Mizuki

Published on Aug 7, 2026

Mizuki

monochrome, blue theme, sketch, blue pencil, construction lines, perspective grid, spherical perspective, curvilinear perspective, fisheye, five-point perspective, circle frame, meridian lines, latitude lines, globe grid, train interior, train car, hanging straps, strap rings, train doors, windows, seats, handrail, stickers, 1girl, short hair, bob cut, arm up, holding strap, holding phone, looking down, shoulder bag, skirt, loafers, standing, margin notes, diagram, sphere study, handwritten notes, arrows, angle marks, unfinished, study page, tutorial, white background, square composition, A curvilinear perspective construction sketch in blue pencil on cold white paper: the interior of a train car drawn inside a fully exposed spherical perspective grid. A large circle bounds the fisheye view, filled with a globe-like armature of meridian lines converging toward top and bottom poles and arcing latitude lines — the construction grid left unerased, coexisting with the scene lines. Everything in the car bends along this sphere: a row of hanging strap rings arcs across the top from near to far, double sliding doors with windows and small stickers curve at the center, a priority-seat area with a handrail pole, seats and wall signs bows along the right, bench seats and windows sweep away along the meridians on the left, floor seams all curved. At the center stands a girl with a chin-length bob, one arm raised gripping a strap ring, the other hand holding a phone at her chest, head tilted down, a large shoulder bag slung across her body, short skirt, socks and loafers — nearly undistorted at the sphere's center where curvature is minimal, as spherical perspective dictates. In the margins, the artist's working notes: small sphere studies in the upper left with axis lines, handwritten marks for "up" and "horizontal" and angle numbers, arrows; two more tiny practice spheres mid-left; a small rectangular flat-perspective comparison box upper right; another axis sphere lower right. Overlapping strokes, overshooting lines and corrections all preserved, a perspective-method study page, square composition

Paparkan Parameter

Prompt Asal: monochrome, blue theme, sketch, blue pencil, construction lines, perspective grid, spherical perspective, curvilinear perspective, fisheye, five-point perspective, circle frame, meridian lines, latitude lines, globe grid, train interior, train car, hanging straps, strap rings, train doors, windows, seats, handrail, stickers, 1girl, short hair, bob cut, arm up, holding strap, holding phone, looking down, shoulder bag, skirt, loafers, standing, margin notes, diagram, sphere study, handwritten notes, arrows, angle marks, unfinished, study page, tutorial, white background, square composition , A curvilinear perspective construction sketch in blue pencil on cold white paper: the interior of a train car drawn inside a fully exposed spherical perspective grid. A large circle bounds the fisheye view, filled with a globe-like armature of meridian lines converging toward top and bottom poles and arcing latitude lines — the construction grid left unerased, coexisting with the scene lines. Everything in the car bends along this sphere: a row of hanging strap rings arcs across the top from near to far, double sliding doors with windows and small stickers curve at the center, a priority-seat area with a handrail pole, seats and wall signs bows along the right, bench seats and windows sweep away along the meridians on the left, floor seams all curved. At the center stands a girl with a chin-length bob, one arm raised gripping a strap ring, the other hand holding a phone at her chest, head tilted down, a large shoulder bag slung across her body, short skirt, socks and loafers — nearly undistorted at the sphere's center where curvature is minimal, as spherical perspective dictates. In the margins, the artist's working notes: small sphere studies in the upper left with axis lines, handwritten marks for "up" and "horizontal" and angle numbers, arrows; two more tiny practice spheres mid-left; a small rectangular flat-perspective comparison box upper right; another axis sphere lower right. Overlapping strokes, overshooting lines and corrections all preserved, a perspective-method study page, square composition
Mode: ultra
Saiz: 2048 x 2048
Negatif: worst quality, photorealistic, bad anatomy, blur, low resolution

Pembantu Prompt