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AI art "DiT.2 Scenery LoRA Tests - Glasbrae in Spring"
Jana Secara Percuma

DiT.2 Scenery LoRA Tests - Glasbrae in Spring

#air#Langit#Luar ruangan#pemandangan#ladang#Alam semula jadi#Rumput#Pokok#awan#bunga#Tiada manusia#hutan#landskap#Bangunan#bukit#Siang#langit biru#langit mendung#Kaki langit#Semak
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Komen8

Landscapes, Scenery, Painting, British village, ((quaint little village)), ((edwardian era)), ((Early 20th century)), seaside community, scenery, British Moors, heathlands, moorland, windswept heath, lonely, no humans, heather flowers, ocean in background, coast, rocky cliffs, Landscapes, Scenery, Painting, anime illustration. great quality, best quality
Paparkan Parameter
Prompt Asal
British village, ((quaint little village)), ((edwardian era)), ((Early 20th century)), seaside community, scenery, British Moors, heathlands, moorland, windswept heath, lonely, no humans, heather flowers, ocean in background, coast, rocky cliffs, ,Landscapes, Scenery, Painting
Mod
standard
Tag Kualiti
(masterpiece:1.2), (best quality:1.2),, ﹝Arahan﹞, ((highly aesthetic)), ((painterly:1.5)), high resolution, newest, intricate details, absurdres
Saiz
1536 x 1152

Model & LoRA yang digunakan

Imej Serupa

Papar lagi
AI artwork
uy
no humans, no people, no figures, no animals, wide shot, landscape, village, nature, countryside, daytime, distant hills, fields, trees, dirt road, no text, no signage, no signage lettering, clear sky, soft light, from above, elevated viewpoint, atmospheric perspective, green and earth palette, empty landscape, untouched by people, stillness The image is a wide, elevated landscape seen from a hillside above the scene, looking down across a small rural village nested in folds of nature; nothing living moves anywhere in the frame. The camera sits high on the shoulder of a green slope in the foreground, whose grass and low shrubs occupy the lower third, their blades sharp and detailed and angled away from the light, then the land drops away into a shallow valley. Midground holds the village: a loose scatter of a dozen low houses with pitched roofs of weathered clay tile and dark timber, walls of pale plaster and bare plank, packed tight along a single curving dirt lane that enters from the left edge and bends out of sight behind a rise on the right; the lane's surface is rutted and dry, its edges softly furred with grass and small stones, and thin dust-grey wheel tracks run between the ruts. A low stone wall and a wooden fence line the lane, sagging where posts have settled, their mossy north faces dark. Between and behind the houses, gardens dissolve into meadow, and hedging and fruit trees interleave with the buildings until the settlement thins into open ground. Beyond the village, the valley climbs into layered ridges of forest -- broad rounded canopies massed into dark green at the near slope, paling into blue-grey on each successive ridge further away, so that atmospheric perspective does the depth work and the farthest hills soften nearly to haze. A few tall slender trees stand above the near canopy and catch the light along one edge. Sky fills the upper third, a pale clear wash with faint drifting high cloud. Light comes from the upper left and low, raking across the scene: the left-facing slopes of the valley and the houses' roofs facing that direction glow warm, the right and shadowed faces of every building and the inside of the tree canopy fall into cool deep green, and a long soft cast shadow lies from each house and tree across the lane, elongated and pooled in the hollows of the ground. The palette is entirely green and earth -- meadow grasses in yellowed and deep greens, dark forest green, clay and ochre and raw timber, grey stone, with the pale sky as the only cool relief and no bright accent admitted anywhere. Wildflowers in the near foreground meadow appear only where they catch the light, small pale points against the grass. The single physical detail: in the village's dead centre the lane's wheel ruts hold thin standing water from a recent rain, and their surfaces catch the sky in narrow bright slivers while the surrounding packed earth stays matte and dry. No smoke rises; nothing stirs; the stillness is total. Serene, unhurried.
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AI artwork
Avatar image of リオ
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