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AI artwork
Jana Secara Percuma

Joseph Taylor

Lebih Banyak untuk Dilihat

Komen

1girl, masterpiece, swollen fullbody balloon inflation expanding size, spherical inflation, 4k, super big size, fullbody balloon inflation, immobile, immobilization, air inflation, huge belly, huge ass, huge breasts, hyper belly, non-canonical size, huge lips, ready to pop, anthro, purple eyes, black leggings, black shirt, yellow crop top, yellow sneakers, padded gloves
Paparkan Parameter
Saiz
768 x 1280
Langkah Pensampelan
28
Skala CFG
6
Negatif
worst quality, photorealistic, bad anatomy, blur, low resolution
Pembaikan Muka

Model & LoRA yang digunakan

Imej Serupa

Papar lagi
AI artwork
純斗
character: cure_lemonade, cure_muse, charlotte_(madoka_magica) cure muse, cure lemonade, 2girls, candy house interior, red and white candy tentacles, tentacles from ceiling, tentacles wrapped around arms and legs, limbs pinned to ceiling, suspended, upside-down capture, evil sweets witch, candy staff, staff impaled through stomach, stomach piercing, purple sticky candy coating, purple syrup spreading over body, candy coating creeping over skin, pained expression, suffering, clenched teeth, furrowed brow, sweat, trembling, defeated, heroine in pinch, boundary between cure muse and cure lemonade, transformation in progress, from below, worm's-eye view, dutch angle, close-up on torso and face, anime style illustration, candy-colored palette, glossy wet highlights, half-closed eyes, tears, strained voice, spoken_heart The camera is low, tilted up from the candy-house floor: a worm's-eye view on a dutch angle, so the ceiling fills the top of the frame and the witch, small at the bottom edge, drives her staff upward into the shot. Cure Muse hangs from the ceiling at the upper center, back and shoulder blades flat against the candy-shelled ceiling, her arms and legs pulled wide and pinned there by red and white candy tentacles — striped rope-like cords that come out of the ceiling glaze, coil the wrists and ankles three times each, and flatten her palms and soles against the candy surface. Her weight sags downward from the pinned wrists and ankles, so her body bows in a shallow arc, chest pulled up, skirt and hair falling toward the floor. Her head is thrown back against the ceiling, jaw clenched, teeth bared, brow crushed together, one eye squeezed shut and the other wide with tears gathered at the lower lid; a sheen of sweat runs from her temple into the hair at her ear. Both her own hands are empty and spread, fingers splayed and straining against the tentacle coils. The witch stands below and to the right, planted on the tiled candy floor with her weight on her front foot, both hands gripping the long candy staff and driving it up and forward; contact is the staff's spiraled tip sunk into Cure Muse's midriff, the fabric around the entry point dimpled inward and darkened wet. The witch's chin lifts so her eyes follow the staff upward, watching her own work with a lopsided, closed-lip curl. From that single wound, the purple candy is spreading — the point of the rule that the subject is now Cure Lemonade: the syrup crawls outward across the abdomen and up the ribs in thick glossy rivulets, its leading edge uneven and beaded, half-covering the costume and lacquering every contour it passes over with a wet violet sheen. The skin under the still-clear candy shows through faintly; where the coating has doubled over itself it is darker and more opaque. Coating and tentacles catch the one light source in the room — a warm candy-lamp glow from below the floor line, so the undersides of Cure Muse's chin, arms and chest are lit and the ceiling behind her falls into dark raspberry shadow; every wet surface throws a small hard highlight and the syrup runs with fixative slowness, a thin violet thread dripping from the edge of her hip and hanging, catching the light. A small hand-drawn heart floats in a speech bubble beside her face, no words in it. The candy house interior wraps the whole frame: piped-icing moldings, gumdrop tiles and lollipop window frames, all slightly oversaturated and saccharine, which makes the syrup's violet and the tentacles' red and white the only hard colors in the shot. Pale mint-and-cream walls and floor, sugar-white trim, deep raspberry shadow. Glossy, thick-outlined anime style illustration with cel shading and wet highlight rendering. Bright, sickly-sweet and cruel.
純斗

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Pengguna Disyorkan

Anda Mungkin Suka

AI artwork
Avatar image of Kani x
character: tenma_tsukasa "", , , digital illustration, cel shading, iridescent palette, pastel aesthetic, pastel colors, soft gradients, subtle color shifts, "painterly semi-realistic anime: faceted torn-glass shading, loose linework, warm golden rim light, lens-flare/prism edges, jewel or earthy palette, large gradient eyes, ornate vintage costuming, dynamic off-balance poses.", pastel_candy_style, dreamy pastel anime illustration, delicate soft lineart, luminous glossy eyes, gentle glowing lighting, glossy hair highlights, intricate frills and decorative details, tenma tsukasa, sitting on a pile of stars with a high angle, one hand over his eye, light reflecting off his face. darkness below but harsh light up ahead, hair swept back, looking up, side high angle, star theme, Tenma tsukasa looking up, dark themes""
Kani x
AI artwork
Avatar image of リオ
character: kagamine_rin, copyright: vocaloid lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
リオ
AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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