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Di PixAI, prompt bersifat awam secara lalai, tetapi pencipta boleh menyembunyikannya pada mana-mana karya yang mereka terbitkan. Pencipta karya ini memilih untuk berbuat demikian, jadi perkataan yang digunakan untuk menjana imej ini kekal peribadi dan hanya penciptanya sahaja yang boleh melihatnya. Menyembunyikan prompt tidak mengubah apa-apa yang lain: karya ini masih awam, dan anda masih boleh menyukai, mengulas dan berkongsinya seperti biasa.
Disembunyikan oleh penulis
Perbesar
Model & LoRA yang digunakan
Imej Serupa
Papar lagi
オフィスワーカー
水車場
1girl, solo, full body shot, standing, young Japanese businesswoman, black hair, neat inner-turned bob cut, blunt bangs, hair tucked behind one ear, dark brown eyes, gentle closed-lip smile, looking at camera, head tilted slightly, black well-tailored business suit jacket, single-breasted jacket fastened at one button, white collared dress shirt, top two buttons unbuttoned, open collar, bare throat, no necktie, black tight pencil skirt, hem at the knee, sheer black tights, black pump heels, pigeon-toed posture, toes turned inward, knees close together, hands loosely clasped in front of the skirt, weight on one leg, hip slightly out, shoulders relaxed, modern office, blurred corporate background, soft corporate office lighting, photorealistic, 8k resolution, highly detailed.
The camera is a full-body vertical frame taken from just below her eye level, so the figure fills the height of the image from the crown of her bob to the tips of her black pumps, with a narrow margin of floor and dropped ceiling above and below her. She stands a little off the center line, body angled about twenty degrees to her left, and she turns her face back toward the lens. Her head tips slightly to her left, one brow faintly lifted, the corners of her lips curved into a soft closed-mouth smile; her eyes meet the camera directly and hold it, warm and composed rather than bright. Her feet are turned inward toward each other in a pigeon-toed stance, the toes of her pumps nearly meeting while her heels splay outward; her weight sits on her right leg, that hip pressed up and out, the left knee bent and drifting inward, both knees held close together. Her hands are loosely clasped in front of the top of her pencil skirt, fingers interlaced, the fingertips of her right hand resting on the back of her left. The inner-turned bob is neat and even, its ends curling under along her jaw on both sides, one side tucked behind her ear; a few strands stir faintly where the office air moves across her shoulder.
Her well-tailored black suit jacket is buttoned at a single point at her waist, its lapels falling open in a narrow V, the front edges pulling gently apart above the button so the white shirt shows through in a clean stripe down the center. The shirt's top two buttons are unfastened; the collar stands open and soft, the two points sitting away from the base of her throat so the bare skin of her neck reads clearly, and nothing sits at the throat. The jacket's shoulders sit square and precise, its sleeves ending at her wrists. Below, the black pencil skirt is tight and unbroken, hugging her hips and thighs and tapering to a straight hem at the knee, splitting only where she bends her left knee. The sheer black tights darken her legs evenly from the hem down, their fine weave catching the overhead light in a faint sheen along the front of each shin and over the tops of her feet; inside the pumps the tights smooth away the line of the shoe's edge. A soft upward shadow gathers inside the open collar and beneath the skirt hem.
The office lighting is diffuse and cool-neutral, coming from broad recessed ceiling panels and a wash of daylight from windows off to her right, so her face is lit evenly from slightly above and her right side is a touch brighter than her left; the light lays a low soft sheen along the top of her bob and down the front of the tights. The background is a defocused corporate interior — the pale cool gray of partitions sliding into darker glass at the frame's upper right, the suggestion of a desktop and a chair reduced to soft shapes, a muted cool blue-gray behind her right shoulder — blurred enough that none of it competes with her silhouette, and the shallow depth of field keeps a faint halo of light around the edge of her hair where the ceiling panels sit behind her. The palette holds to black, white, cool gray and the warm natural tone of her skin and face, nothing else admitted.
Photorealistic skin with visible fine texture, individual hairs along the bob's edge, the matte weave of the suit cloth and the faint ribbing of the tights, all rendered at photographic sharpness up to the point where the background defocus begins; the slight sheen of clean floor tile catching her inverted reflection, softer and darker than she is, at the bottom edge of the frame. Quiet, poised, effortlessly polished.
