13
Pengguna Disyorkan
Anda Mungkin Suka
แฏโ
โก โก แฏโ
(mai)
Winter joy in the snow
FriddaTiss
kyramisu
8
logos
แฏแฏ ๐๐ค๐๐ค๐๐ก๐ช๐๐๐
Hu Tao
KanKan Matcha
Tilith, the Goddess of Magical Star
entrophee_E:
ํธ๋ฅธ ๋ฌผ๊ฒฐ ์์ ์ ๋น๋ก์ด ์๋
์กฐ๊ฐ
anime
๐๐๐๐๐๐๐๐
miku
๐๐๐๐๐๐๐๐
๐งฃ๐ ๐ช โงโห โก หโโง
(mai)
โ๏ธLoliciaโ๏ธ
weirdcore...
แฏแฏ ๐๐ค๐๐ค๐๐ก๐ช๐๐๐
reunited at last
แฏแฏ ๐๐ค๐๐ค๐๐ก๐ช๐๐๐
โหโนโก ๐ฏ๐๐ป๐ป๐ ๐ด๐ถ๐ฟ๐น โกโนหโ
โโกโ ๐๐พ๐ฝ๐ฝ๐ฎ๐ป๐ฏ๐ต๐โขสัษ.๐๐
...
Tofu
5
...
Tofu
2
โห ๊ฐแข. .แข๊ฑ ๐๐ โง
(mai)
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica
Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
ใชใช
Sg75
...
Tofu
์ด๋ฆ
์ด๋ฆ
2
...
Tofu
1
...
Tofu
3
the ballerina
แฏแฏ ๐๐ค๐๐ค๐๐ก๐ช๐๐๐
Komen