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Makalala
Paparkan Parameter
- Prompt Asal
- 1animal, solo, no humans, Large Bird, Flightless Bird, Long Legs, full body
- Saiz
- 1688 x 2048
- Langkah Pensampelan
- 20
- Kaedah Pensampelan
- Euler a
- Skala CFG
- 5
- Negatif
- nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands
Model & LoRA yang digunakan
Imej Serupa
Papar lagi
たか
かゆ
mt
character reference sheet, front and back view, full body portrait, 1girl, solo, adult, mature female, anthro heron bird, exceptionally tall, thin graceful build, perky breasts, firm hips, slim legs, slate-blue and slate-gray feathers, long neck, prominent crest plume, narrow expressive gold eyes, long pointed beak, dark lavender near beak tip, elegant splayed feet, flowing high-collared tunic, layered shawl, tailored slacks, muted earth tones, understated silver jewelry, reading glasses on a chain, head turned slightly, light colored background, standing, from side, profile, arms at sides, looking to the side, cel shades, flat rendering, bright colors, high contrast
A character reference sheet on a smooth light warm-grey field, laid out as two full-body figures of the same woman standing side by side at the same scale, aligned along a shared invisible baseline: on the left the front view, square to the frame, and on the right the back view, turned a full half-turn away. Both are exceptionally tall — narrow through the shoulders, very long in the shin — a thin, graceful build with perky breasts cresting the tunic's chest panel and firm hips held high above slim legs. Slate-blue feathers darken to slate-gray along the outer arms and the backs of the hands, with a paler silvered throat; the long neck rises in a slow S, and a prominent crest plume sweeps back from the crown in three tapering blades, its tips curling slightly. The narrow gold eyes sit deep under a heavy brow line with a faint dark rim along the lid; the long pointed beak is bone-pale for most of its length and turns a hint of dark lavender in the last third before the tip. Her elegant splayed feet spread four long forward toes with a shorter hind toe on each foot, claw tips just touching the ground, the ankles high and thin.
In the front view her head is turned slightly to her left, so the beak cuts a diagonal across the collar and only one gold eye holds the viewer's line; the other slides off frame. Her right hand hangs loose with the fingers half-curled, her left rests flat against her thigh, and the weight sits entirely on the left leg with the right knee bent just enough to break the silhouette. The flowing high-collared tunic rises to the jaw in a soft standing band, buttons up the right side, and falls in an unbroken A-line past the hips, its hem lifting a little off the left shin; a layered shawl of two overlapping draped panels — a darker outer length and a lighter inner one — wraps the shoulders and hangs down her back in long soft folds. Tailored slacks, pressed to a crease, taper to the ankle. A thin silver chain loops across the tunic front and up to the rim of the reading glasses tucked at the collar, and a single small silver hoop sits in each ear, the only metal on her. In the back view the crest plume fans away from the camera, the shawl's two layers separate into distinct stepped edges down the spine, and the tunic's back seam runs straight between the shoulder blades; the chain disappears behind her neck, and one hand is visible at her side with the fingers relaxed.
Light comes from the upper left at a flat, even studio strength, casting a short soft shadow to the right of each foot and a narrow cast shadow under the tunic hem — no other shadows on the background. Palette confined to light warm grey field, slate blue, slate grey, muted earth tones of the cloth (ochre, umber, olive-grey), gold of the eyes, bone and lavender of the beak, and silver — nothing brighter. Behind and between the two figures, thin neutral layout rules and small illegible block labels sit as grey texture, never competing with the silhouettes. Crisp cel-shaded flats with hard shade edges and flat high-key color, quietly precise, editorial.
