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AI artwork featuring #Genshin Impact, #Nahida and #PixAI Nasu
Jana Secara Percuma

Nahida, Genshin Impact

Contest Entry
Nasu's Tokyo Journey
#Genshin Impact#Nahida
Avatar image of Liya Hanterys

Liya Hanterys

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Komen

character: nahida_(genshin_impact), klee_(genshin_impact), copyright: genshin_impact 2girls, statue, marble, medium shot, museum, classical sculpture, chiton, laurel wreath, holding amphora, raised hand, blessing, pointed ears, low twintails, ahoge, side ponytail, serene, calm, closed eyes, fluted columns, vaulted ceiling, polished stone floor, floor reflection, skylight, subtle green veining, gold veining, anime style, painterly shading, cool neutral lighting, warm light beam Medium shot from eye level. Two petite elf-eared anime girls are rendered entirely as classical Greek marble statues standing atop smooth stone pedestals within a grand museum gallery. The statue on the left, sculpted with pointed elf ears, low twin pigtails, and a distinct upright curved ahoge cowlick, wears a carved leafy laurel wreath upon her head and a sleeveless chiton robe of draped white stone; her hands gently cradle a small carved marble amphora against her torso, her smooth carved face set in a peaceful, serene downward gaze. Beside her, the second marble statue features pointed elf ears and a side ponytail sweeping forward over her collarbone, similarly crowned with a carved laurel wreath and draped in a classical pinned chiton; her right hand is raised at chest level with fingers softly parted in a tranquil gesture of blessing, her sculpted eyelids slightly lowered in quiet contemplation. Both figures are hewn from luminous white marble laced with hairline fractures of soft sage-green and faint gilded veining that subtly traverse the stone folds and polished limbs. Behind them, colossal fluted columns rise in ordered perspective beneath a grand coffered vaulted ceiling, framing the deep gallery space. From high glass skylights directly overhead, cool diffused neutral light floods downward, casting soft ambient illumination across the statues' shoulders and drapery, while a single warm amber beam from an arched lateral window slants across the midground to graze their profiles with a warm golden rim. Below, the polished flagstone floor mirrors the statues and pedestal bases in blurred vertical reflections, the stone cool and luminous beneath the gentle light. Serene timelessness.
Paparkan Parameter
Mod
flash
Saiz
1536 x 2048

