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AI art "夜語トバリ" featuring #musim luruh, #But, #rambut panjang, #rambut menutup sebelah mata, #1 perempuan and #A.I.VOICE
Jana Secara Percuma

夜語トバリ

#musim luruh#But#rambut panjang#rambut menutup sebelah mata#1 perempuan#A.I.VOICE
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Komen

character: yogatari_tobari 1woman, solo, mature female, middle-aged woman, looking at viewer, long hair, straight hair, one-length cut, long bangs, bangs covering forehead, black hair, blue inner hair, multicolored hair, blue eyes, light smile, grey jacket, open jacket, lapels, grey shirt, collared shirt, skirt, brown pantyhose, leather boots, boots, autumn, autumn leaves, fallen leaves, outdoors, park, tree, stone path, full body, from below Seen from a low angle in a full-body composition, a poised middle-aged woman pauses along a stone promenade in mid-autumn. Her glossy black hair is cut in a clean, even one-length style that falls straight past her shoulders, parting slightly in movement to reveal vibrant deep blue inner layers, while long, even bangs hang straight down to graze her eyelashes, completely concealing her forehead. Her bright blue eyes lock directly onto the camera with a calm, discerning gaze, accompanied by a faint, dignified closed-lip smile that brings gentle maturity to her features. She wears a tailored charcoal-grey suit jacket with crisp lapels left unbuttoned over a light grey collared blouse, paired with a dark knee-length skirt and sheer brown pantyhose. On her feet, dark brown leather boots plant firmly onto the stone pavers, the block heels bearing her shifted body weight and pressing down against fallen maple leaves. One bare hand lightly holds the left lapel of her jacket near her collarbone against the cool autumn air, while her other hand hangs naturally at her side. To the side of the stone walkway in the midground, a low dark-lacquered wooden ground signpost displays the routed text "夜語トバリ" in clean white paint. Golden afternoon sunlight filters through the canopy of surrounding amber ginkgo and crimson maple trees, casting long diagonal cast shadows across the pavement. A steady autumn breeze pulls several detached leaves tumbling sideways across the mid-air, gently stirring the hem of her jacket and the tips of her straight hair in the same direction. Refined, serene.
Paparkan Parameter
Prompt Asal
中年女性、ロングヘア、ワンレンヘア 秋、ブーツ、カメラ目線、前髪を長くして、 夜語トバリ
Mod
pro
Tag Kualiti
﹝Arahan﹞
Saiz
1104 x 1824
Negatif
lowres, worst quality, low quality, bad anatomy, explicit
Pembantu Prompt

