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AI art "天井近くのテレビから落っこちる貞子" featuring #raksasa, #Sadako Yamamura, #Seram, #Ring and #Summer Horror Contest
Jana Secara Percuma

天井近くのテレビから落っこちる貞子

Contest Entry
Summer Horror Contest
#raksasa#Sadako Yamamura#Seram#Ring
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Komen1

Di PixAI, prompt bersifat awam secara lalai, tetapi pencipta boleh menyembunyikannya pada mana-mana karya yang mereka terbitkan. Pencipta karya ini memilih untuk berbuat demikian, jadi perkataan yang digunakan untuk menjana imej ini kekal peribadi dan hanya penciptanya sahaja yang boleh melihatnya. Menyembunyikan prompt tidak mengubah apa-apa yang lain: karya ini masih awam, dan anda masih boleh menyukai, mengulas dan berkongsinya seperti biasa.
Disembunyikan oleh penulis

Model & LoRA yang digunakan

Imej Serupa

Papar lagi
AI artwork
Avatar image of むぎちゃ
character: yamamura_sadako 1girl, solo, (cute sadako:1.3), long messy black hair covering face, hair over face, eyes peeking through hair, pale white skin, loose white dress, black tights, black pantyhose, crawling, on all fours, pigeon-toed, crawling out of a television screen, emerging from TV, television with static noise, screen filled with static, dark room, indoor, from below, dutch angle, low angle, foreshortening, outstretched arm, looking at viewer, spooky yet cute, colorful, detailed, anime style, masterpiece The camera sits low on the floor, tilted a few degrees off level, looking up and slightly along the length of the crawling girl so that her shoulders and face loom larger than her hips. She is a single girl coming out of a television that stands on short legs against the back wall of a small dark room, her white-dressed body halfway through the screen: her head and both shoulders are already out in the room, her torso clears the frame's glassless opening, and her hips and knees are still inside the thick glass border. Her messy black hair falls in long, straggling strands straight down from her scalp to well past her chest, hanging forward in a dense curtain that covers her whole face; the only break in that curtain is a narrow gap where both black eyes shine out through the strands, the pupils fixed straight ahead at the viewer, the eyelids lifted wide and steady. Her pale white skin at the hands and the bit of throat reads nearly paper-white against the black hair and the black tights. She crawls on all fours in a pigeon-toed pose: both palms planted flat on the wooden floorboards in front of her, elbows locked and turned slightly outward, wrists bent so the fingers splay forward; one knee pulled up close under her hip and the other trailing back so the leg is still half-lost in the static inside the screen, and both toes turned inward toward each other so the tips of the black-clad feet point at one another on the floor. The loose white dress hangs from her shoulders in slack, light folds that pool and ruffle around her elbows and thighs, the long skirt brushing the floor; beneath it the black tights and pantyhose sheathe her legs in a smooth, faintly sheened dark tube down to the toes, the fabric darker where the knees press and stretch. Weight rides forward onto her planted hands, her back flat and level, spine curving just slightly upward at the shoulders. The static is the light: the screen behind her is filled edge to edge with fine, bright television snow that spills out of the screen and washes the room. It falls on the back of her head and the outside of her arms, glows through the loose white dress so her shoulders are lit from behind, and throws a hard pale glow onto her forearms and the palms flat on the boards. Because the light comes from the screen, the outer edges of the room fall into absolute darkness beyond that pool; the light throws her shadow forward along the floorboards, long, dark, and stretched out in front of her hands. The dust in the air catches the static glow and the floorboards' grain shows in soft gray and brown lines under her palms; a faint ring of tiny corner reflections glints on the static field where the curved glass edge bends the light. Static creeps onto the floor around the television's feet in fine grain, brightening the boards where the screen faces them. Palette is limited to the hot white-gray of the static, the deep black of the hair and the tights, the cold white of the dress, and the pale pink-white of her skin, with the dark room holding everything else in shadow; the color lives in the cool blue tint the static throws over the shadows and the warm faint amber of the floor where the light pool fades. Static hiss and the close, airless dark of the room fill the mood; the girl stares out of her hair curtain, motionless before her next push forward, spooky yet cute.
むぎちゃ
AI artwork
Avatar image of むぎちゃ
character: yamamura_sadako 1girl, solo, (cute sadako:1.3), long messy black hair covering face, hair over face, eyes peeking through hair, pale white skin, loose white dress, black tights, black pantyhose, crawling, on all fours, pigeon-toed, crawling out of a television screen, emerging from TV, television with static noise, screen filled with static, dark room, indoor, from below, dutch angle, low angle, foreshortening, outstretched arm, looking at viewer, spooky yet cute, colorful, detailed, anime style, masterpiece The camera sits low on the floor, tilted a few degrees off level, looking up and slightly along the length of the crawling girl so that her shoulders and face loom larger than her hips. She is a single girl coming out of a television that stands on short legs against the back wall of a small dark room, her white-dressed body halfway through the screen: her head and both shoulders are already out in the room, her torso clears the frame's glassless opening, and her hips and knees are still inside the thick glass border. Her messy black hair falls in long, straggling strands straight down from her scalp to well past her chest, hanging forward in a dense curtain that covers her whole face; the only break in that curtain is a narrow gap where both black eyes shine out through the strands, the pupils fixed straight ahead at the viewer, the eyelids lifted wide and steady. Her pale white skin at the hands and the bit of throat reads nearly paper-white against the black hair and the black tights. She crawls on all fours in a pigeon-toed pose: both palms planted