にゃん

Diterbitkan pada a day ago

にゃん

8k, detailed illustration, clean outlines, masterpiece, best quality, a Japanese adult female falconer with a hawk perched on her arm wearing leather gloves, a field with remaining stubble, a hand pulling a string. Realistic texture with suppressed gloss, old scratches remaining on the leather gloves, the oily sheen on the hawk's feathers, the tension in the shoulder muscles as it begins to spread its wings, the fuzziness of the string tangled around the legs, the fading color of the hemp kimono's shoulder, the deformed shape of the obi knot, the fingers of the opposite hand supporting the arm, chips at the tips of the hawk's claws, fine feathers around the eyes, ruffled feathers when twisting the neck, marks of the string digging into the wrist, the boundary between the sunburnt neck and collar, hollow cheeks and the line of the jaw, stray hairs sticking to the forehead with sweat, dried grass powder falling on the shoulder, the softness of the white down feathers on the chest, dampness stained on the edges of the leather, frayed tips of the hawk's tail, the thickness of the arm where the sleeve is pushed up, sweat accumulated at the nape of the neck, the protrusion of the stitching on the glove fingers, feathers fluttering in the wind. Low evening light shining from the side, shadows are hard and long on the ground, the background field is dyed orange, the light source is placed outside the frame, only the edges of the hawk's feathers glow gold, the air is dry and cold, distant groves of trees are rendered in black, highlights are limited to 30% of the screen. Composed of ochre of dried grass, dark brown of leather, and grayish-brown of the hawk, saturation is kept low, only the yellow of the hawk's legs is accented, shadows are dark brown, no red, no green. Face is placed toward the top of the screen with the crown of the head within the frame, gaze is straight here, the hawk is placed slightly lower than the face, a single horizontal line of the arm passes through the screen, leave white space at the top, do not make the screen symmetrical, the line of the shoulder is slightly tilted from the horizontal, limit background elements to one, darken the four corners of the screen, upper body, frontal, stillness, masterpiece.

Paparkan Parameter

Prompt Asal: 革の手袋をはめた腕に一羽の鷹を据えた日本人の成年女性の鷹匠、刈り跡の残る田、紐をたぐる手。写実的な質感で艶を抑える、革の手袋に残る古い引っ掻き傷、鷹の羽に乗った油の照り、翼を広げかけた肩の筋の張り、脚に絡む紐の毛羽立ち、麻の着物の肩の色褪せ、帯の結び目の型崩れ、腕を支える反対の手の指、鷹の爪の先の欠け、目のまわりの細かい羽、首を捻った時の羽の逆立ち、手首に食い込む紐の跡、日に焼けた首と襟の境、頬のこけと顎の線、汗で額に張り付いた後れ毛、枯れ草の粉が肩に落ちる、胸の白い綿羽のやわらかさ、革の縁に染みた湿り、鷹の尾の先の擦り切れ、袖を押し上げた腕の太さ、襟足に溜まった汗、手袋の指の縫い目の盛り上がり、風に乱れる羽。夕方の低い光が真横から差す、影は硬く長く地面に伸ばす、背景の野は橙に染める、光源は画面の外に置く、鷹の羽が縁だけ金色に光る、空気は乾いて冷たくする、遠景の木立は黒く落とす、明部は画面の三割までに抑える。枯れ草の黄土と革の焦げ茶と鷹の灰褐色で組む、彩度は低く抑える、鷹の脚の黄色を一点だけ効かせる、影は焦げ茶にする、赤は使わない、緑は使わない。顔は画面の上寄りに置き頭頂まで画面に収める、視線はまっすぐこちら、鷹を顔より少し低い位置に置く、腕の横線を画面に一本通す、余白は上に残す、画面を左右対称にしない、肩の線を水平より少し傾ける、背景の要素は一つまでに絞る、画面の四隅を暗く落とす、上半身、正面、静けさ、傑作
Mod: lite
Saiz: 1280 x 768