Train 1
Paparkan Parameter
- Prompt Asal
- A cinematic digital illustration of a couple locked in a passionate embrace against the weathered green steel of an antique locomotive, its riveted panels (textured with decades of oxidation and peeling paint) forming a monolithic backdrop. The woman’s long, cocoa-brown dress (woven with subtle herringbone texture) flows against the wind, her updo secured by pearl-tipped pins beneath a crimson cloche hat (felted wool catching the low-angle sunlight). The man’s beige military uniform (starched collar slightly frayed at the edges, brass buttons tarnished) strains as he pulls her waist flush against his hips, his lips meeting hers in a moment suspended between urgency and tenderness. The train’s single window reflects a distorted glimpse of the station’s arched ironwork behind them, its glass fogged with condensation. Environment: dawn’s cobalt light spills across the platform, mist curling around rivet-studded tracks, the air thick with the scent of coal and damp wool. Lighting: dramatic chiaroscuro from a concealed source left-frame, casting elongated shadows that emphasize the couple’s silhouettes against the train’s patinated surface. Camera: shallow depth of field (f/1.4), lens flare bleeding across the upper right quadrant, 85mm focal length for intimate compression. Style cues: Kodachrome film grain with muted saturation, Norman Rockwell’s compositional warmth, Egon Schiele’s expressive linework in the fabric folds.,flat illustration,shdl
- Saiz
- 1280 x 720
- Langkah Pensampelan
- 5
- Kaedah Pensampelan
- DPM++ SDE Karras
- Skala CFG
- 3
- Negatif
- (bad quality,worst quality,worst detail,bad, low quality, bad anatomy:1.2), ( polydactyly, extra digits, extra legs, bad hands, bad hand, bad fingers, fused fingers, missing finger, split fingers, fused arms, fused hands:1.5)
Komen2