Model & LoRA yang digunakan

Imej Serupa

Papar lagi
AI artwork
sj
character: saori_(blue_archive), copyright: blue_archive 1girl, solo, saori \(blue archive\), long hair, blue hair, black hair, multicolored hair, colored inner hair, blue eyes, blue halo, large breasts, curvy, wide hips, thick thighs, thighs visible, black and brown dress, brown sweater, covered navel, black pencil skirt, pantyhose, handbag, carrying, walking, outdoors, tree-lined path, autumn leaves, dry leaves on ground, leaf, looking at viewer, smile, closed mouth, blush, full body, from side, cowboy shot, autumn The view is a three-quarter side tracking shot from slightly below hip height, the camera walking beside her as she passes: she advances along a leaf-strewn park path toward the left of the frame, torso turned a little toward the lens, chin tilted back over her left shoulder so her blue eyes land straight on the viewer. Her long blue hair -- dark blue at the crown, black along the outer lengths, and a bright blue inner layer catching the light where it swings forward over her collarbone -- lifts and streams back behind her with the forward step, the blue halo hovering just above and behind the crown of her head as a flat glowing ring, the only cool light in the frame. Which brings the smile: closed lips, one corner pressed up higher than the other, a soft rose blush spread across both cheekbones, and the eyes carrying the whole of it. She is mid-stride and the weight sits entirely on her front leg. Her right knee is lifted and just beginning to swing through, the toe of that shoe a hand's width off the ground; her left heel has already planted hard into the leaf layer, so the left hip pushes out and the pencil skirt pulls taut across it, the hem riding into a slight diagonal with the step. The black pencil skirt hugs her hips and thighs down to just above the knee, and beneath it the dark pantyhose catches a faint sheen on the front of the standing thigh and along the raised shin. Above the skirt the brown sweater is tucked flat, its knit ribbing pulled smooth over the bust and the curve of the waist, the hem sitting at the skirt waistband so the navel is fully covered; a black panel of the dress shows at the neckline and at the outer hip. Her left hand is hooked through the handles of a brown leather handbag, the bag bumping against her outer left thigh and swinging back a half-beat behind her stride; her right hand is loose and empty, fingers slightly curled beside the skirt. Around her, bare-trunked plane trees line the path in a receding row on both sides, thin mottled bark catching a warm rim along the left edges, branches interlacing overhead and laying dappled shadow across the ground; the path itself is half buried under dry leaves, orange, ochre and rust, and where her planted heel has driven in, the leaves press into a shallow crushed crater while loose ones skid and tumble a few centimetres ahead of her swinging foot. Behind her the path narrows and hazes out between the trunks, and a few leaves are still letting go, drifting down in slow spirals. Low golden autumn sun comes from behind-left of the camera, so it rims the left side of her jaw, shoulder and hip in a warm line, throws a soft long shadow forward-right across the leaves, and leaves the shadowed right side of her face and the underside of the bag in a cool blue-grey that picks up the halo. The palette is warm: gold, ochre, rust and bark brown, with the blue of her hair, her eyes and the halo as the single cool chord running through it. Crisp cel shading, clean linework and saturated autumn color give it its animated feel. Brisk, glowing.
Sandoval Juan Marcos
AI artwork
sj
character: saori_(blue_archive), copyright: blue_archive 1girl, solo, saori \(blue archive\), long hair, blue hair, black hair, multicolored hair, colored inner hair, blue eyes, blue halo, large breasts, curvy, wide hips, thick thighs, thighs visible, black and brown dress, brown sweater, covered navel, black pencil skirt, pantyhose, handbag, carrying, walking, outdoors, tree-lined path, autumn leaves, dry leaves on ground, leaf, looking at viewer, smile, closed mouth, blush, full body, from side, cowboy shot, autumn The view is a three-quarter side tracking shot from slightly below hip height, the camera walking beside her as she passes: she advances along a leaf-strewn park path toward the left of the frame, torso turned a little toward the lens, chin tilted back over her left shoulder so her blue eyes land straight on the viewer. Her long blue hair -- dark blue at the crown, black along the outer lengths, and a bright blue inner layer catching the light where it swings forward over her collarbone -- lifts and streams back behind her with the forward step, the blue halo hovering just above and behind the crown of her head as a flat glowing ring, the only cool light in the frame. Which brings the smile: closed lips, one corner pressed up higher than the other, a soft rose blush spread across both cheekbones, and the eyes carrying the whole of it. She is mid-stride and the weight sits entirely on her front leg. Her right knee is lifted and just beginning to swing through, the toe of that shoe a hand's width off the ground; her left heel has already planted hard into the leaf layer, so the left hip pushes out and the pencil skirt pulls taut across it, the hem riding into a slight diagonal with the step. The black pencil skirt hugs her hips and thighs down to just above