むぎ
1girl, solo, full body shot, standing, young Japanese businesswoman, black hair, neat inner-turned bob cut, blunt bangs, hair tucked behind one ear, dark brown eyes, gentle closed-lip smile, looking at camera, head tilted slightly, black well-tailored business suit jacket, single-breasted jacket fastened at one button, white collared dress shirt, top two buttons unbuttoned, open collar, bare throat, no necktie, black tight pencil skirt, hem at the knee, sheer black tights, black pump heels, pigeon-toed posture, toes turned inward, knees close together, hands loosely clasped in front of the skirt, weight on one leg, hip slightly out, shoulders relaxed, modern office, blurred corporate background, soft corporate office lighting, photorealistic, 8k resolution, highly detailed.
The camera is a full-body vertical frame taken from just below her eye level, so the figure fills the height of the image from the crown of her bob to the tips of her black pumps, with a narrow margin of floor and dropped ceiling above and below her. She stands a little off the center line, body angled about twenty degrees to her left, and she turns her face back toward the lens. Her head tips slightly to her left, one brow faintly lifted, the corners of her lips curved into a soft closed-mouth smile; her eyes meet the camera directly and hold it, warm and composed rather than bright. Her feet are turned inward toward each other in a pigeon-toed stance, the toes of her pumps nearly meeting while her heels splay outward; her weight sits on her right leg, that hip pressed up and out, the left knee bent and drifting inward, both knees held close together. Her hands are loosely clasped in front of the top of her pencil skirt, fingers interlaced, the fingertips of her right hand resting on the back of her left. The inner-turned bob is neat and even, its ends curling under along her jaw on both sides, one side tucked behind her ear; a few strands stir faintly where the office air moves across her shoulder.
Her well-tailored black suit jacket is buttoned at a single point at her waist, its lapels falling open in a narrow V, the front edges pulling gently apart above the button so the white shirt shows through in a clean stripe down the center. The shirt's top two buttons are unfastened; the collar stands open and soft, the two points sitting away from the base of her throat so the bare skin of her neck reads clearly, and nothing sits at the throat. The jacket's shoulders sit square and precise, its sleeves ending at her wrists. Below, the black pencil skirt is tight and unbroken, hugging her hips and thighs and tapering to a straight hem at the knee, splitting only where she bends her left knee. The sheer black tights darken her legs evenly from the hem down, their fine weave catching the overhead light in a faint sheen along the front of each shin and over the tops of her feet; inside the pumps the tights smooth away the line of the shoe's edge. A soft upward shadow gathers inside the open collar and beneath the skirt hem.
The office lighting is diffuse and cool-neutral, coming from broad recessed ceiling panels and a wash of daylight from windows off to her right, so her face is lit evenly from slightly above and her right side is a touch brighter than her left; the light lays a low soft sheen along the top of her bob and down the front of the tights. The background is a defocused corporate interior — the pale cool gray of partitions sliding into darker glass at the frame's upper right, the suggestion of a desktop and a chair reduced to soft shapes, a muted cool blue-gray behind her right shoulder — blurred enough that none of it competes with her silhouette, and the shallow depth of field keeps a faint halo of light around the edge of her hair where the ceiling panels sit behind her. The palette holds to black, white, cool gray and the warm natural tone of her skin and face, nothing else admitted.
Photorealistic skin with visible fine texture, individual hairs along the bob's edge, the matte weave of the suit cloth and the faint ribbing of the tights, all rendered at photographic sharpness up to the point where the background defocus begins; the slight sheen of clean floor tile catching her inverted reflection, softer and darker than she is, at the bottom edge of the frame. Quiet, poised, effortlessly polished.
むぎ
オフィスワーカー
水車場
Terokai lebih banyak
Pengguna Disyorkan
Anda Mungkin Suka
ᯓ★ ⚡ ♡ ᯓ★
(mai)
Winter joy in the snow
FriddaTiss
kyramisu
2
logos
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
Hu Tao
KanKan Matcha
Tilith, the Goddess of Magical Star
entrophee_E:
푸른 물결 속의 신비로운 소녀
조개
X-Ray • Verina
ichikiki
anime
𝚖𝚎𝚛𝚒𝚖𝚎𝚛𝚒
miku
𝚖𝚎𝚛𝚒𝚖𝚎𝚛𝚒
samsara asura
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
🧣🚉 🪐 ‧₊˚ ♡ ˚₊‧
(mai)
❄️Lolicia❄️
weirdcore...
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
HaruYuu 02
uzukun
reunited at last
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
₊˚⊹♡ 𝗯𝘂𝗻𝗻𝘆 𝗴𝗶𝗿𝗹 ♡⊹˚₊
●♡⃝ 𝓑𝓾𝓽𝓽𝓮𝓻𝓯𝓵𝔂•ʚїɞ.𝕏𝕠
...
Tofu
1
...
Tofu
2
₊˚ ꒰ᐢ. .ᐢ꒱ 🍓🍞 ✧
(mai)
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica
Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
Sg75
...
Tofu
이름
이름
1
Komen