@Ying
6
I feel captivated by the elegant princess in her shimmering pink gown and regal crown. Her graceful pose and delicate features truly enchant me—she exudes a fairy-tale charm I can't get enough of. If you love this enchanting look as much as I do, please like, follow, and leave a comment! Stay tuned for more fantasy princess scenes coming soon.
1girl, fairy queen dress, fairy good mother dress, low loose braid, rose gold sequin ribbons, fabric roses, floral wire, crystal pendant, pearl veil, structural tiara, pink glass flower, enameled leaves, double choker, crystal strands, floral applique, pearl drops, micro-crystals, floral brooches, pink satin bodice, beaded embroidery, pearl chains, pearl-toned organza, ruffles, dropped shoulders, pink taffeta ribbons, fabric flowers, crystal pendants, garlands, sheer organza sleeves, floral embroidery, 3D flower appliqués, pearl chains, crystal droplets, silk panels, pink satin, tulle underskirt, organza train, appliquéd lace, hanging garden, cinematic lighting, semi-realistic face, dynamic pose, sitting, white flowers, white lighting, complex background, amazing shading, artist:圆子-lin, nanoka-san style
Paparkan Parameter
- Prompt Asal
- fairy queen dress, fairy good mother dress. On the head, the hairstyle is a low, loose braid inspired by the photo of the braided ponytail: the hair is first slightly waved and pulled back, leaving strands gently flowing around the face; the braid incorporates rose gold sequin ribbons that are intertwined with the strands, small bouquets of fabric roses and floral wire (the same as the appliqués) are attached at regular intervals, and a dangling crystal pendant secures the center section, as in the hairstyle images. Above, a veil/pendant of fine pearls falls from a structural tiara—constructed as strands of pearls of different sizes that form subtle curtains over the forehead and sides, referencing the image of the mask with pearl chains—allowing the face to appear translucent beneath the pearly glow; the tiara is a silver-plated metal piece crafted with a translucent pink glass flower as its centerpiece, echoing the glass accessory in the reference, with small enameled leaves surrounding it. The neck and décolletage are adorned by the double choker seen in the photos: a choker of fine pearls intertwined with crystal strands and, in the center, a large floral applique in pink fabric with pearl drops and micro-crystals that hang in delicate fringes. This choker applique is paired with smaller floral brooches attached to the shoulders and neckline, creating continuity between the head, neck, and bust0. The body of the piece is constructed from the pink dress already photographed: the bust0 is a sculpted bodice in light pink satin, modeled in drapes that gather diagonally and are punctuated by beaded embroidery and pearl chains (as in the mannequin photo). Over the bodice, a light layer of pearl-toned organza forms ruffles at the neckline, cut to create the illusion of gently dropped shoulders—this section echoes the sketch design with long, flowing sleeves. From the center of the 0chest, a cascade of drapes and pearl strings descends down the side of the body: thin pink taffeta ribbons, sprays of fabric flowers, and crystal pendants interspersed, forming the same chains and garlands depicted in the reference dress. These garlands are also held together by small fabric "roses" that appear to sprout from the fabric, exactly like the embellishments that fall down the front of the mannequin. The sleeves are a separate element: loose, removable sleeves made of sheer organza with floral embroidery (directly inspired by the image of embroidered sleeves), voluminous at the arm and gathered at the cuffs with 3D flower appliqués. They fasten at the shoulder with invisible clasps, allowing the dress to work both bare-armed and with flowing sleeves. At the ends of the sleeves, small chains of pearls and beads0 with crystal droplets hang, imitating the long floral earrings of the references and adding a subtle sound to the movement. At the waist, a structural belt with a satin base and ornamental metallic details—recalling the metal skeleton of the leg design—holds up skirt segments and draped panels. The skirt is layered: above, draped silk and pink satin panels in diagonal cuts open to reveal an underskirt of pearly white tulle; below, a very long tulle and organza train (the mannequin's "train") extends in a fluid trail to the floor, with fine appliquéd lace edges that echo the hem of the original dress. Organza and rose flowers were sewn along the train and at the ends of the panels, as if a hanging garden had been attached to the fabric; pearls and beads0 cascade down, adding sparkle when the light hits them. St_水彩嘟嘟脸,Sst_淡雅美宣少女,柔甜厚涂,圆子-lin,圆子-lin style,cinematic lighting,semi-realistic face, dinaymic pose, sitting, white flowers, white lighting, complex_background, complex_background_games,NDAN_SBT,nanoka-san style,amazing shading,nanoka-san style,amazing shading,NDAN_SBT,St_水彩嘟嘟脸,Sst_淡雅美宣少女,柔甜厚涂,圆子-lin,圆子-lin style,cinematic lighting,semi-realistic face,
- Saiz
- 459 x 1024
- Langkah Pensampelan
- 20
- Kaedah Pensampelan
- Euler a
- Skala CFG
- 6
- Negatif
- nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands
Pembaikan Muka
Pembantu Prompt