the knee, and beneath it the dark pantyhose catches a faint sheen on the front of the standing thigh and along the raised shin. Above the skirt the brown sweater is tucked flat, its knit ribbing pulled smooth over the bust and the curve of the waist, the hem sitting at the skirt waistband so the navel is fully covered; a black panel of the dress shows at the neckline and at the outer hip. Her left hand is hooked through the handles of a brown leather handbag, the bag bumping against her outer left thigh and swinging back a half-beat behind her stride; her right hand is loose and empty, fingers slightly curled beside the skirt. Around her, bare-trunked plane trees line the path in a receding row on both sides, thin mottled bark catching a warm rim along the left edges, branches interlacing overhead and laying dappled shadow across the ground; the path itself is half buried under dry leaves, orange, ochre and rust, and where her planted heel has driven in, the leaves press into a shallow crushed crater while loose ones skid and tumble a few centimetres ahead of her swinging foot. Behind her the path narrows and hazes out between the trunks, and a few leaves are still letting go, drifting down in slow spirals. Low golden autumn sun comes from behind-left of the camera, so it rims the left side of her jaw, shoulder and hip in a warm line, throws a soft long shadow forward-right across the leaves, and leaves the shadowed right side of her face and the underside of the bag in a cool blue-grey that picks up the halo. The palette is warm: gold, ochre, rust and bark brown, with the blue of her hair, her eyes and the halo as the single cool chord running through it. Crisp cel shading, clean linework and saturated autumn color give it its animated feel. Brisk, glowing.
Sandoval Juan Marcos
AI artwork
sj
character: saori_(blue_archive), copyright: blue_archive 1girl, solo, saori \(blue archive\), long hair, blue hair, black hair, multicolored hair, colored inner hair, blue eyes, blue halo, large breasts, curvy, wide hips, thick thighs, thighs visible, black and brown dress, brown sweater, covered navel, black pencil skirt, pantyhose, handbag, carrying, walking, outdoors, tree-lined path, autumn leaves, dry leaves on ground, leaf, looking at viewer, smile, closed mouth, blush, full body, from side, cowboy shot, autumn The view is a three-quarter side tracking shot from slightly below hip height, the camera walking beside her as she passes: she advances along a leaf-strewn park path toward the left of the frame, torso turned a little toward the lens, chin tilted back over her left shoulder so her blue eyes land straight on the viewer. Her long blue hair -- dark blue at the crown, black along the outer lengths, and a bright blue inner layer catching the light where it swings forward over her collarbone -- lifts and streams back behind her with the forward step, the blue halo hovering just above and behind the crown of her head as a flat glowing ring, the only cool light in the frame. Which brings the smile: closed lips, one corner pressed up higher than the other, a soft rose blush spread across both cheekbones, and the eyes carrying the whole of it. She is mid-stride and the weight sits entirely on her front leg. Her right knee is lifted and just beginning to swing through, the toe of that shoe a hand's width off the ground; her left heel has already planted hard into the leaf layer, so the left hip pushes out and the pencil skirt pulls taut across it, the hem riding into a slight diagonal with the step. The black pencil skirt hugs her hips and thighs down to just above the knee, and beneath it the dark pantyhose catches a faint sheen on the front of the standing thigh and along the raised shin. Above the skirt the brown sweater is tucked flat, its knit ribbing pulled smooth over the bust and the curve of the waist, the hem sitting at the skirt waistband so the navel is fully covered; a black panel of the dress shows at the neckline and at the outer hip. Her left hand is hooked through the handles of a brown leather handbag, the bag bumping against her outer left thigh and swinging back a half-beat behind her stride; her right hand is loose and empty, fingers slightly curled beside the skirt. Around her, bare-trunked plane trees line the path in a receding row on both sides, thin mottled bark catching a warm rim along the left edges, branches interlacing overhead and laying dappled shadow across the ground; the path itself is half buried under dry leaves, orange, ochre and rust, and where her planted heel has driven in, the leaves press into a shallow crushed crater while loose ones skid and tumble a few centimetres ahead of her swinging foot. Behind her the path narrows and hazes out between the trunks, and a few leaves are still letting go, drifting down in slow spirals. Low golden autumn sun comes from behind-left of the camera, so it rims the left side of her jaw, shoulder and hip in a warm line, throws a soft long shadow forward-right across the leaves, and leaves the shadowed right side of her face and the underside of the bag in a cool blue-grey that picks up the halo. The palette is warm: gold, ochre, rust and bark brown, with the blue of her hair, her eyes and the halo as the single cool chord running through it. Crisp cel shading, clean linework and saturated autumn color give it its animated feel. Brisk, glowing.
Sandoval Juan Marcos

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