Model & LoRA yang digunakan

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
2.07k

Creation Assistant

Mio.2
Agent
Mio.2

Minimal input, professional output

Imej Serupa

Papar lagi
AI artwork
so
character: alice_margatroid, kirisame_marisa two girls, golden statue, full body, entire body made of gold, gold skin, golden hair, gold face, hollow empty golden eye sockets, eyeballs removed, missing eyeballs, blank unseeing empty sockets, no pupils, no irises, solid gold eyelids, panicked expression, flustered face, frozen mid-transformation, unconscious, lifeless, no awareness, huge breasts, O-cup, chest visible through clothing, clothes not golden, non-gold fabric, blonde hair, long hair, side braid, single braid, white hair bow, witch hat, black hat, hat bow, apron, black and white outfit, gold hands, gold fingers, gold feet, gold arms, gold legs, gold mouth, gold lips, standing statue, sculpted drapery, from below, wide shot, two-shot, museum interior, plinth, raking light, gold leaf sheen, cold marble The camera looks up from knee height at a slight upward tilt across a bare marble museum floor, and two life-size female statues stand side by side on one low pale plinth, both caught in the same instant of a transformation that has run to completion. Everything about their bodies is gold: skin, face, arms, hands, fingers, feet, legs, torso and hair, cast in dense yellow gold with the soft satin sheen of polished leaf over cast metal, every eyelash, lip line, knuckle and toenail sculpted in the same metal down to the faint dimples at the base of each finger. Neither figure has a single living surface left. On the left stands the shorter-haired one: chin-length wavy blonde gold bangs and a short gold bob sculpted into stiff waves around her jaw, a gold hairband fused into the hair, a gold capelet spreading in rigid fluted folds over the shoulders, gold frilled dress hem and gold ribbon ends, all of it gold and only the garment fabric below the capelet kept in its own colour. On the right stands the long-haired one: a long gold braid swings forward over her shoulder, a white cloth hair bow knotted at its end, a black witch hat with a white cloth bow sitting tilted on her head, both hat and bow non-golden and matte against the shining metal beneath. Below the hat she wears her black-and-white blouse, an apron, and the dark skirt, all of it ordinary dyed cloth, not gold, with the folds of the fabric creased hard where the gold caught it mid-motion. Both faces are entirely gold, and both wear the identical panicked expression frozen into the metal: brows drawn up and pinched inward, mouth open on a caught breath, cheeks pulled tight, a flinch that never resolved. In each face, where the eyes should be, the gold has closed inward into two hollow empty sockets, the eyeballs entirely absent, the gold rims of the lids peeled back and the cavities beneath left as scooped, shadowless hollows with nothing set inside them. At both chests the fabric has been pulled taut and translucent, the enormous O-cup breasts swelling through the cloth so the shape, curve and weight of each is fully visible through the cloth while the cloth itself stays its own non-gold colour, the thin fabric lifted and dimpled at each point of pressure. The gold skin beneath shows through this thin, semi-transparent cloth in warm patches. Both figures are limp and lifeless: no tension in the fingers, no focus in the empty sockets, heads lolled just slightly off axis, the gold holding the same arrested pose from the moment the transformation took them, no awareness left in either body. The only light is a single raking source from the upper left, grazing the gold so the highlight runs in a thin bright line along the top of each shoulder, the ridge of each brow and the curve of each breast, and so the empty eye sockets catch no light at all and stay flat and dead. A soft secondary fill lifts the first few inches above the plinth base, where the marble is polished enough to hold a dim, blurred, inverted reflection of both gold bodies that is softer and darker than the figures themselves. Deep shadow pools behind them and along the floor where the light falls away. Palette limited to yellow gold, the off-white of the marble, and the two non-gold garments' black, white and blue. A museum's worth of cold quiet around two warm corpses.
Soul of determination sans
#zetaCollab#Touhou Project#Marisa Kirisame
AI artwork
so
character: alice_margatroid, kirisame_marisa two girls, golden statue, full body, entire body made of gold, gold skin, golden hair, gold face, hollow empty golden eye sockets, eyeballs removed, missing eyeballs, blank unseeing empty sockets, no pupils, no irises, solid gold eyelids, panicked expression, flustered face, frozen mid-transformation, unconscious, lifeless, no awareness, huge breasts, O-cup, chest visible through clothing, clothes not golden, non-gold fabric, blonde hair, long hair, side braid, single braid, white hair bow, witch hat, black hat, hat bow, apron, black and white outfit, gold hands, gold fingers, gold feet, gold arms, gold legs, gold mouth, gold lips, standing statue, sculpted drapery, from below, wide shot, two-shot, museum interior, plinth, raking light, gold leaf sheen, cold marble The camera looks up from knee height at a slight upward tilt across a bare marble museum floor, and two life-size female statues stand side by side on one low pale plinth, both caught in the same instant of a transformation that has run to completion. Everything about their bodies is gold: skin, face, arms, hands, fingers, feet, legs, torso and hair, cast in dense yellow gold with the soft satin sheen of polished leaf over cast metal, every eyelash, lip line, knuckle and toenail sculpted in the same metal down to the faint dimples at the base of each finger. Neither figure has a single living surface left. On the left stands the shorter-haired one: chin-length wavy blonde gold bangs and a short gold bob sculpted into stiff waves around her jaw, a gold hairband fused into the hair, a gold capelet spreading in rigid fluted folds over the shoulders, gold frilled dress hem and gold ribbon ends, all of it gold and only the garment fabric below the capelet kept in its own colour. On the right stands the long-haired one: a long gold braid swings forward over her shoulder, a white cloth hair bow knotted at its end, a black witch hat with a white cloth bow sitting tilted on her head, both hat and bow non-golden and matte against the shining metal beneath. Below the hat she wears her black-and-white blouse, an apron, and the dark skirt, all of it ordinary dyed cloth, not gold, with the folds of the fabric creased hard where the gold caught it mid-motion. Both faces are entirely gold, and both wear the identical panicked expression frozen into the metal: brows drawn up and pinched inward, mouth open on a caught breath, cheeks pulled tight, a flinch that never resolved. In each face, where the eyes should be, the gold has closed inward into two hollow empty sockets, the eyeballs entirely absent, the gold rims of the lids peeled back and the cavities beneath left as scooped, shadowless hollows with nothing set inside them. At both chests the fabric has been pulled taut and translucent, the enormous O-cup breasts swelling through the cloth so the shape, curve and weight of each is fully visible through the cloth while the cloth itself stays its own non-gold colour, the thin fabric lifted and dimpled at each point of pressure. The gold skin beneath shows through this thin, semi-transparent cloth in warm patches. Both figures are limp and lifeless: no tension in the fingers, no focus in the empty sockets, heads lolled just slightly off axis, the gold holding the same arrested pose from the moment the transformation took them, no awareness left in either body. The only light is a single raking source from the upper left, grazing the gold so the highlight runs in a thin bright line along the top of each shoulder, the ridge of each brow and the curve of each breast, and so the empty eye sockets catch no light at all and stay flat and dead. A soft secondary fill lifts the first few inches above the plinth base, where the marble is polished enough to hold a dim, blurred, inverted reflection of both gold bodies that is softer and darker than the figures themselves. Deep shadow pools behind them and along the floor where the light falls away. Palette limited to yellow gold, the off-white of the marble, and the two non-gold garments' black, white and blue. A museum's worth of cold quiet around two warm corpses.
Soul of determination sans
#zetaCollab#Touhou Project#Marisa Kirisame

Terokai lebih banyak

Pengguna Disyorkan

Anda Mungkin Suka

AI artwork
Avatar image of ใƒชใ‚ช
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
ใƒชใ‚ช
3#Puella Magi Madoka Magica#Madoka Kaname#Puella Magi Madoka Magica
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