MasterThief64
a
solo, one animal, eagle, featherless, skinless, exposed raw flesh, exposed musculature, bare neck, exposed throat, visible trachea, no feathers, no plumage, bat-like wings, membranous wings, leathery wing membrane, stretched skin membrane between elongated wing fingers, wing membrane taut, pterosaur-like legs, digitigrade legs, long bony pterosaur hind limbs, elongated metatarsals, three-toed clawed feet, hooked eagle beak, sharp curved beak, eagle head, bared skull ridge, hollow-boned frame, sternum keel visible through flesh, concept art composition, design sheet, lateral spread-eagle layout, wings spread wide, from side, profile, three-quarter view, full body, whole specimen in frame, centered, vertical composition, plain neutral background, seamless off-white field, no environment, no scenery, anatomical study, thin construction lines, callout leader lines, structural layout, wet raw tissue sheen, tendon striation, capillary blush, cool grey membrane, warm raw musculature, desaturated anatomical palette, single diffuse overhead light, soft softbox falloff, clean ink linework, flat cel shading, quiet clinical precision, eerie anatomical beauty
A design-sheet concept piece on a completely empty off-white field: one eagle, seen in a lateral three-quarter view with its whole body inside the frame, wings spread wide and held level to the sides, its weight settled evenly on both pterosaur-like hind legs so the long metatarsals angle down and the three-toed clawed feet grip nothing but the flat ground plane. No feather covers it anywhere -- the whole surface is bare raw flesh, and the anatomy is laid open as if prepared for study. The eagle head keeps its hooked curved beak and its hard brow ridge over a raptor eye that looks slightly off to the left of the frame, past the viewer, unfocused and cold; the beak is the only keratin in the picture, hard and dark against the soft tissue. The neck carries no covering at all: the throat is open from chin to chest, the trachea standing out as a pale ribbed tube with the paired throat muscles and the carotid running beside it, every ring of cartilage readable, wet and glistening under the light. Between the long elongated wing fingers stretch bat-like membranes of thin leathery skin, translucent enough at the trailing edge that the light glows through them, faintly veined and faintly blushed with blood, drum-tight where the fingers pull them and slackening into small soft scallops at the free margins; the shoulder joint and the flight muscle mass above it show as striated red bundles under a thin film of fascia. The pterosaur-like hind legs are long, bony and digitigrade, the femur short and the metatarsals drawn out, the joints knobby, the toes tipped with curved claws; where the thighs join the body the flesh pulls into creases. The only light is a single broad diffuse source from directly above the specimen, laying a soft even falloff down the flanks, catching a wet specular highlight along the trachea and the crown of the head, and casting one low, soft-edged contact shadow that pools directly beneath the feet and nowhere else -- the field around it staying uniformly off-white and untouched. Palette stays desaturated and clinical: cool grey-pink membranes, warm raw red musculature, pale bone white of the throat tube, near-black beak and claws. Thin construction lines and a few leader lines radiate from shoulder, wing finger, ankle and trachea to the empty margin, anchoring the layout, with no lettering on them. Detail budget goes to the throat structures, the wing membrane's tension and translucency, and the joints of the legs. Quiet clinical precision, eerie anatomical beauty.
aaalingaaa
mt
character reference sheet, front view and back view, two views of the same character, 1girl, solo, full body portrait, light colored background, adult, mature female, anthro heron bird, exceptionally tall and thin, graceful angular build, long neck, prominent crest plume, slate-blue and slate-gray feathers, narrow eyes, gold eyes, long pointed beak, dark lavender beak tip, elegant splayed feet, perky breasts, firm hips, slim legs, head turned slightly, flowing high-collared tunic, layered shawls, tailored slacks, muted earth tones, understated silver jewelry, reading glasses on a chain, standing, arms at sides, side-by-side layout, cel shading, flat rendering, high contrast, bright colors, stylized comic style
A character reference sheet on a light, pale warm-grey field with no horizon and no scenery: two full-body views of the same adult anthro heron woman stand side by side, front view on the left and back view on the right, separated by a narrow vertical column of empty background. Both figures stand at the same height on an invisible baseline, scaled identically, so the sheet reads as one specimen drawn twice. She is exceptionally tall and thin — a long, graceful, angular frame with narrow shoulders, a long neck rising in a slow S curve, perky breasts sitting high on a slim ribcage, firm hips and long slim legs — and that vertical, attenuated silhouette is the same in both views, drawn with the same proportions and the same four-and-a-half-head neck-to-hip measure so the two figures compare cleanly. Her plumage is slate-blue on the crown, nape and the outer surfaces of the arms, deepening to slate-gray on the back, shoulders and the long flight-feather primaries that hang from her forearms, with a paler slate-gray breast and throat. A prominent crest plume sweeps back from the crown of her head in two long tapered feathers, tipping in a lighter slate tick; in the front view it lifts and curls slightly to her left, in the back view it lies back along the nape and reads as a clear separate silhouette. Her face is narrow and long, with narrow gold eyes set under a low brow ridge, an iris of warm metallic gold with a hard dark pupil, and a long pointed beak running straight from the brow with a hint of dark lavender washing the last third near the tip. Her head is turned slightly — in the front view her chin and beak angle some ten degrees to her right, so the beak crosses her cheek line and both gold eyes stay visible catching the light; in the back view the same three-quarter turn shows the edge of one gold eye and the curve of the beak past the jaw. Her feet are elegant splayed heron feet, three long forward toes spread wide and a short rear toe, slate-gray scaled with dark claws, planted flat and slightly apart.
