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AI art "Prison Break" featuring #One Piece and #Nico Robin
Jana Secara Percuma

Prison Break

#One Piece#Nico Robin
cc

Calvin Chiu

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Komen

character: nico_robin, copyright: one_piece 2persons, pov, first-person view, looking at viewer, from below, 1woman, long hair, black hair, blue eyes, sunglasses on head, orange sunglasses, leather vest, sarong, multiple arms, extra arms, crossed arms, floating flower petals, prison cell, dungeon, iron bars, broken lock, heavy chains, shackles, stone walls, torchlight, rim light, dust motes, light smile, confident, dramatic lighting From a low-angle first-person perspective seated on the damp stone floor inside a dim fortress dungeon, looking up at a tall, slender woman who stands poised in the ruined doorway. In the immediate lower foreground, the viewer's bound forearms are held forward, where two pairs of ethereal duplicate feminine arms sprout directly from the surface of the heavy iron wrist shackles, slender fingers grasping the rusted latch and levering the mechanism apart. The woman stands a pace away across the threshold, her own real arms crossed against her chest with wrists overlapped and fingers gracefully flared. She has long, wavy raven-black hair falling past her shoulders, vivid cornflower-blue eyes, and tinted orange sunglasses resting pushed back into her dark locks. She wears a sleeveless deep navy leather vest zipped halfway down the chest and a long wrap skirt patterned along the fabric draped to her ankles. Her gaze locks directly onto the viewer with a serene, knowing half-smile. Behind her, three more pairs of bloomed arms emerge seamlessly from the thick vertical iron bars of the cell gate, bending the sheared iron outward. A flurry of translucent pink flower petals drifts and tumbles through the air around each sprouted limb. A single iron-caged wall torch mounted down the stone corridor to the right provides the dominant warm amber key light, throwing long sharp shadows across the wet masonry floor and striking a bright rim along her shoulder and hair, leaving the interior corners of the cell in cool slate-blue darkness. Fine flakes of fractured iron and dried mortar drift downward from the warped cell door frame, settling only into the recessed grout lines of the stone tiles below. Daring rescue.
Paparkan Parameter
Prompt Asal
Nico Robin (time skip) breaking me out of prison in One Piece's world.
Mod
pro
Saiz
1104 x 1824
Negatif
lowres, worst quality, low quality, bad anatomy, explicit
Pembantu Prompt

Model & LoRA yang digunakan

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
6.37k

Imej Serupa

Papar lagi
AI artwork
大陽
character: boa_hancock, copyright: one_piece crowd scene, from below, dutch angle, 1 man, male prisoner, bound wrists, rope around torso, kneeling, on knees, in chains, ragged clothes, dirt on face, disheveled short brown hair, bruises, looking up, gritted teeth, large crowd of women, many women, female crowd, laughing, mocking, jeering, open mouths, pointing at another, cruel amusement, sneering, teeth, closed eyes from laughter, head thrown back, tall woman on throne, long black hair, blue eyes, snake earrings, gold jewelry, red dress, sitting, throne, ornate throne, snake motif, high-backed throne, dais, raised platform, looking down, looking at another, disdainful, half-closed eyes, contempt, chin lifted, arms resting on armrests, crossed legs, huge wooden ship interior, galleon stern, large hall, great cabin, beams, pillars, banners, red and gold, torchlight, warm light from below, long shadows, high contrast, cinematic lighting, wide shot, depth of field, dramatic perspective, oppressive atmosphere, humiliating, cinematic The camera sits low on the deck of the great stern hall of a towering wooden galleon, tilted a few degrees off level, so the room's beams and pillars converge overhead and the whole crowd appears to lean inward. In the center foreground, a single male prisoner kneels on the planked floor: wrists bound tight with coarse rope behind his back, more rope cinched around his chest and upper arms, torn tunic hanging open at the shoulder, short brown hair matted, dirt streaked across one cheek and a fresh bruise darkening the other. Both knees press hard into the boards, his weight pitched forward over them, his shoulders wrenched back by the binding, chest lifted, chin forced up. His eyes are fixed upward toward the throne, jaw clenched, teeth bared with the effort of not shouting. Around and behind him, a dense crescent of women from the ship's crew fill the midground: shoulders jostling, one woman thrown back with her head tipped and mouth wide in a roar of laughter, another bending forward with her arm extended and a finger aimed straight at the prisoner's back, a third with both hands on her stomach from the force of her laughing, mouths open, eyes creased shut or bright with glee, every face turned toward the kneeling man. Their laughter presses in from three sides; the nearest of them are only a few paces from his shoulder, and long shadows thrown by the torches cross the floor and break over his hunched back. At the far end of the hall, a raised dais of dark polished wood with steps at its front; the throne stands on it, tall and high-backed, its frame carved with serpent coils that twist up the posts and come together above the seat, cushions deep crimson. The woman seated in it is long-limbed and tall even sitting: black hair falling past her shoulders and down over one armrest, blue eyes half-shadowed under heavy lids, a golden serpent ornament curving at each ear, bracelets of gold at her wrists, a flowing red dress spilling over the seat and down one step. One leg crosses over the other at the knee, arms laid along the armrests with her fingertips resting light and still, spine eased back against the throne, chin lifted just enough to look down the whole length of the hall. Her gaze drops squarely onto the kneeling man, lids lowered, mouth flat with faint distaste, absolutely unmoved by the noise around her. Torchlight is the only light: sconces mounted low on the pillars throw warm up-light onto the underside of the beams, the fronts of the laughing faces, and the polished wood of the dais; everything above the torches falls into brown shadow, and the throne's carvings catch a thin hot rim of light along their edges. The palette holds to red, dark wood, gold and torch-amber against the prisoner's grey-brown rags, with no cool colour admitted. The flames' light reaches the floor unevenly, so the planks between the torches are the darkest thing in the frame. Humiliation, theatrical cruelty.
大陽

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AI artwork
Avatar image of Kani x
character: tenma_tsukasa "", , , digital illustration, cel shading, iridescent palette, pastel aesthetic, pastel colors, soft gradients, subtle color shifts, "painterly semi-realistic anime: faceted torn-glass shading, loose linework, warm golden rim light, lens-flare/prism edges, jewel or earthy palette, large gradient eyes, ornate vintage costuming, dynamic off-balance poses.", pastel_candy_style, dreamy pastel anime illustration, delicate soft lineart, luminous glossy eyes, gentle glowing lighting, glossy hair highlights, intricate frills and decorative details, tenma tsukasa, sitting on a pile of stars with a high angle, one hand over his eye, light reflecting off his face. darkness below but harsh light up ahead, hair swept back, looking up, side high angle, star theme, Tenma tsukasa looking up, dark themes""
Kani x
1#Hatsune Miku: Colorful Stage!#Tsukasa Tenma
AI artwork
Avatar image of リオ
character: kagamine_rin, copyright: vocaloid lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
リオ
18#Kagamine Rin#Vocaloid#Lofi Dream
AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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5#Attack on Titan#Mikasa Ackerman
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