Paparkan Parameter
- Mod
- pro
- Saiz
- 768 x 1280
- Negatif
- nsfw, lowres, bad anatomy, bad hands, text, error, missing fingers, extra digit, fewer digits, cropped, worst quality, low quality, normal quality, jpeg artifacts, signature, watermark, username, blurry
Model & LoRA yang digunakan
Imej Serupa
Papar lagi
Leva
benjamin_valera#0
白湯
qipao/cheongsam (sexy, with bold slits throughout), designed for a honey trap, seductive attire, alluring and captivating, eye-catching cleavage (three-dimensional composition), hair styled in buns., leva (girls' frontline 2), ump45 (girls' frontline), girls' frontline, girls' frontline 2: exilium, long hair, smile, shirt, skirt, brown hair, gloves, thighhighs, jacket, white shirt, standing, grey hair, yellow eyes, weapon, open clothes, boots, collared shirt, pleated skirt, necktie, one eye closed, black skirt, black jacket, open jacket, high heels, thigh strap, torn clothes, black boots, skindentation, scar, one side up, scar on face, tachi-e, high heel boots, asymmetrical legwear, scar across eye, anime illustration, great quality, best quality
白湯
Leva
benjamin_valera#0
gk
character: leva_\(girls'_frontline_2\), A medium shot from a eye-level angle depicting Leva in a melancholic netorare-themed scene, where she stands isolated in the center of the composition. Leva is a young woman with long brown and grey hair and piercing yellow eyes; she is dressed in a white shirt with an open collar, a yellow necktie, and a jacket draped over her shoulders. Her mechanical arms are visible, with her metallic fingers gripping the fabric of her jacket tightly in a gesture of anxiety and distress, while her expression is one of heartbroken longing and submission. The background is a dimly lit, sterile indoor corridor with cold concrete walls and flickering overhead fluorescent lights that cast long, oppressive shadows. The atmosphere is heavy and somber, utilizing a muted color palette of greys and cold blues, with a shallow depth of field and subtle chromatic aberration to emphasize her emotional isolation and the cinematic gloom of the setting.
Griseo Kaslana
Komen