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Di PixAI, prompt bersifat awam secara lalai, tetapi pencipta boleh menyembunyikannya pada mana-mana karya yang mereka terbitkan. Pencipta karya ini memilih untuk berbuat demikian, jadi perkataan yang digunakan untuk menjana imej ini kekal peribadi dan hanya penciptanya sahaja yang boleh melihatnya. Menyembunyikan prompt tidak mengubah apa-apa yang lain: karya ini masih awam, dan anda masih boleh menyukai, mengulas dan berkongsinya seperti biasa.
Disembunyikan oleh penulis
Model & LoRA yang digunakan
![PE Anime Background / Landscapes [Style] - AI Model cover image](https://images-ng.pixai.art/images/thumb/cd5de4bd-45bd-439d-ab2c-90e8e8d03af3)
Imej Serupa
Papar lagi
fl
1 stickman, solo, black stickman, solid black silhouette, circular head, simple thin limbs, running, running toward viewer, sprinting mid-stride, arms pumping, legs extended in full stride, leaning forward into the wind, high speed motion blur, heavy blizzard, snowstorm, dense driving snow, whiteout, broken glass door, shattered glass panes, jagged glass shards, abandoned concrete building, concrete basement entrance, staircase descending, bare concrete wall, rebar, survival concept, minimal line art, monochrome, high contrast, black on white, dutch angle, from below, wide shot, dynamic composition, snow particles streaking, no text
The camera sits low and tilted a few degrees off level, looking up from ground level so the stickman towers and the concrete mass leans over him: a solid black stick figure with a perfect circular head, no face, no clothing, no fill detail beyond flat black, caught at the peak of a sprint — his torso pitched forward into the wind, front leg driving knee-high with the foot off the ground, back leg extended straight behind with only the toe touching down, both arms bent and pumping in opposition, one fist up near the chest, the other thrown back. His head is angled a touch down and forward, sightline fixed past the lens on the shattered doorway ahead of him, not at the viewer. Everything about him is smeared: a high-speed motion blur drags his trailing arm, back leg and the after-edge of his head into soft horizontal streaks, while the leading edges of his front knee, front shoulder and the crown of his head stay sharp — the blur runs along the direction of his travel only. The blizzard is drawn, not painted: dense diagonal hatching of white streaks and short dashes slanting from upper right to lower left across the entire frame, thicker and faster near the lens in the foreground so a few flakes pass as long white slashes in front of him, thinning into fine stipple where they pile against the building. The abandoned basement entrance fills the midground: a raw concrete wall with damp stains and exposed rebar ends, a wide door frame whose glass door has been smashed, the frame holding a fringe of jagged shards around empty blackness, splinters of glass scattered on the snow-dusted threshold step, a short flight of concrete steps leading down into the dark interior. The interior beyond the door is flat, absolute black — the only true void in a white frame. Light is a single flat, cold overcast wash from above and slightly behind the viewer, with no visible sun: it bleaches the snow field into the paper-white ground, throws no cast shadow, and leaves the stickman as pure unmodulated black with a hard rim where the snow behind him reads through the gap between his legs and under his pumping arm. Palette is strictly black and white with one value of cold blue-grey reserved for the concrete, the shadowed side of the door frame and the glass edges; nothing else is admitted. Detail budget goes to the stride silhouette and the glass fringe; the snow field and the upper wall stay almost empty so the blur streaks read. Stark, relentless.
Foxy Limbo
1 mirror, no humans, scenery, wide shot, from below, dutch angle, antique mirror, standing mirror, ornate wooden frame, cracked glass, frosted glass, frost, snow-covered ground, snowy field, fog, dusk, deep indigo and silver palette, reflective glass, reflection, dark room, empty room, glowing monitor, monitor glow, screen fading to black, slight motion blur, film grain, night, cold, eerie, melancholic, 16:9
A cinematic wide shot taken from low to the frozen ground and tilted a few degrees off level, so the tall standing mirror rises off-center to the right of frame, occupying barely a fifth of the picture while the field swallows the rest. The mirror is an antique full-length piece: a tall arched frame of dark carved wood gone silver-grey with rime, its feet sunk a hand's depth into the snow, standing alone with no wall, no post, nothing to lean on. The glass is crazed with cracks that branch from the lower left corner and hold a fine web of frost, thickest along the frame's inner lip and thinning toward the centre where the surface is still clear enough to see through. Everything the glass shows belongs to another place: a dark empty room behind it, bare floorboards receding into unlit corners, and a single digital screen standing on a low surface at the room's centre, its face a rectangle of pale cold light that fades from a bright edge on its left to near-black on its right, mid-dim, a faint rim of glow still clinging to the bezel. No winter field, no snow, no dusk sky appears in the glass; the reflection holds only that room and its dying screen. The pane's frost and cracks lie over the room like a second skin, so the screen's light breaks into thin bright threads wherever a crack crosses it. Around the mirror the field is featureless snow rolling to a fog bank that erases the horizon; the fog is densest at the left and lower edges and thins to a grey wash high in the frame, and the last dusk light sits low behind it as a band of dim indigo rather than any warm colour. The light in the scene comes from that dying dusk behind the fog and from the screen inside the glass, which throws a weak silver pool onto the snow at the mirror's base — brighter than the dusk, and visibly dimming toward the right side of the frame as the screen goes dark. Snow has settled only on the upward-facing surfaces: the top of the arched frame, the upper faces of its carving, the mirror's top edge, while the vertical faces and the glass itself stay swept clear. The palette is deep indigo in the sky, fog and snow shadow, and silver on the frost, the frame's rime and the screen's glow, with nothing warm admitted anywhere. Slight motion blur softens the falling snow and the far fog line; film grain sits over the whole frame, heaviest in the indigo shadows. Quiet dread, existential cold.