She wears a flowing high-collared tunic in a muted olive-earth green, the collar standing upright to the base of her long neck and closing at the throat, the body of the tunic loose and long to mid-thigh, the sleeves wide and falling open at the wrist so the slate-blue forearm feathers and the hanging primaries emerge past the cuff. Over it, layered shawls in taupe and ochre are wrapped one over the other across her shoulders and upper chest, the taupe layer beneath, the ochre layer on top with its fringed edge hanging at a slight diagonal; the back view shows both shawl layers crossing and folding down her spine to a soft point between the shoulder blades. Tailored slate-brown slacks run from the hips to just above the ankle, cut narrow and clean with a crease down each leg, the hems stopping short of the scaled ankles. Understated silver jewelry: a thin silver chain at the base of the throat and a single small silver band on one long finger of each hand, nothing more. Reading glasses hang on a fine silver chain from her collar, the small round lenses resting on her upper chest in the front view and swinging back against the tunic front in the back view, the silver chain catching a thin highlight.
In the front view her weight sits on her left leg with the right knee softened, one hand loose at her side with the long fingers slightly curled, the other resting at the shawl's edge; her gold eyes look off to her right, past the frame, calm and appraising with a lowered upper lid. In the back view the same weight shift mirrors correctly, arms hanging with the wide tunic sleeves falling open, the crest plume and the shawl's fringed hem the only moving shapes. The light is a single soft, even studio source from the front upper left of the sheet: the left-hand figure's face and the lit side of her tunic take a gentle gradient, the right-hand figure is lit from her own upper left too, so both views share one lighting logic, and their short, soft contact shadows fall to the right of each pair of feet and stay small on the pale ground. The palette is held to slate-blue, slate-gray, olive, taupe, ochre and slate-brown against the light neutral field, with gold only in the eyes and silver only in the chain and ring. Cel-shaded flat rendering with bright, high-contrast hard-edged shadow shapes and crisp comic linework, the feathers drawn with clean overlapping feather shapes and the cloth with a few decisive fold strokes. Orderly, quietly elegant.
MasterThief64
Terokai lebih banyak
Pengguna Disyorkan
Anda Mungkin Suka
ᯓ★ ⚡ ♡ ᯓ★
(mai)
Winter joy in the snow
FriddaTiss
kyramisu
2
logos
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
Hu Tao
KanKan Matcha
Tilith, the Goddess of Magical Star
entrophee_E:
푸른 물결 속의 신비로운 소녀
조개
X-Ray • Verina
ichikiki
anime
𝚖𝚎𝚛𝚒𝚖𝚎𝚛𝚒
miku
𝚖𝚎𝚛𝚒𝚖𝚎𝚛𝚒
samsara asura
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
🧣🚉 🪐 ‧₊˚ ♡ ˚₊‧
(mai)
❄️Lolicia❄️
weirdcore...
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
HaruYuu 02
uzukun
reunited at last
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
₊˚⊹♡ 𝗯𝘂𝗻𝗻𝘆 𝗴𝗶𝗿𝗹 ♡⊹˚₊
●♡⃝ 𝓑𝓾𝓽𝓽𝓮𝓻𝓯𝓵𝔂•ʚїɞ.𝕏𝕠
...
Tofu
1
...
Tofu
2
₊˚ ꒰ᐢ. .ᐢ꒱ 🍓🍞 ✧
(mai)
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica
Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
Sg75
...
Tofu
이름
이름
1
Komen