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้ญใฝใใงใใใพใง How Fish Sausage Is Made
Seni AI "้ญใฝใใงใใใพใง How Fish Sausage Is Made" oleh ้ๆคฟ di PixAI. Tag: Makanan, ikan, abstrak, kilang, Sosej, Pukat, foodification.
ไธๆใชใฎใซ่ฆใใใซใใฃใฆใฏ่ธ่ก็ใซๆใใกใใๆใใฎ็ตตใ A drawing that, despite being poorly executed, somehow feels artistic depending on how you look at it. (This is Google Translate.)
Imej Serupa
Papar lagi
The Chilling Secret in the Cold Storage
Gr3ylok
wide shot, from side, profile, 1 adult, lone inspector, visibly adult man, heavy-set, short grey stubble, flat tired eyes, white rubber glove, both hands gloved, brushing frost, frost-covered hanging carcass, warm translucent membrane, skin membrane over meat, membrane gripping glove, shallow imprint, stretched rubber, hanging hooks, empty hooks, carcasses slipping free of hooks, plastic strip curtain, silhouettes behind curtain, pressing against curtain, bloody meltwater, boots, wet concrete floor, blue frost, bruised blue palette, raw meat red, stained cream, deep shadow, dirty surfaces, coarse 35 mm film grain, industrial freezer interior, overhead fluorescent tube, cold vapor, body horror, bleak
The camera sits low and off to the inspector's left, a true side view across the width of the failing freezer: the inspector stands in the left third in ragged profile facing right, the first carcass hanging in the centre, and the plastic strip curtain with its crowd of silhouettes filling the right third. The inspector is a heavy, visibly adult man in a stained cream coat, its hem stiff with old frost, collar turned up; his weight is on his back foot, one boot slid half a step back through the meltwater, torso leaned in towards the hanging meat, shoulders hunched against the cold. His face is near the carcass in profile โ jaw set, one brow drawn down, breath pluming in a short pale cloud, eyes fixed on the point where his glove meets the meat, not on the lens.
In the centre, the hanging carcass turns slowly on its hook, its upper surfaces furred with bruised blue frost, its lower flank raw meat red. Where the inspector's gloved hand sweeps the frost away, a patch of warm translucent skin has already grown, faintly opalescent, wetly lit from within; the membrane has climbed his glove, tightening across the rubber and pulling it into a shallow stretched imprint of knuckle and thumb, the cream rubber creased white with strain at the wrist. Frost has settled only on the upward-facing shoulders of the carcass and on the pipe above; the brushed-clean patch runs wet and dark where the frost used to be.
Behind him, along the back wall, the other carcasses hang wrong: several hooks are empty and swinging, the tracks greasy, and the freed carcasses have slumped forward to press flat against the plastic strip curtain, bulging it outward in slow heavy shapes, the strips sticking and peeling where the meat touches them. Behind the curtain, out of focus and backlit into pure silhouette, one figure stands upright at the same height as the inspector โ chest rising and falling in the exact same cadence as his, one beat behind, chin lifted, face unreadable.
Bloody meltwater spreads across the floor, thin and pink-brown, creeping in slow tongues under the inspector's boots and along the seams of the concrete, pooling where the floor has bellied; his boots have made two dark still rings in it. The freezer's single overhead fluorescent tube is the only light: a cold bruised-blue key that rakes down the hanging meat from above, leaving the underside of the carcass and the inspector's face below the brow in deep shadow; a weaker dirty amber leaks through the strip curtain from whatever is behind it, rimming the silhouettes. Palette held to bruised blue frost, raw meat red, stained cream and deep shadow, nothing else admitted.
Everything is filmed, not rendered: coarse 35 mm grain clumped in the shadows, halation blooming faintly around the fluorescent tube, dust and dried muck on the walls and the rail and the floor, condensation running down the metal. Bleak, quietly wrong.
Gr3ylok
ใๅใ ใผ๏ผ Itโs you!
