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AI art "近代版鶴の恩返し" featuring #berkaki ayam, #kaki, #kimono, #rambut pelbagai warna, #Sayap, #1 perempuan, #kimono putih and #Colored inner hair
Jana Secara Percuma

近代版鶴の恩返し

羽の生地は制作済み

#berkaki ayam#kaki#kimono#rambut pelbagai warna#Sayap#1 perempuan#kimono putih#Colored inner hair
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なななんと

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Komen

Anime illustration of great quality and best quality featuring a single young woman seated on a wooden chair in a traditional tatami mat room, captured in a medium shot from a slight low angle focusing on her thighs and sewing action. She has ultra-long hair with red streaks, adorned with red hair ornaments, wearing a white lace dress accented by a single red line detail, with enormous crane feathers dramatically sprouting from her back; her bare feet visible as her right foot presses down on the treadle board of a black antique foot-operated sewing machine positioned in front of her, left foot resting on the tatami, hands gripping the fabric under the needle, gaze intently fixed on the sewing machine. Soft sunlight streams through a window, illuminating floating white feathers in the air, with a square electric light hanging from the ceiling casting warm shadows. Detailed lace textures on the dress, intricate feather veins and soft plumage, polished wood grain on the chair and machine, woven tatami patterns, subtle dust motes in the light beams, serene and focused atmosphere with high contrast and intricate linework.
Paparkan Parameter
Prompt Asal
白いレースのドレスに赤のラインのワンポイント。背中からとても大きな鶴の羽が生える。赤い髪飾り。超ロングヘヤーに赤いメッシュ。黒のアンティークな足踏みミシン。下にはミシンを動かす板が付いている。右足をミシンの板に乗せる。木製の椅子に座る。畳の部屋。白い羽根が舞う。光が差し込む。天井に四角い電気がぶら下がっている。視線はミシン。裸足。太もも。
Mod
lite
Saiz
768 x 1280

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Tsubaki.2 - AI Model cover image

PixAI DiT.2

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Avatar image of 雨音
A medium shot from a low-angle perspective depicts a single girl in a seated kneeling pose, looking up toward a light source. The girl has long black hair tied into a side ponytail with a red ribbon and a small hair bell. Her eyes are closed gently, and her lips are slightly parted with a peaceful expression. She is wearing a white lace dress with delicate shoulder straps. Her hands are clasped together in a prayer position in front of her chest. The scene is set in a sacred space, with soft light descending from the ceiling and white feathers falling gracefully around her. The atmosphere is serene and divine, characterized by a bright, ethereal lighting palette and a clean anime illustration style.
雨音

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AI artwork
Avatar image of Kani x
character: tenma_tsukasa "", , , digital illustration, cel shading, iridescent palette, pastel aesthetic, pastel colors, soft gradients, subtle color shifts, "painterly semi-realistic anime: faceted torn-glass shading, loose linework, warm golden rim light, lens-flare/prism edges, jewel or earthy palette, large gradient eyes, ornate vintage costuming, dynamic off-balance poses.", pastel_candy_style, dreamy pastel anime illustration, delicate soft lineart, luminous glossy eyes, gentle glowing lighting, glossy hair highlights, intricate frills and decorative details, tenma tsukasa, sitting on a pile of stars with a high angle, one hand over his eye, light reflecting off his face. darkness below but harsh light up ahead, hair swept back, looking up, side high angle, star theme, Tenma tsukasa looking up, dark themes""
Kani x
3#Hatsune Miku: Colorful Stage!#Tsukasa Tenma
AI artwork
Avatar image of リオ
character: kagamine_rin, copyright: vocaloid lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
リオ
20#Kagamine Rin#Vocaloid#Lofi Dream
AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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6#Attack on Titan#Mikasa Ackerman
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