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AI art "人生（鬱：現在）" featuring #Tiada manusia
Jana Secara Percuma

人生（鬱：現在）

Seni AI "人生（鬱：現在）" oleh rinn44 di PixAI. Dijana dengan Tsubaki.3 Flash.

なんかみんなうざいな…

#Tiada manusia
r4

rinn44

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Komen

no humans, scenery, monochrome, greyscale, cityscape, city, skyscrapers, buildings, architecture, wide shot, from below, looking up, worm's-eye view, cracks, fractured, shattered glass, mosaic, tessellation, geometric pattern, fissures, desolate, high contrast, dramatic shadows, sharp focus A dramatic wide shot from below, looking steeply upward through the towering canyon of an uninhabited monochrome metropolis. Monolithic skyscrapers and sheer glass towers converge in extreme linear perspective toward a stark zenith. Across the reflective curtain walls, concrete pillars, and architectural facades runs an intricate network of deep fissures and spiderweb cracks. Large sections of the buildings and pavement break apart into crystalline mosaic tiles, tessellated in contrasting shades of charcoal, slate grey, and stark white. Fractures radiate outward from structural stress points, cleanly segmenting window panes into fragmented geometric shards. Below, fissures split the ground plaza, where detached mosaic segments sit slightly displaced along fault lines. Diffuse, cold ambient light from above catches the razor edges of each fractured panel and mosaic facet with bright white highlights, while the narrow street corridors below plunge into pitch-black shadow. The crack vectors branch densely around load-bearing corners before tapering into razor-thin hairline fractures along flat spans, each displaced tile casting a precise, sharp-edged drop shadow onto the recessed surface beneath it. Absolute greyscale palette with no colour admitted. Desolate and surreal.
Paparkan Parameter
Prompt Asal
モノクロ世界・ビル・都会・モザイク・ひび割れ
Mod
flash
Saiz
1104 x 1824
Pembantu Prompt

Model & LoRA yang digunakan

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
2.25k

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AI artwork
安
no humans, scenery, architecture, ruined building, collapsed high-rise interior, ancient skyscraper, looking out through fallen wall section, exposed rusted steel skeleton, bent rebar, rib-like girders, broken floor, concrete rubble chunks, dangling severed cables, cables swaying overhead, dead air duct, rusted mechanical systems, deep shadows, skeletal wall opening as frame, distant cityscape, dozens of ruined sci-fi towers, crumbling exposed steel frames, towers half swallowed by gray mist, dense silent ruins, deep layered perspective, volumetric fog, atmospheric haze, monochrome, grayscale, cold gray tones, film grain, cinematic, wide shot, from inside, dark foreground silhouette framing, backlit by fog glow, no bright colors, empty, desolate, timeless decay. The camera sits deep within the collapsed high floor of an ancient skyscraper, low to the broken slab and set well back, so the fallen wall section ahead becomes a jagged skeletal frame around the shot; the vanished wall has left only rusted vertical steel columns and cross-braces, their edges corroded to flakes, and severed rebar bends inward and outward like a rib cage — some stubs curving toward the ceiling, others drooping toward the floor. In the near foreground the concrete slab is split by a long fracture running toward the opening, strewn with angular concrete chunks of mixed size, powder and grit gathered in the seams and against the upturned lip of the break; two severed cables hang from the ceiling shadow at upper left and upper center, their cut ends frayed, one cable still gently swaying so the frame catches it a few degrees off vertical, and a torn dead air duct — rectangular, its galvanized skin mottled with rust, its mouth crushed flat — sits slumped and half-disconnected in the left midground against a buckled column. To the right and deeper in, rusted mechanical systems — a stripped compressor housing, a fan cowl with blades seized at unequal angles, pipes severed and capped in corrosion — recede into the interior shadow, their forms dropping out of legibility as the darkness takes them, and the ceiling above sags in the upper corners of the frame, collapsing into black. Beyond the skeletal opening the city opens up in deep layered perspective: nearest, the exposed steel frames of the tower opposite stand with empty window bays and torn floor plates; behind them a second and third rank of ruined sci-fi towers, dozens in total, dense and silent, their verticals stepping back through successive planes of gray mist, each rank paler and softer than the one before; the farthest towers are barely more than ghost-straight verticals half swallowed by the fog, their tops dissolving entirely into the same gray air. The floor of the city below is not visible — the fog swallows it in a single flat plane — so the towers appear to stand in a sea of mist, crumbling steel crowns breaking its surface. Light comes from the mist itself and from a cold, diffuse sky beyond it, entering through the skeletal opening as a soft backlight: the opening's steel and rebar are rimmed in pale gray, the interior surfaces facing the opening catch the faintest edge light, and every surface turned away from it falls into near-black. No distinct sun, no visible light fixtures — the glow is the fog's own and nothing else illuminates the interior. Fog drifts in through the opening in slow thin banks, denser at the sill, thinning at eye level, thinning again at the ceiling, and the swaying cable's motion is the only thing in the frame that is not still. Palette: monochrome grayscale only, cold gray tones with a faint blue-green cast in the deepest shadows; mid-grays dominate the mist and the distant towers, blacks anchor the interior, and the brightest value in the image is the fog-softened sky seen between the rebar ribs. No warm color anywhere. Add a fine, even film grain across the whole frame, heaviest in the flat shadow fields, so the grain reads as the atmosphere of the place rather than as a filter. The comic-register detail is concentrated in the near foreground — the concrete chunks, the frayed cable ends, the rust scale on the rebar — and deliberately simplified in the distant ranks, where only silhouette and relative value remain.
安藤タケル
#pemandangan#Runtuhan#Bangunan

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AI artwork
Avatar image of リオ
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
4#Puella Magi Madoka Magica#Madoka Kaname#Puella Magi Madoka Magica
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