้ๆคฟ
wide shot, from side, profile, 1 adult, lone inspector, visibly adult man, heavy-set, short grey stubble, flat tired eyes, white rubber glove, both hands gloved, brushing frost, frost-covered hanging carcass, warm translucent membrane, skin membrane over meat, membrane gripping glove, shallow imprint, stretched rubber, hanging hooks, empty hooks, carcasses slipping free of hooks, plastic strip curtain, silhouettes behind curtain, pressing against curtain, bloody meltwater, boots, wet concrete floor, blue frost, bruised blue palette, raw meat red, stained cream, deep shadow, dirty surfaces, coarse 35 mm film grain, industrial freezer interior, overhead fluorescent tube, cold vapor, body horror, bleak
The camera sits low and off to the inspector's left, a true side view across the width of the failing freezer: the inspector stands in the left third in ragged profile facing right, the first carcass hanging in the centre, and the plastic strip curtain with its crowd of silhouettes filling the right third. The inspector is a heavy, visibly adult man in a stained cream coat, its hem stiff with old frost, collar turned up; his weight is on his back foot, one boot slid half a step back through the meltwater, torso leaned in towards the hanging meat, shoulders hunched against the cold. His face is near the carcass in profile โ jaw set, one brow drawn down, breath pluming in a short pale cloud, eyes fixed on the point where his glove meets the meat, not on the lens.
In the centre, the hanging carcass turns slowly on its hook, its upper surfaces furred with bruised blue frost, its lower flank raw meat red. Where the inspector's gloved hand sweeps the frost away, a patch of warm translucent skin has already grown, faintly opalescent, wetly lit from within; the membrane has climbed his glove, tightening across the rubber and pulling it into a shallow stretched imprint of knuckle and thumb, the cream rubber creased white with strain at the wrist. Frost has settled only on the upward-facing shoulders of the carcass and on the pipe above; the brushed-clean patch runs wet and dark where the frost used to be.
Behind him, along the back wall, the other carcasses hang wrong: several hooks are empty and swinging, the tracks greasy, and the freed carcasses have slumped forward to press flat against the plastic strip curtain, bulging it outward in slow heavy shapes, the strips sticking and peeling where the meat touches them. Behind the curtain, out of focus and backlit into pure silhouette, one figure stands upright at the same height as the inspector โ chest rising and falling in the exact same cadence as his, one beat behind, chin lifted, face unreadable.
Bloody meltwater spreads across the floor, thin and pink-brown, creeping in slow tongues under the inspector's boots and along the seams of the concrete, pooling where the floor has bellied; his boots have made two dark still rings in it. The freezer's single overhead fluorescent tube is the only light: a cold bruised-blue key that rakes down the hanging meat from above, leaving the underside of the carcass and the inspector's face below the brow in deep shadow; a weaker dirty amber leaks through the strip curtain from whatever is behind it, rimming the silhouettes. Palette held to bruised blue frost, raw meat red, stained cream and deep shadow, nothing else admitted.
Everything is filmed, not rendered: coarse 35 mm grain clumped in the shadows, halation blooming faintly around the fluorescent tube, dust and dried muck on the walls and the rail and the floor, condensation running down the metal. Bleak, quietly wrong.
Gr3ylok
Terokai lebih banyak
Pengguna Disyorkan
Anda Mungkin Suka
แฏโ
โก โก แฏโ
(mai)
Winter joy in the snow
FriddaTiss
kyramisu
7
logos
แฏแฏ ๐๐ค๐๐ค๐๐ก๐ช๐๐๐
Hu Tao
KanKan Matcha
Tilith, the Goddess of Magical Star
entrophee_E:
ํธ๋ฅธ ๋ฌผ๊ฒฐ ์์ ์ ๋น๋ก์ด ์๋
์กฐ๊ฐ
anime
๐๐๐๐๐๐๐๐
miku
๐๐๐๐๐๐๐๐
๐งฃ๐ ๐ช โงโห โก หโโง
(mai)
โ๏ธLoliciaโ๏ธ
weirdcore...
แฏแฏ ๐๐ค๐๐ค๐๐ก๐ช๐๐๐
reunited at last
แฏแฏ ๐๐ค๐๐ค๐๐ก๐ช๐๐๐
โหโนโก ๐ฏ๐๐ป๐ป๐ ๐ด๐ถ๐ฟ๐น โกโนหโ
โโกโ ๐๐พ๐ฝ๐ฝ๐ฎ๐ป๐ฏ๐ต๐โขสัษ.๐๐
...
Tofu
5
...
Tofu
2
โห ๊ฐแข. .แข๊ฑ ๐๐ โง
(mai)
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica
Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
ใชใช
Sg75
...
Tofu
์ด๋ฆ
์ด๋ฆ
2
...
Tofu
...
Tofu
3
the ballerina
แฏแฏ ๐๐ค๐๐ค๐๐ก๐ช๐๐๐
Komen