flat on the wooden floorboards in front of her, elbows locked and turned slightly outward, wrists bent so the fingers splay forward; one knee pulled up close under her hip and the other trailing back so the leg is still half-lost in the static inside the screen, and both toes turned inward toward each other so the tips of the black-clad feet point at one another on the floor. The loose white dress hangs from her shoulders in slack, light folds that pool and ruffle around her elbows and thighs, the long skirt brushing the floor; beneath it the black tights and pantyhose sheathe her legs in a smooth, faintly sheened dark tube down to the toes, the fabric darker where the knees press and stretch. Weight rides forward onto her planted hands, her back flat and level, spine curving just slightly upward at the shoulders. The static is the light: the screen behind her is filled edge to edge with fine, bright television snow that spills out of the screen and washes the room. It falls on the back of her head and the outside of her arms, glows through the loose white dress so her shoulders are lit from behind, and throws a hard pale glow onto her forearms and the palms flat on the boards. Because the light comes from the screen, the outer edges of the room fall into absolute darkness beyond that pool; the light throws her shadow forward along the floorboards, long, dark, and stretched out in front of her hands. The dust in the air catches the static glow and the floorboards' grain shows in soft gray and brown lines under her palms; a faint ring of tiny corner reflections glints on the static field where the curved glass edge bends the light. Static creeps onto the floor around the television's feet in fine grain, brightening the boards where the screen faces them. Palette is limited to the hot white-gray of the static, the deep black of the hair and the tights, the cold white of the dress, and the pale pink-white of her skin, with the dark room holding everything else in shadow; the color lives in the cool blue tint the static throws over the shadows and the warm faint amber of the floor where the light pool fades. Static hiss and the close, airless dark of the room fill the mood; the girl stares out of her hair curtain, motionless before her next push forward, spooky yet cute.
むぎちゃ
AI artwork
Avatar image of むぎちゃ
character: yamamura_sadako 1girl, solo, (cute sadako:1.3), long messy black hair covering face, hair over face, eyes peeking through hair, pale white skin, loose white dress, black tights, black pantyhose, crawling, on all fours, pigeon-toed, crawling out of a television screen, emerging from TV, television with static noise, screen filled with static, dark room, indoor, from below, dutch angle, low angle, foreshortening, outstretched arm, looking at viewer, spooky yet cute, colorful, detailed, anime style, masterpiece The camera sits low on the floor, tilted a few degrees off level, looking up and slightly along the length of the crawling girl so that her shoulders and face loom larger than her hips. She is a single girl coming out of a television that stands on short legs against the back wall of a small dark room, her white-dressed body halfway through the screen: her head and both shoulders are already out in the room, her torso clears the frame's glassless opening, and her hips and knees are still inside the thick glass border. Her messy black hair falls in long, straggling strands straight down from her scalp to well past her chest, hanging forward in a dense curtain that covers her whole face; the only break in that curtain is a narrow gap where both black eyes shine out through the strands, the pupils fixed straight ahead at the viewer, the eyelids lifted wide and steady. Her pale white skin at the hands and the bit of throat reads nearly paper-white against the black hair and the black tights. She crawls on all fours in a pigeon-toed pose: both palms planted flat on the wooden floorboards in front of her, elbows locked and turned slightly outward, wrists bent so the fingers splay forward; one knee pulled up close under her hip and the other trailing back so the leg is still half-lost in the static inside the screen, and both toes turned inward toward each other so the tips of the black-clad feet point at one another on the floor. The loose white dress hangs from her shoulders in slack, light folds that pool and ruffle around her elbows and thighs, the long skirt brushing the floor; beneath it the black tights and pantyhose sheathe her legs in a smooth, faintly sheened dark tube down to the toes, the fabric darker where the knees press and stretch. Weight rides forward onto her planted hands, her back flat and level, spine curving just slightly upward at the shoulders. The static is the light: the screen behind her is filled edge to edge with fine, bright television snow that spills out of the screen and washes the room. It falls on the back of her head and the outside of her arms, glows through the loose white dress so her shoulders are lit from behind, and throws a hard pale glow onto her forearms and the palms flat on the boards. Because the light comes from the screen, the outer edges of the room fall into absolute darkness beyond that pool; the light throws her shadow forward along the floorboards, long, dark, and stretched out in front of her hands. The dust in the air catches the static glow and the floorboards' grain shows in soft gray and brown lines under her palms; a faint ring of tiny corner reflections glints on the static field where the curved glass edge bends the light. Static creeps onto the floor around the television's feet in fine grain, brightening the boards where the screen faces them. Palette is limited to the hot white-gray of the static, the deep black of the hair and the tights, the cold white of the dress, and the pale pink-white of her skin, with the dark room holding everything else in shadow; the color lives in the cool blue tint the static throws over the shadows and the warm faint amber of the floor where the light pool fades. Static hiss and the close, airless dark of the room fill the mood; the girl stares out of her hair curtain, motionless before her next push forward, spooky yet cute.
むぎちゃ

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Pengguna Disyorkan

Anda Mungkin Suka

AI artwork
Avatar image of リオ
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