Mabel 2

Got the character but the style's all wrong

Published on 5 days ago

Simon Kennedy

Low angle medium shot of Mabel Pines, (Gravity Falls), expressive large wide eyes, dusting of freckles across cheeks, beaming cheerful expression, braces, confident reclining pose on a plush velvet sofa, arched back, playful direct gaze, wearing a cropped grainy black leather jacket, pleated mini skirt, assortment of kawaii-style plastic accessories, oversized fabric bow in hair, situated within a modern maximalist studio apartment, cluttered urban interior, pastel-colored walls adorned with sparkly stickers, twinkling fairy lights, precarious stacks of fashion magazines, scattered hand-drawn sketches, background filled with plush stuffed animals and a flickering neon sign, lighting defined by a dual-tone neon pink and blue ambient glow, soft ethereal rim lighting spilling from a nearby window, 35mm lens, f/2.8 aperture, Kodak Portra 400 film stock emulation, shallow depth of field with blurred foreground elements, electric magenta, charcoal black, soft cream, neon cyan color grade, tactile contrast of worn leather, soft velvet pile, polished hardwood flooring, reflective holographic plastics, diagonal framing, center-weighted composition, mood of youthful edgy trendiness, psychological undertone of exuberant confidence, contemporary digital art style, cel-shaded influence, glossy manicured nails, cinematic layered textures, inspired by the visual language of Jamie Hewlett and the vibrant saturation of Pop Art.,sh1ny

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