C9I
Cute girls, (color field painting):2.0
,clmnt2,clmnt2,
aps7676
fl
1 stickman, solo, black stickman, solid black silhouette, circular head, simple thin limbs, running, running toward viewer, sprinting mid-stride, arms pumping, legs extended in full stride, leaning forward into the wind, high speed motion blur, heavy blizzard, snowstorm, dense driving snow, whiteout, broken glass door, shattered glass panes, jagged glass shards, abandoned concrete building, concrete basement entrance, staircase descending, bare concrete wall, rebar, survival concept, minimal line art, monochrome, high contrast, black on white, dutch angle, from below, wide shot, dynamic composition, snow particles streaking, no text
The camera sits low and tilted a few degrees off level, looking up from ground level so the stickman towers and the concrete mass leans over him: a solid black stick figure with a perfect circular head, no face, no clothing, no fill detail beyond flat black, caught at the peak of a sprint — his torso pitched forward into the wind, front leg driving knee-high with the foot off the ground, back leg extended straight behind with only the toe touching down, both arms bent and pumping in opposition, one fist up near the chest, the other thrown back. His head is angled a touch down and forward, sightline fixed past the lens on the shattered doorway ahead of him, not at the viewer. Everything about him is smeared: a high-speed motion blur drags his trailing arm, back leg and the after-edge of his head into soft horizontal streaks, while the leading edges of his front knee, front shoulder and the crown of his head stay sharp — the blur runs along the direction of his travel only. The blizzard is drawn, not painted: dense diagonal hatching of white streaks and short dashes slanting from upper right to lower left across the entire frame, thicker and faster near the lens in the foreground so a few flakes pass as long white slashes in front of him, thinning into fine stipple where they pile against the building. The abandoned basement entrance fills the midground: a raw concrete wall with damp stains and exposed rebar ends, a wide door frame whose glass door has been smashed, the frame holding a fringe of jagged shards around empty blackness, splinters of glass scattered on the snow-dusted threshold step, a short flight of concrete steps leading down into the dark interior. The interior beyond the door is flat, absolute black — the only true void in a white frame. Light is a single flat, cold overcast wash from above and slightly behind the viewer, with no visible sun: it bleaches the snow field into the paper-white ground, throws no cast shadow, and leaves the stickman as pure unmodulated black with a hard rim where the snow behind him reads through the gap between his legs and under his pumping arm. Palette is strictly black and white with one value of cold blue-grey reserved for the concrete, the shadowed side of the door frame and the glass edges; nothing else is admitted. Detail budget goes to the stride silhouette and the glass fringe; the snow field and the upper wall stay almost empty so the blur streaks read. Stark, relentless.
Foxy Limbo
Pengguna Disyorkan
Anda Mungkin Suka
🖤🍴🩸
(mai)
detective anya and bond (˶>⩊<˶)
^( aricat )^
⋆⁺₊⋆🪞🕯️⋆⁺₊⋆
(mai)
Love live! School idol maid - Hanayo koizumi
AMnatsu
character: tenma_tsukasa
"", , , digital illustration, cel shading, iridescent palette, pastel aesthetic, pastel colors, soft gradients, subtle color shifts, "painterly semi-realistic anime: faceted torn-glass shading, loose linework, warm golden rim light, lens-flare/prism edges, jewel or earthy palette, large gradient eyes, ornate vintage costuming, dynamic off-balance poses.", pastel_candy_style, dreamy pastel anime illustration, delicate soft lineart, luminous glossy eyes, gentle glowing lighting, glossy hair highlights, intricate frills and decorative details, tenma tsukasa, sitting on a pile of stars with a high angle, one hand over his eye, light reflecting off his face. darkness below but harsh light up ahead, hair swept back, looking up, side high angle, star theme, Tenma tsukasa looking up, dark themes""
Kani x
yoimiya!
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
character: kagamine_rin, copyright: vocaloid
lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
リオ
໒꒱· ﾟ◼️
生魚2(Raw Fish 2)
✦ ₊ ⊹ 🌑
(mai)
🎵Surtur
helanx
✦ ₊ 🪞 🗝️ 🫧 ₊ ✦
(mai)
음안
character: eren_yeager, mikasa_ackerman
character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
Mine / 私のもの
みーちゃん
⋆𐙚 🎃 🫖 🍁 ✧
(mai)
![AI art "Ceres [41]"](https://images-ng.pixai.art/ji/thumb/0654320c-4126-41e2-b133-d4998b21982f)
Ceres [41]
snow
3
🩵🪽.⋆𝜗𝜚
生魚2(Raw Fish 2)
34
🌩️🐾(⸝⸝ᵕᴗᵕ⸝⸝)⛳️
(mai)
the queen
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
dz
Midnight Aesthetic: Monochrome Vibe
DxZ
The Empress of the Violet Abyss 👑💜
wisely
👻 💬 📂
(mai)
The Enchantress of the Violet Blossomsーシャンプー
moon221B
👁️🗨️🦇🗝️🕯️
(mai)
Halloween
生魚2(Raw Fish 2)
Komen