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AI art "Clockwork Station"

Clockwork Station

Contest Entry
PixAI Tsubaki.3 Creation Contest Now Open
#Skirt#Dress#Boots#long hair#solo#Looking down#Black hair#Phone#Pocket watch#Cellphone#Earrings#Clock#Brooch#orange eyes#Pendant#frills#Shirt#Long sleeves#Long skirt#Necklace#Jewelry#Black Dress#Girl#Holding#full body#Indoors#Smartphone#Long dress#Closed mouth#Magnifying glass
Published on 3 days ago
Avatar image of 𓂃 ࣪˖ ☽ 𝑳𝒚𝒓𝒂 ✦ ˚₊

𓂃 ࣪˖ ☽ 𝑳𝒚𝒓𝒂 ✦ ˚₊

Lebih Banyak untuk Dilihat
expressive brushstrokes, digital art, dry bristle brush texture, high-contrast glow, airbrushed soft shading, gritty canvas texture, loose semi-realistic rendering technique, soft iridescent gradient, glare and light particles,, semi-realistic, textured paint layering, delicate lines, impasto brushwork, smooth shading, glowing highlights, muted chromatic tones, subtle vivid accents, cinematic grain, sparkling irises, dreamlike atmosphere, , beautiful light, best shadow, color blink, A dreamy, semi-realistic anime painterly illustration with soft visible brushwork and gentle film grain. A young clockmaker with oversized waist-length ink-black hair drifting gently sideways stands in a flooded tram station at night, body turned three-quarters from the viewer, head bowed in quiet concentration. She cups an oversized antique pocket watch in both pale hands, thumb mid-motion on the winding crown, amber eyes focused downward; her knuckles are faintly smudged with soot. She wears a high-collared charcoal velvet frock coat slipping off her left shoulder, a fitted dark teal waistcoat with oxidized brass buttons, one enormous billowing white blouse sleeve gathered at a buttoned cuff, and an asymmetric knife-pleated skirt cascading into a heavy draped train that hovers just above the ankle-deep flood water. Thin watch chains loop at her hips, a gear-shaped brass brooch at her collar, lace-up ankle boots. In the still mirror-flat water before her, the surreal centerpiece: a giant clock face three meters across, half-sunken and melting into the flooded floor like warm wax, distorted numerals smearing molten gold into the water, bent second hand caught mid-tick, soft glowing ripples radiating outward. Behind her, mundane station details stand quietly in the water — pale tiled pillars, wooden benches, a suspended timetable with curling paper schedules, a shuttered ticket booth. Strong golden rim light from the sunken clock traces her hair, shoulder and hands from behind; cool grey-blue moonlight from a cracked skylight fills the space, long reflections stretching across the flood, painterly bloom where gold bleeds into the water. Muted grey-blue, charcoal and brown palette with molten gold as the single accent color, off-center composition with generous negative space, cinematic shallow depth of field, melancholy and tender mood.
Paparkan Parameter
Prompt Asal
A dreamy, semi-realistic anime painterly illustration with soft visible brushwork and gentle film grain. A young clockmaker with oversized waist-length ink-black hair drifting gently sideways stands in a flooded tram station at night, body turned three-quarters from the viewer, head bowed in quiet concentration. She cups an oversized antique pocket watch in both pale hands, thumb mid-motion on the winding crown, amber eyes focused downward; her knuckles are faintly smudged with soot. She wears a high-collared charcoal velvet frock coat slipping off her left shoulder, a fitted dark teal waistcoat with oxidized brass buttons, one enormous billowing white blouse sleeve gathered at a buttoned cuff, and an asymmetric knife-pleated skirt cascading into a heavy draped train that hovers just above the ankle-deep flood water. Thin watch chains loop at her hips, a gear-shaped brass brooch at her collar, lace-up ankle boots. In the still mirror-flat water before her, the surreal centerpiece: a giant clock face three meters across, half-sunken and melting into the flooded floor like warm wax, distorted numerals smearing molten gold into the water, bent second hand caught mid-tick, soft glowing ripples radiating outward. Behind her, mundane station details stand quietly in the water — pale tiled pillars, wooden benches, a suspended timetable with curling paper schedules, a shuttered ticket booth. Strong golden rim light from the sunken clock traces her hair, shoulder and hands from behind; cool grey-blue moonlight from a cracked skylight fills the space, long reflections stretching across the flood, painterly bloom where gold bleeds into the water. Muted grey-blue, charcoal and brown palette with molten gold as the single accent color, off-center composition with generous negative space, cinematic shallow depth of field, melancholy and tender mood.
Mode
pro
Saiz
1104 x 1840
Seed
6090297065664152
Negatif
lowres, worst quality, low quality, bad anatomy, explicit
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